Sizes and types
A guitar speaker isolation cabinet has a built-in mounting baffle for a guitar speaker and a permanently mounted microphone clip. A compact isolation cabinet contains a small guitar speaker such as 6½" diameter and sometimes an attached power attenuator to prevent blowing the speaker.
A guitar speaker isolation box is large enough to contain a standard guitar speaker cabinet such as a 1x12", 2x12" or 4x12" cabinet and a couple of compact microphone stands. Inexpensive but less effective DIY implementations of this approach are to put a guitar speaker and microphone in a closet, place gobo partitions around a speaker cabinet to somewhat deflect the sound, or form a tent with multiple layers of heavy blankets over a guitar speaker cabinet and microphone.
An isolation booth is a small room large enough to contain a single performer along with a rig, enabling the instrument to interact with the amplifier while isolating the rest of the band from the extreme volume.
Finally, the live room of a recording studio provides sound isolation between an entire band and the control room, allowing the studio engineers to work at manageable volumes and prevent listener fatigue.
The frequency response of an isolation system depends on the number of microphones, the type of microphones, microphone positioning, cabinet dimensions, speaker size, speaker model, and the amount of sound-absorption material inside the isolation cabinet. To control the resulting response, a dedicated equalizer can be used to enhance or reduce specific frequency ranges. The small volume of an isolation cabinet does not produce audible room reverberation, so the sound generally has to be enhanced with an electronic reverb.
Combined approaches
To reduce the volume leakage or to prevent blowing the speaker or microphone, a power attenuator is sometimes used between the tube power amp and the guitar speaker in the isolation box. This reduces the power delivered to the speaker and thus the volume, but has some effect on speaker and microphone response.
To reduce volume on stage while staying near to a traditional guitar amp setup, a guitar amp can drive two parallel loads: a power attenuator driving a conventional guitar speaker cabinet (with no microphone), and a speaker isolation cabinet providing the signal for the mixer board and sound reinforcement system.
A speaker isolation cabinet can be combined with a Direct Inject signal. A DI signal is run from the guitar amplifier or from a guitar amp power attenuator to one channel of the mixing console. A miked guitar speaker in an isolation cabinet is run into another channel of the mixing console. The DI signal and miked guitar speaker can then be selectively blended, with the DI providing a more immediate, present, bright sound, and the microphone and guitar speaker providing a colored, distant, darker sound.
An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing.
An audio power amplifier is an electronic amplifier that amplifies low-power electronic audio signals such as the signal from radio receiver or electric guitar pickup to a level that is high enough for driving loudspeakers or headphones. Audio power amplifiers are found in all manner of sound systems including sound reinforcement, public address and home audio systems and musical instrument amplifiers like guitar amplifiers. It is the final electronic stage in a typical audio playback chain before the signal is sent to the loudspeakers.
Audio feedback is a special kind of positive loop gain which occurs when a sound loop exists between an audio input and an audio output. In this example, a signal received by the microphone is amplified and passed out of the loudspeaker. The sound from the loudspeaker can then be received by the microphone again, amplified further, and then passed out through the loudspeaker again. The frequency of the resulting sound is determined by resonance frequencies in the microphone, amplifier, and loudspeaker, the acoustics of the room, the directional pick-up and emission patterns of the microphone and loudspeaker, and the distance between them. For small PA systems the sound is readily recognized as a loud squeal or screech. The principles of audio feedback were first discovered by Danish scientist Søren Absalon Larsen, hence the name Larsen effect.
A recording studio is a specialized facility for sound recording, mixing, and audio production of instrumental or vocal musical performances, spoken words, and other sounds. They range in size from a small in-home project studio large enough to record a single singer-guitarist, to a large building with space for a full orchestra of 100 or more musicians. Ideally, both the recording and monitoring spaces are specially designed by an acoustician or audio engineer to achieve optimum acoustic properties.
An instrument amplifier is an electronic device that converts the often barely audible or purely electronic signal of a musical instrument into a larger electronic signal to feed to a loudspeaker. An instrument amplifier is used with musical instruments such as an electric guitar, an electric bass, electric organ, synthesizers and drum machine to convert the signal from the pickup or other sound source into an electronic signal that has enough power, due to being routed through a power amplifier, capable of driving one or more loudspeaker that can be heard by the performers and audience.
A guitar amplifier is an electronic device or system that strengthens the weak electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier circuits, requiring the use of a separate speaker cabinet–or it may be a "combo" amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight "practice amplifiers" with a single 6" speaker and a 10 watt amp to heavy combo amps with four 10” or four 12" speakers and a powerful 100 watt amplifier, which are loud enough to use in a nightclub or bar performance.
A DI unit is an electronic device typically used in recording studios and in sound reinforcement systems to connect a high-output impedance, line level, unbalanced output signal to a low-impedance, microphone level, balanced input, usually via an XLR connector and XLR cable. DIs are frequently used to connect an electric guitar or electric bass to a mixing console's microphone input jack. The DI performs level matching, balancing, and either active buffering or passive impedance matching/impedance bridging to minimize unwanted noise, distortion, and ground loops. DI units are typically metal boxes with input and output jacks and, for more expensive units, “ground lift” and attenuator switches.
In electronics, a limiter is a circuit that allows signals below a specified input power or level to pass unaffected while attenuating (lowering) the peaks of stronger signals that exceed this threshold. Limiting is a type of dynamic range compression. Clipping is an extreme version of limiting.
