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Jean-Luc Godard was a French and Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork.
Alphaville: une étrange aventure de Lemmy Caution is a 1965 French New Wave tech noir film written and directed by Jean-Luc Godard. It stars Eddie Constantine, Anna Karina, Howard Vernon and Akim Tamiroff. The film won the Golden Bear award of the 15th Berlin International Film Festival in 1965.
Anna Karina was a Danish-French film actress, director, writer, model, and singer. She was an early collaborator of French New Wave director Jean-Luc Godard, her first husband, performing in several of his films, including The Little Soldier (1960), A Woman Is a Woman (1961), My Life to Live (1962), Bande à part, Pierrot le Fou (1965), and Alphaville (1965). For her performance in A Woman Is a Woman, Karina won the Silver Bear Award for Best Actress at the Berlin Film Festival.
Breathless is a 1960 French New Wave crime drama film written and directed by Jean-Luc Godard. It stars Jean-Paul Belmondo as a wandering criminal named Michel, and Jean Seberg as his American girlfriend Patricia. The film was Godard's first feature-length work and represented Belmondo's breakthrough as an actor.
Contempt is a 1963 French New Wave drama film written and directed by Jean-Luc Godard, based on the 1954 Italian novel Il disprezzo by Alberto Moravia. It stars Brigitte Bardot, Michel Piccoli, Jack Palance, Fritz Lang, and Giorgia Moll.
Vivre sa vie is a 1962 French New Wave drama film written and directed by Jean-Luc Godard. The film was released in the United States as My Life to Live and in the United Kingdom as It's My Life.
Pierrot le Fou is a 1965 French New Wave romantic crime drama road film written and directed by Jean-Luc Godard, starring Jean-Paul Belmondo and Anna Karina. The film is based on the 1962 novel Obsession by Lionel White. It was Godard's tenth feature film, released between Alphaville and Masculin, féminin. The plot follows Ferdinand, an unhappily married man, as he escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a young woman chased by OAS hitmen from Algeria.
Film Socialisme is a 2010 French postmodern drama film directed by Jean-Luc Godard.
Jacques Rozier was a French film director and screenwriter. He was one of the lesser-known members of the French New Wave movement and has collaborated with Jean-Luc Godard. Three of his films have been screened at the Cannes Film Festival. In 1978, he was a member of the jury at the 28th Berlin International Film Festival.
The International Federation of Film Critics is an association of national organizations of professional film critics and film journalists from around the world for "the promotion and development of film culture and for the safeguarding of professional interests." It was founded in June 1930 in Brussels, Belgium. It has members in more than 50 countries worldwide.
In Praise of Love is a 2001 French film written and directed by Jean-Luc Godard. The black-and-white and color drama was shot by Julien Hirsch and Christophe Pollock. Godard has famously stated that "a film should have a beginning, a middle and an end, but not necessarily in that order." This aphorism is illustrated by In Praise of Love, which reverses the order of past and present. It was selected as the Swiss entry for the Best Foreign Language Film at the 74th Academy Awards, but it was not nominated.
David Edward Gatten is an American experimental filmmaker and moving image artist. Since 1996 Gatten's films have explored the intersection of the printed word and moving image, cataloging the variety of ways in which texts functions in cinema as both language and image, often blurring the boundary between these categories. His 16mm films often employee cameraless techniques, combined with close-up cinematography and optical printing processes. In addition to the ongoing 16mm films, Gatten is now making hybrid 16mm/digital works and has completed an entirely digital feature-length project called The Extravagant Shadows.
Histoire(s) du cinéma is an eight-part video project begun by Jean-Luc Godard in the late 1980s and completed in 1998. The longest, at 266 minutes, and one of the most complex of Godard's films, Histoire(s) du cinéma is an examination of the history of the concept of cinema and how it relates to the 20th century; in this sense, it can also be considered a critique of the 20th century and how it perceives itself. The project is widely considered Godard's magnum opus.
David Sterritt is a film critic, author and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until his retirement in 2005, he championed avant garde cinema, theater and music. He has a Ph.D. in Cinema Studies from New York University and is the Chairman of the National Society of Film Critics.
