Iron Clad Building | |
   | |
| Location | 92 Main Street, Cooperstown, New York |
|---|---|
| Coordinates | Coordinates: 42°42′03″N74°55′33″W / 42.700706°N 74.925706°W |
| Built | 1862 |
| Part of | Cooperstown Historic District (ID97000937) |
The Iron Clad Building is a landmarked building in Cooperstown, New York. [1] It was built in 1862 by James Bogardus, the pioneer of cast iron architecture. [2] It is a contributing building to the Cooperstown Historic District.
The year 1862 in architecture involved some significant architectural events and new buildings.
James Bogardus was an American inventor and architect, the pioneer of American cast-iron architecture, for which he took out a patent in 1850.
Bogardus Place is located in the Inwood section of New York City borough of Manhattan. The one-block street was opened in 1912, and runs 642 feet (196 m) between Hillside Avenue and Ellwood Street, and is named for the family who previously owned much of the land that forms both Fort Tryon Park, and the Fort Tryon section.
Cast-iron architecture is the use of cast iron in buildings and objects, ranging from bridges and markets to warehouses, balconies and fences. Refinements developed during the Industrial Revolution in the late 18th century made cast iron relatively cheap and suitable for a range of uses, and by the mid-19th century it was common as a structural material, and particularly for elaborately patterned architectural elements such as fences and balconies, until it fell out of fashion after 1900 as a decorative material, and was replaced by modern steel and concrete for structural purposes.
75 Murray Street, also known as the Hopkins Store, is a historic building between West Broadway and Greenwich Street in the TriBeCa neighborhood of Manhattan, New York City. It was built in 1857-58 and features a cast-iron facade in the Venetian Renaissance style from the foundry of James Bogardus, one of the earliest of the few remaining facades created by the self-described inventor of cast-iron architecture.
The Kitchen, Montross & Wilcox Store at 85 Leonard Street between Broadway and Church Street in the TriBeCa neighborhood of Manhattan, New York City was built in 1861 in the Italianate style for a company which dealt in dry goods. The cast iron for the building's facade came from James Bogardus' ironworks, one of the few surviving buildings for which that is the case. The building's columns are referred to as "sperm-candle style" from their resemblance to candles made from spermaceti.
The design [of the building] combines classically-inspired elements with the non-classical emphasis on lightness, openness, and verticality which characterizes cast-iron architecture.
The E.V. Haughwout Building is a five-story, 79-foot tall, commercial loft building in the SoHo neighborhood of Manhattan, New York City, at the corner of Broome Street and Broadway. Built in 1857 to a design by John P. Gaynor, with cast-iron facades for two street-fronts provided by Daniel D. Badger's Architectural Iron Works, it originally housed Eder V. Haughwout's fashionable emporium, which sold imported cut glass and silverware as well as its own handpainted china and fine chandeliers, and which attracted many wealthy clients – including Mary Todd Lincoln, who had new official White House china painted here. It was also the location of the world's first successful passenger elevator.
Gamaliel King was an American architect who practiced in New York City and the adjacent city of Brooklyn, where he was a major figure in Brooklyn civic and ecclesiastical architecture for several decades.
The Cary Building at 105-107 Chambers Street, extending along Church Street to Reade Street, in the Tribeca neighborhood of Manhattan, New York City, was built in 1856-1857 and was designed by Gamaliel King and John Kellum in the Italian Renaissance revival style, with the cast-iron facade provided by Daniel D. Badger's Architectural Iron Work. The five-story twin-facaded building was constructed for William H. Cary's Cary, Howard & Sanger, a dry goods firm.
63 Nassau Street is a landmark building located on Nassau Street between Fulton and John Streets in the Financial District of Manhattan, New York City. It was built in the Italianate style c.1844, and had its cast-iron facade, attributed to James Bogardus, added in 1857-59, making it one of the first cast-iron buildings in the city. The attribution to Bogardus, a pioneer in the architectural use of cast iron, comes because of medallions of Benjamin Franklin identical to those on four other Bogardus projects, all now demolished. George Washington was also once represented with medallions.
254–260 Canal Street, also known as the Bruce Building, is a building on the corner of Lafayette Street in the Chinatown neighborhood of Manhattan, New York City. It was constructed in 1856–57 and designed in the Italian Renaissance revival style. The cast-iron elements of the facade may have been provided by James Bogardus, a pioneer in the use of cast iron in architecture. The building was constructed for George Bruce, a prosperous printer and inventor of new technologies in the printing industry, which was then one of New York's leading industries. It was converted to offices in 1987 by architect Jack L. Gordon.
Margot McCoy Gayle was an American historic preservationist, activist, and author. She led the effort to designate the SoHo Cast Iron Historic District, which preserved Victorian era cast-iron architecture in New York City.
361 Broadway at the corner of Franklin Street and Broadway in the Tribeca neighborhood of Manhattan, New York City, formerly known as the James White Building, was built in 1881-82 and was designed by W. Wheeler Smith in the Italianate style. It features a cast-iron facade, and is a good example of late cast-iron architecture. The building was renovated by architect Joseph Pell Lombardi in 2000, and a restoration of the facade began in 2009.
109 Prince Street at the corner of Greene Street – where it is #119 – in the SoHo neighborhood of Manhattan, New York City is a historic cast-iron building. It was built in 1882-83 and was designed by Jarvis Morgan Slade in the French Renaissance style. The cast-iron facade was provided by the architectural iron works firm of Cheney & Hewlett.
Gilsey House is a former eight-story 300-room hotel located at 1200 Broadway at West 29th Street in the NoMad neighborhood of Manhattan, New York City. It is a New York City landmark and on the National Register of Historic Places.
Daniel D. Badger was an American founder, working in New York City under the name Architectural Iron Works. With James Bogardus, he was one of the major forces in creating a cast-iron architecture in the United States. Christopher Gray of The New York Times remarks: "Most cast-iron buildings present problems of authorship – it is hard to tell if it was the founder or the architect who actually designed the facade."
287 Broadway is a historical building on the corner of Broadway at Reade Street in the Tribeca neighborhood of Lower Manhattan, New York City. Designed by John B. Snook in 1871 using cast-iron in mixed Italianate and French Second Empire style, it was completed in 1872 for the Stephen Storm estate. The landmark, which “graphically illustrates the transformation of lower Broadway in the 19th century from a residential boulevard into the city’s commercial center”, was leaning approximately 0.66 feet (0.20 m) by 2008.
319 Broadway, also known as the Metropolitan Life Insurance Company Home Office, is a five-story office building on the corner of Broadway and Thomas Street in the Tribeca neighborhood of Manhattan, New York City. It is a cast-iron building in the Italianate architecture style, built in 1869–70 and designed by D. & J. Jardine. It is the lone survivor of a pair of buildings at 317 and 319 which were known as the "Thomas Twins". The cast iron for these mirror-twin buildings was provided by Daniel D. Badger's Architectural Iron Works. The building was designated a New York City landmark on August 29, 1989.
90–94 Maiden Lane is a cast-iron building on Gold Street between William and Pearl Streets in the Financial District of Manhattan, New York City. It was built in 1870-71 in the French Second Empire style and is attributed to Charles Wright.
Margaret Maclay Bogardus was an American miniature painter.
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