In electronics, especially audio and sound recording, a high impedance bridging, voltage bridging, or simply bridging connection is one in which the load impedance is much larger than the source impedance. In cases where only the load impedance can be varied, maximizing the load impedance serves to minimize the current drawn by the load, and maximize the voltage signal across the load. Essentially, the load is measuring the source's voltage without affecting it. In cases where only the source impedance can be varied, minimizing the source impedance will maximize the power delivered to the load and, as before, maximize the voltage signal across the load.
A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers in enclosures all controlled by a mixing console that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In many situations, a sound reinforcement system is also used to enhance or alter the sound of the sources on the stage, typically by using electronic effects, such as reverb, as opposed to simply amplifying the sources unaltered.
A loudspeaker enclosure or loudspeaker cabinet is an enclosure in which speaker drivers and associated electronic hardware, such as crossover circuits and, in some cases, power amplifiers, are mounted. Enclosures may range in design from simple, homemade DIY rectangular particleboard boxes to very complex, expensive computer-designed hi-fi cabinets that incorporate composite materials, internal baffles, horns, bass reflex ports and acoustic insulation. Loudspeaker enclosures range in size from small "bookshelf" speaker cabinets with 4" woofers and small tweeters designed for listening to music with a hi-fi system in a private home to huge, heavy subwoofer enclosures with multiple 18" or even 21" speakers in huge enclosures which are designed for use in stadium concert sound reinforcement systems for rock music concerts.
A bass amplifier or "bass amp" is a musical instrument electronic device that uses electrical power to make lower-pitched instruments such as the bass guitar or double bass loud enough to be heard by the performers and audience. Bass amps typically consist of a preamplifier, tone controls, a power amplifier and one or more loudspeakers ("drivers") in a cabinet.
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, and heavy metal music, while the use of distorted bass has been essential in a genre of hip hop music and alternative hip hop known as "SoundCloud rap".
A power attenuator, used with a guitar amplifier, is a type of attenuator that diverts and dissipates a portion of the amplifier's power to enable hearing the amplifiers high-volume characteristics at lower volume.
A guitar speaker is a loudspeaker – specifically the driver (transducer) part – designed for use in a combination guitar amplifier of an electric guitar, or for use in a guitar speaker cabinet. Typically these drivers produce only the frequency range relevant to electric guitars, which is similar to a regular woofer type driver, which is approximately 75 Hz — 5 kHz, or for electric bass speakers, down to 41 Hz for regular four-string basses or down to about 30 Hz for five-string instruments.
Re-amping is a process often used in multitrack recording in which a recorded signal is routed back out of the editing environment and run through external processing using effects units and then into a guitar amplifier and a guitar speaker cabinet or a reverb chamber. Originally, the technique was used mostly for electric guitars: it facilitates a separation of guitar playing from guitar amplifier processing—a previously recorded audio program is played back and re-recorded at a later time for the purpose of adding effects, ambiance such as reverb or echo, and the tone shaping imbued by certain amps and cabinets. The technique has since evolved over the 2000s to include many other applications. Re-amping can also be applied to other instruments and program, such as recorded drums, synthesizers, and virtual instruments.
THD Electronics, Ltd. is a manufacturer of amplifier accessories, and a former manufacturer of vacuum-tube guitar amplifiers. It is located in Seattle, Washington. It was founded in 1986 by President and CEO Andrew Marshall. At one time specializing in hand-built, vacuum tube “boutique”-style amplifiers, it continues to manufacture the “world’s best selling [guitar amplifier] power attenuator,” the THD Hot Plate. The company is well known in the boutique amplifier market, and is often credited with the creation of this market in the United States. THD's line of products stayed relatively small despite its 22-year history as a company. Of its amplifiers, THD made three: the UniValve, BiValve-30, and Flexi-50.
Tube sound is the characteristic sound associated with a vacuum tube amplifier, a vacuum tube-based audio amplifier. At first, the concept of tube sound did not exist, because practically all electronic amplification of audio signals was done with vacuum tubes and other comparable methods were not known or used. After introduction of solid state amplifiers, tube sound appeared as the logical complement of transistor sound, which had some negative connotations due to crossover distortion in early transistor amplifiers. However, solid state amplifiers have been developed to be flawless and the sound is later regarded neutral compared to tube amplifiers. Thus the tube sound now means 'euphonic distortion.' The audible significance of tube amplification on audio signals is a subject of continuing debate among audio enthusiasts.
This is a list of jazz and popular music terms that are likely to be encountered in printed popular music songbooks, fake books and vocal scores, big band scores, jazz, and rock concert reviews, and album liner notes. This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound reinforcement equipment, and recording gear and techniques which are widely used in jazz and popular music. Most of the terms are in English, but in some cases, terms from other languages are encountered.
A keyboard amplifier is a powered electronic amplifier and loudspeaker in a wooden speaker cabinet used for amplification of electronic keyboard instruments. Keyboard amplifiers are distinct from other types of amplification systems such as guitar amplifiers due to the particular challenges associated with making keyboards sound louder on stage; namely, to provide solid low-frequency sound reproduction for the deep basslines which keyboards can play and crisp high-frequency sound for the high-register notes. Another difference between keyboard amplifiers and guitar/bass amplifiers is that keyboard amps are usually designed with a relatively flat frequency response and low distortion. In contrast, many guitar and bass amp designers purposely make their amplifiers modify the frequency response, typically to "roll off" very high frequencies, and most rock and blues guitar amps, and since the 1980s and 1990s, even many bass amps are designed to add distortion or overdrive to the instrument tone.