Venkiteswaran Chittur Subramanian is an Indian film critic, professor, documentary filmmaker, writer and occasional subtitler from Chalakudi, Kerala, India, who writes predominantly in English and Malayalam. He won the National Film Award for Best Film Critic in 2009 and shared the National Film Award for Best Arts/Cultural Film with M.R. Rajan for directing the documentary film, Pakarnattam in 1995.
Goodbye to Language is a 2014 French-Swiss narrative essay film written and directed by Jean-Luc Godard. It stars Héloïse Godet, Kamel Abdeli, Richard Chevallier, Zoé Bruneau, Jessica Erickson and Christian Grégori and was shot by cinematographer Fabrice Aragno. It is Godard's 42nd feature film and 121st film or video project. In the French-speaking parts of Switzerland where it was shot, the word "adieu" can mean both goodbye and hello. The film depicts a couple having an affair. The woman's husband discovers the affair and the lover is killed. Two pairs of actors portray the couple and their actions repeat and mirror one another. Godard's own dog Roxy Miéville has a prominent role in the film and won a prize at the Cannes Film Festival. Like many of Godard's films, it includes numerous quotes and references to previous artistic, philosophical and scientific works, most prominently those of Jacques Ellul, Aleksandr Solzhenitsyn and Mary Shelley.
Letter in Motion to Gilles Jacob and Thierry Frémaux is a 2014 short film directed by Jean-Luc Godard.
The Image Book is a 2018 Swiss avant-garde essay film directed by Jean-Luc Godard. Initially titled Tentative de bleu and Image et parole, in December 2016 Wild Bunch co-chief Vincent Maraval stated that Godard had been shooting the film for almost two years "in various Arab countries, including Tunisia" and that it is an examination of the modern Arabic world. Godard told Séance magazine that he was shooting without actors but the film would have a storyteller. It was selected to compete for the Palme d'Or at the 2018 Cannes Film Festival. The film was positively received by film critics. It was the final feature film directed by Godard before his death in 2022.
Faces Places is a 2017 French documentary film directed by Agnès Varda and JR. It follows the pair as they travel around rural France creating portraits of the people they meet. The film was screened out of competition at the 2017 Cannes Film Festival, where it won the L'Œil d'or award, and released on 28 June 2017 in France, and on 6 October 2017 in the United States. At the 90th Academy Awards, the film was nominated for Best Documentary Feature.
88:88 is a 2015 Canadian experimental docudrama film, directed by Isiah Medina. A meditation on poverty, the film depicts the economic struggles of a group of young people in Winnipeg, using editing instead of narrative to drive the film in a stream of consciousness manner described by some critics as the filmic equivalent of a mixtape.
References
- ↑ Vivian Belik, "Isiah Medina’s 88:88". Point of View , February 2, 2016.
- ↑ James Slaymaker, "Review: Isiah Medina's Inventing the Future Charts the Origins of the 21st Century". MUBI Notebook, April 14 2020.
- ↑ Phil Coldiron, "Necessary Means: Isiah Medina on 88:88". Cinema Scope , 2015.
- ↑ Frank Ruda, "A Cut in the Night. Isiah Medina’s 88:88 (2015)". Quantity Cinema, July 15 2022.
- ↑ Clint Enns, "Much Badiou about Nothing: Productive Misreadings of Mathematical Ideas and Isiah Medina’s 88:88". Annals of Mathematics and Philosophy, 2023.
- ↑ Ruairí McCann, "Cinema is an Open String: Two Early Shorts by Isiah Medina". Ultra Dogme, August 3, 2022.
- ↑ Clint Enns, "Towards Infinite Light: An Interview with Isiah Medina". BlackFlash, April 14, 2015.
- ↑ Film Comment, "Best Undistributed Films of 2015". Film Comment , December 14, 2015.
- ↑ Steve Macfarlane, "Seeing Stars: 2015 Toronto International Film Festival". The Brooklyn Rail , October 2015.
- ↑ https://quantitycinema.com/movies
- ↑ Yani Kong, "Isiah Medina’s Inventing the Future – Streaming Online". Akimbo, April 29 2020.
- ↑ Anthony D'Alessandro, "TIFF 2023 Wavelengths & Classics Section Includes Jean-Luc Godard’s Final Film, Uncut Restoration Of ‘Farewell My Concubine’". Deadline Hollywood, August 11, 2023.