"Iowa Stubborn" is a song by Meredith Willson from his 1957 musical The Music Man . It is the first sung number in the show, following the show's unusual spoken opening, "Rock Island". The piece is sung in a schottische or "soft-shoe" rhythm. In the lyrics, the reserved and stoic citizens of River City, Iowa seek to persuade a visitor (who turns out to be the musical's protagonist, Professor Harold Hill) to "give Iowa a try." They sing of their "chip-on-the-shoulder attitude we've never been without that we recall. ... And we're so by God stubborn we can stand touchin' noses for a week at a time, and never see eye to eye."
Wilson lived in Iowa until he was 16 years old, and in his autobiography, he describes the concept of Iowa stubbornness this way: "My brother is a very smart man in the industrial field. Light aggregate concrete. In fact, he is an expert. I don't mind telling that to you, but it's the first time I've ever told it to him. That's what we call Iowa-stubborn." [1]
Eight Iowa cities are named near the end of the song, in the following order:
The song has been praised for representing both the service-oriented friendliness and the irrefragable conservativism characteristic of Iowans. [2]
The Music Man is a musical with book, music, and lyrics by Meredith Willson, based on a story by Willson and Franklin Lacey. The plot concerns con man Harold Hill, who poses as a boys' band organizer and leader and sells band instruments and uniforms to naïve Midwestern townsfolk, promising to train the members of the new band. Harold is no musician, however, and plans to skip town without giving any music lessons. Prim librarian and piano teacher Marian sees through him, but when Harold helps her younger brother overcome his lisp and social awkwardness, Marian begins to fall in love with him. He risks being caught to win her heart.
"I Am the Very Model of a Modern Major-General" is a patter song from Gilbert and Sullivan's 1879 comic opera The Pirates of Penzance. It has been called the most famous Gilbert and Sullivan patter song. Sung by Major General Stanley at his first entrance, towards the end of Act I, the character introduces himself by presenting his résumé and admitting to a few shortcomings. The song satirises the idea of the "modern" educated British Army officer of the latter 19th century. It is difficult to perform because of the fast pace and tongue-twisting nature of the lyrics.
Robert Reiniger Meredith Willson was an American flutist, composer, conductor, musical arranger, bandleader, playwright, and author. He is best known for writing the book, music, and lyrics for the 1957 hit Broadway musical The Music Man. He wrote two other Broadway musicals and composed symphonies and popular songs. He was twice nominated for Academy Awards for film scores.
Robert Preston Meservey was an American stage and film actor and singer of Broadway and cinema, best known for his collaboration with composer Meredith Willson and originating the role of Professor Harold Hill in the 1957 musical The Music Man and the 1962 film adaptation; the film earned him his first of two Golden Globe Award nominations. Preston collaborated twice with filmmaker Blake Edwards, first in S.O.B. (1981) and again in Victor/Victoria (1982). For portraying Carroll "Toddy" Todd in the latter, he was nominated for the Academy Award for Best Supporting Actor at the 55th Academy Awards.
"Ol' Man River" is a show tune from the 1927 musical Show Boat that contrasts the struggles and hardships of African Americans with the endless, uncaring flow of the Mississippi River. It is sung from the point of view of a black stevedore on a showboat, and is the most famous song from the show. The song is meant to be performed in a slow tempo; it is sung complete once in the musical's lengthy first scene by the stevedore "Joe" who travels with the boat, and, in the stage version, is heard four more times in brief reprises. Joe serves as a sort of musical one-man Greek chorus, and the song, when reprised, comments on the action, as if saying, "This has happened, but the river keeps rolling on anyway."
"Edelweiss" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is named after the edelweiss, a white flower found high in the Alps (Leontopodium nivale). The song was created for the 1959 Broadway production of The Sound of Music, as a song for the character Captain Georg von Trapp. In the musical, Captain von Trapp and his family sing this song during the concert near the end of Act II, as a statement of Austrian patriotism in the face of the pressure put upon him to join the navy of Nazi Germany following the Anschluss. It is also Captain von Trapp's subliminal goodbye to his beloved homeland, using the flower as a symbol of his loyalty to Austria. In the 1965 film adaptation, the song is also sung by the Captain earlier in the film when he rediscovers music with his children.
"Till There Was You" is a show tune written in 1950 by Meredith Willson, originally entitled "Till I Met You." It was originally recorded October 25, 1950, by Meredith Willson & his Orchestra and Eileen Wilson. The song was retitled and used in his musical play The Music Man (1957), and which also appeared in the 1962 movie version. It is sung by librarian Marian Paroo to "Professor" Harold Hill toward the end of Act Two.
