David James Mattacks is an English rock and folk drummer, best known for his work with British folk rock band Fairport Convention.
Fairport Convention are an English folk rock band, formed in 1967 by guitarists Richard Thompson and Simon Nicol, bassist Ashley Hutchings and drummer Shaun Frater. They started out influenced by American folk rock, with a set list dominated by Bob Dylan and Joni Mitchell songs and a sound that earned them the nickname "the British Jefferson Airplane". Vocalists Judy Dyble and Iain Matthews joined them before the recording of their self-titled debut in 1968; afterwards, Dyble was replaced by Sandy Denny, with Matthews later leaving during the recording of their third album.
Alexandra Elene MacLean Denny was an English singer-songwriter who was lead singer of the British folk rock band Fairport Convention. She has been described as "the pre-eminent British folk rock singer".
Dave Pegg is an English multi-instrumentalist and record producer, primarily a bass guitarist. He is the longest-serving member of the British folk rock band Fairport Convention and has been bassist with a number of folk and rock groups including the Ian Campbell Folk Group and Jethro Tull.
You Can All Join In is a budget priced sampler album, released in the UK by Island Records in 1968. It was priced at 14 shillings and 6 pence (£0.72), and reached no. 18 on the UK Albums Chart that year.
Nice Enough to Eat is a budget priced sampler album released by Island Records in 1969.
Iain Matthews is an English musician and singer-songwriter. He was an original member of the British folk rock band Fairport Convention from 1967 to 1969 before leaving to form his own band, Matthews Southern Comfort, which had a UK number one in 1970 with their cover of Joni Mitchell's "Woodstock". In 1979, his recording of Terence Boylan's "Shake It" reached No. 13 on the US charts.
What We Did on Our Holidays is the second studio album by the English folk rock band Fairport Convention, released in 1969. It was their first album to feature singer-songwriter Sandy Denny. The album also showed a move towards the folk rock for which the band became noted, including tracks later to become perennial favourites such as "Fotheringay" and the song traditionally used to close live concerts, "Meet on the Ledge".
John Barleycorn Must Die is the fourth studio album by English rock band Traffic, released in 1970 as Island ILPS 9116 in the United Kingdom, United Artists UAS 5504 in the United States, and as Polydor 2334 013 in Canada. It marked the band's comeback after a brief disbandment, and peaked at number 5 on the Billboard Top LPs chart, making it their highest-charting album in the US, and has been certified a gold record by the RIAA. In addition, the single "Empty Pages" spent eight weeks on the Billboard Hot 100, peaking at number 74. The album was marginally less successful in the UK, reaching number 11 on the UK Albums Chart.
(guitar, vocal) is a 1976 album by Richard Thompson. It was released by Island Records as a career retrospective after he and his wife Linda had gone into semi-retirement from the business of making and performing music following the release of Pour Down Like Silver (1975).
Simon John Breckenridge Nicol is an English guitarist, singer, multi-instrumentalist and record producer. He was a founding member of British folk rock group Fairport Convention and is the only founding member still in the band. He has also been involved with the Albion Band and a wide range of musical projects, both as a collaborator, producer and as a solo artist. He has received several awards for his work and career.
"Babbacombe" Lee is a 1971 album by British folk rock group Fairport Convention, which tells the life story of John Babbacombe Lee, a Victorian-era alleged murderer who was condemned to death but was reprieved after the gallows failed on three occasions to work properly. After the commercial and chart success of its predecessor, Angel Delight, the album sold disappointingly, though it was critically acclaimed, and is regarded by the authors of The Electric Muse (1975) as the first "folk rock opera". It was the band's seventh album since their debut in 1968.
The history and the discography of the Island Records label can conveniently be divided into three phases:
This article is part of the Island Records discography.
Sandy is the second solo album by British folk rock musician Sandy Denny. It was released in September 1972.
House Full: Live at the L.A. Troubadour not to be confused with its earlier counterpart Live at the L.A. Troubadour is the only currently available live Fairport Convention album to feature Richard Thompson as a band member.
Angel Delight is the sixth album by the British folk rock band Fairport Convention, released in June 1971. This was the first Fairport Convention album without guitarist Richard Thompson, and the lineup consisted of Simon Nicol, Dave Swarbrick, Dave Pegg, and Dave Mattacks (drums).
Gottle O'Geer is the eleventh studio album by English folk rock band Fairport Convention. The album was released through Island Records in May 1976.
In Real Time: Live '87 is a 1987 album by British folk rock band Fairport Convention. Although appearing to consist of recordings of concert performances, the album was largely recorded at The Mill studio, Farnham, Buckinghamshire, with audience responses dubbed on later, reputedly taken from a recording of a John Martyn concert.
Bumpers is a double sampler album from Island Records, released in Europe and Australasia in 1970; there were minor variations in track listings within Europe but the Australian release was fundamentally different. The title refers to the basketball-style shoes on the front of the album cover and to the meaning "unusually large, abundant or excellent". The album is left to present itself: there are no sleeve notes; the gatefold interior consists of a photograph showing publicity shots of the featured acts attached to the stump of a tree on a seemingly wet and gloomy day, without any identification. This image is flanked on each side by the track listings, but even there, the information given is unreliable. Unlike its predecessors You Can All Join In and Nice Enough To Eat, there are no credits for cover art. [It was in fact by Tony Wright - his first sleeve for Island.] The English version of the album came out in two pressings, first with the pink label and "i" logo, and later with the palm motif on a white background and pink rim, each version with some minor variations in the production of individual tracks.
