Irene Clark | |
---|---|
Born | Irene Hardy 1934 Navajo Nation at Crystal, New Mexico, USA |
Nationality | Navajo |
Education | Special Program for Navajos in Chilocco, Oklahoma |
Known for | weaving, educating others in traditional Navajo weaving and fiber arts |
Spouse | Jimmy Clark Teesto |
Awards | Women's Caucus for Art Lifetime Achievement Award 1995 numerous first place awards from the Gallup Inter-Tribal Ceremonial, the Navajo Nation Fiar, and the Museum of Northern Arizona, Flagstaff |
Irene Hardy Clark is a Navajo weaver. Her matrilineal clan is Tabaahi (water's edge people) and her patrilineal clan is Honagha nii (he walks around one people). Her technique and style is primarily self-taught, incorporating contemporary and traditional themes. [1]
Her mother, Glenebah Hardy, mentored her in traditional techniques. Clark processes the sheep's wool used in her weavings by washing, cleaning, carding and hand spinning it. She then dyes it with plant and lichen dyes, and uses an upright steel loom to create the weaving. Clark's work has been exhibited in museums, art galleries and has been featured as the subject of the 1991 film, Weavers, by DeSciose Productions, Denver. [2] [3] [4] Clark is a traditional teacher, having shared her knowledge of weaving and techniques to several generations. [5]
Clark has exhibited her work at the Museum of Northern Arizona, Flagstaff; Kennedy Museum of Art at Ohio University; and had three works in a traveling exhibition originating at the Denver Art Museum, Contemporary Navajo Weaving: The Gloria F. Ross Collection of the Denver Art Museum that traveled to the Heard Museum, Phoenix; the Renwick Gallery of the National Museum of American Art, Washington, DC; the Joslyn Art Museum, Omaha; and the National Museum of the American Indian, New York City. [6] Clark has also shown at Gallery 10, [Scottsdale], Arizona and other art galleries. [7] [8] [9]
Clarks work is in the collection of the Denver Art Museum. [10] Her work is included in numerous public and private collections including the Edwin L. and Ruth E. Kennedy Southwest Native American collection at Ohio University. [11]
In 1990, Clark received a commission from Gloria F. Ross Tapestries, New York City to weave Nááts 'ííllid (Rainbow), and to interpret the paintings of the American artist, Kenneth Noland in tapestries. [12]
Women's Caucus for Art Lifetime Achievement Award 1995. [13]
Navajo weaving are textiles produced by Navajo people, who are based near the Four Corners area of the United States. Navajo textiles are highly regarded and have been sought after as trade items for more than 150 years. Commercial production of handwoven blankets and rugs has been an important element of the Navajo economy. As one art historian wrote, "Classic Navajo serapes at their finest equal the delicacy and sophistication of any pre-mechanical loom-woven textile in the world."
Melanie A. Yazzie is a Navajo sculptor, painter, printmaker, and professor. She teaches at the University of Colorado at Boulder.
Nancy Kozikowski is a contemporary American artist specializing in tapestry and painting known for creating large woven art displayed in public places.
Jane Kahan Gallery is an art gallery located in New York City that specializes in modern art. The gallery collection is founded on prints, monotypes, and paintings, including ceramics and works on paper by Pablo Picasso, and tapestries by artists such as Romare Bearden, Alexander Calder, Marc Chagall, Sonia Delaunay, Roberto Sebastián Matta, and Fernand Léger. Established by art dealer and collector Jane Kahan in 1973 following graduation from Mount Holyoke College, the gallery initially operated as Kahan Esikoff Fine Arts prior to changing the name to Jane Kahan Gallery. The gallery maintains its original space on the Upper East Side and an exhibition space in Lower Manhattan.
Kay Sekimachi is an American fiber artist and weaver, best known for her three-dimensional woven monofilament hangings as well as her intricate baskets and bowls.
Ramona Sakiestewa is a contemporary Hopi Native American artist who lives and works in Santa Fe, New Mexico. Sakiestewa is renowned for her tapestries, works on paper, public art, and architectural installations.
Judith Poxson Fawkes was an American tapestry weaver based in Portland, Oregon, who exhibited her works nationally beginning in the 1960s.
Gloria F. Ross (1923–1998) was an American designer who was born and died in New York City. She was well known as a tapestry artist who worked in close collaboration with painters and weavers to create contemporary wall hangings. Ross's work is held in the Minneapolis Institute of Art.
Christine McHorse, also known as Christine Nofchissey McHorse, was a Navajo ceramic artist from Santa Fe, New Mexico.
D.Y. Begay is a Navajo textile artist born into the Tóʼtsohnii Clan and born from the Táchiiʼnii Clan.
Melissa Cody is a Navajo textile artist from No Water Mesa, Arizona, United States. Her Germantown Revival style weavings are known for their bold colors and intricate three dimensional patterns. Cody maintains aspects of traditional Navajo tapestries, but also adds her own elements into her work. These elements range from personal tributes to pop culture references.
Grace Henderson Nez was a Navajo weaver, known for her traditional designs. Her main styles were old designs from the 19th century and Ganado style. Some of her work was demonstrated at the Hubbell Trading Post, which is home to an archive of works from various Navajo weavers. Before her death in 2006, she was able to win two lifetime achievement awards for her work, including a National Heritage Fellowship from the National Endowment for the Arts.
Kate Peck Kent, born Kate Stott Peck, was an American anthropologist who studied the history of Pueblo and Navajo textiles.
Marilyn Rea-Menzies is a New Zealand artist, principally known for her tapestry work, but who also exhibits drawing, painting, and digital print. She is considered one of New Zealand's leading textile artists.
Barbara Teller Ornelas is a Native American weaver and citizen of the Navajo Nation. She also is an instructor and author about this art. She has served overseas as a cultural ambassador for the U.S. State Department. A fifth-generation Navajo weaver, she exhibits her fine art textiles and educates about Navajo culture at home and abroad.
Daisy Taugelchee was a Navajo weaver. The Denver Art Museum declared Taugelchee as "widely considered the most talented Navajo weaver and spinner who ever lived". In 2004 one of her rugs was featured on a United States Postal Service stamp.
Eric-Paul Riege (Diné/Navajo) is a fiber artist who creates installations and performance art. Riege believes his work to be an homage to generations of weavers, and considers his work as an immersion in "ceremonies, and rituals, from his past, future, and present selves."
Mary Zicafoose is an American textile artist, weaver, and teacher who specializes in ikat, an ancient technique in which threads are wrapped, tied and resist-dyed before weaving. Zicafoose is the author of Ikat: The Essential Handbook to Weaving Resist-Dyed Cloth (2020). Her works are part of private and public collections, including at least 16 embassies around the world as part of the U.S. Art in Embassies Program.
Irene Emery (1900–1981) was an American art historian, scholar, curator, textile anthropologist, sculptor, and modern dancer. She was known for her pioneering research in systematically describing global textiles, and was a leading authority on ancient fabrics and textiles, and for her published book The Primary Structures of Fabrics: An Illustrated Classification (1966).
{{cite book}}
: CS1 maint: location missing publisher (link)