"Seventy-Six Trombones" is a show tune and the signature song from the 1957 musical The Music Man, by Meredith Willson, a film of the same name in 1963 and a made-for-TV movie in 2003. The piece is commonly played by marching bands, military bands, and orchestras.
"You're Just in Love" is a popular song by Irving Berlin. It was published in 1950 and was first performed by Ethel Merman and Russell Nype in Call Me Madam, a musical comedy that made its debut at the Imperial Theatre in New York City on October 12 that year. The show ran for 644 performances. Ethel Merman also later starred in the 1953 film version. Theatre lore has it that Berlin wrote the song one night after Call Me Madam was not doing well in tryouts. The second act of the show was lacking. "What I'd like to do is a song with the kid ," Merman said. So, Berlin went to his room and later produced the counterpoint song. When Berlin played the song for Merman, she said, "We'll never get off the stage." Reportedly, Berlin played the song for Russell Nype first, but admonished him not to admit he did so because it would infuriate Merman.
"Shipoopi" is a song in the 1957 musical The Music Man by Meredith Willson. The song is sung by the character of Marcellus Washburn, a friend of con man "Professor" Harold Hill. It occurs in act 2 of the play during the dance committee's rehearsal which the town kids interrupt.
My Fair Lady is a 1964 American musical comedy-drama film adapted from the 1956 Lerner and Loewe stage musical based on George Bernard Shaw's 1913 stage play Pygmalion. With a screenplay by Alan Jay Lerner and directed by George Cukor, the film depicts a poor Cockney flower-seller named Eliza Doolittle who overhears an arrogant phonetics professor, Henry Higgins, as he casually wagers that he could teach her to speak "proper" English, thereby making her presentable in the high society of Edwardian London.
The Music Man is a 1962 American musical film directed and produced by Morton DaCosta, based on Meredith Willson's 1957 Broadway musical of the same name, which DaCosta also directed. Robert Preston reprises the titular role from the stage version, starring alongside Shirley Jones, Buddy Hackett, Hermione Gingold, Ron Howard, and Paul Ford.
The "Iowa Fight Song" is one of three fight songs currently used by the University of Iowa Hawkeye Marching Band along with "On Iowa" and "Roll Along Iowa". The music and lyrics were written by Iowa native Meredith Willson, also author of The Music Man, in 1950. The song is mostly a contrafact to his hit, "It's Beginning to Look a Lot Like Christmas," much in the same way that "76 Trombones" and "Goodnight, My Someone" from The Music Man are based on the same harmonic structure.
"After the Ball" is a popular song written in 1891 by Charles K. Harris. The song is a classic waltz in 3/4 time. In the song, an uncle tells his niece why he has never married. He saw his sweetheart kissing another man at a ball, and he refused to listen to her explanation. Many years later, after the woman had died, he discovered that the man was her brother.
"The Hunters of Kentucky", also called "The Battle of New Orleans" and "Half Horse and Half Alligator", was a song written to commemorate Andrew Jackson's victory over the British at the Battle of New Orleans. In both 1824 and 1828 Jackson used the song as his campaign song during his presidential campaigns.
"Goodnight, Ladies" is a folk song attributed to Edwin Pearce Christy, originally intended to be sung during a minstrel show. Drawing from an 1847 song by Christy entitled "Farewell, Ladies", the song as known today was first published on May 16, 1867.
The Ballad of Rodger Young is an American war song by Frank Loesser, written and first performed during World War II in March 1945. The ballad is an elegy for Army Private Rodger Wilton Young, who died after rushing a Japanese machine-gun nest on 31 July 1943, and is largely based on the citation for Young's posthumous Medal of Honor.
"Ya Got Trouble" is a song by Meredith Willson from the 1957 Broadway musical The Music Man, and its 1962 filmed version. It is one of the most popular and recognizable songs in the musical, and Robert Preston's performance in the film is admired. Willson considered eliminating a long piece of dialogue from his draft of The Music Man about the serious trouble facing River City parents. Willson realized it sounded like a lyric and transformed it into "Ya Got Trouble".
The Music Man is an album by American jazz composer and arranger Jimmy Giuffre featuring tunes from Meredith Willson's 1957 Broadway musical, The Music Man which was released on the Atlantic label in February 1958.
Sparkle Time was a musical radio program in the United States. It was broadcast on CBS October 4, 1946 - March 28, 1947.