Prince of the Poverty Line is the fourth full-length studio album by British folk metal band Skyclad. It is a loose concept album about urban decay in post-Thatcherite Britain.
Utopia Banished is the fourth studio album by the British grindcore band Napalm Death. The album was released in 1992 by Earache Records. It is the first album featuring Danny Herrera on drums following the departure of Mick Harris. Metal Hammer put it on the list of the 20 best metal album of 1992.
The Dawn of the Black Hearts is a bootleg live album by the Norwegian black metal band Mayhem. The title originates from a line of lyrics Fenriz of Darkthrone wrote for the band.
Glory to the Brave is the debut studio album by Swedish power metal band HammerFall, released in 1997. Despite the fact that the band was formed in 1993, HammerFall performed mostly live music and covers before this album was released. "Steel Meets Steel" was composed by Oscar Dronjak just before the band was formed and is included on this album. The band signed a deal with the Dutch label Vic Records. Nuclear Blast approached Vic Records and obtained a license deal for the album. Later, Nuclear Blast bought the entire rights from Vic Records. Although the In Flames guitarist Jesper Strömblad was listed as the drummer, all the drums were actually played by session musician Patrik Räfling, who joined the band as a full-time member shortly after the album's release.
IT'SNAZ is a double live album by the Scottish hard rock band Nazareth, released in September 1981.
Trance Visionary is an electronic-based dance studio album by rock band Wishbone Ash recorded during 1996. Their 18th overall. It features techno and dance collaborations between band leader Andy Powell and electronica guru Mike Bennett.
Lily of da Valley is the fourth full-length album by Japanese rap rock group Dragon Ash; released in 2001. The album was preceded by the release of three singles, including "Shizuka na Hibi no Kaidan o", which was used as the ending theme for the 2000 film Battle Royale. The limited edition features "Episode 2" featuring Shun and Shigeo as a bonus track. The album also contains the hidden track "Hanakotoba".
In Sorte Diaboli is the seventh studio album by Norwegian symphonic black metal band Dimmu Borgir, released in 2007. It is the band's first concept album. A site on the Nuclear Blast website was created for In Sorte Diaboli, in which a new promotional photo can be seen and an audio sample can be heard. This would be the last album by Dimmu Borgir to feature ICS Vortex, Hellhammer and Mustis.
Diamonds and Nuggets is a compilation album by heavy metal band Saxon released in 2000.
The Dethalbum is the debut album by virtual band Dethklok, from American animated sitcom Metalocalypse. It was released on September 25, 2007. The album features full length songs from the TV series, as well as previously unreleased tracks. Antonio Canobbio contributed the artwork for the record.
Scorn Defeat is the first full-length album by the Japanese black metal band Sigh, released in 1993 by Deathlike Silence Productions. It is the band's most traditional black metal album, taking on a formula lyrically compared to their Scandinavian peers. The album takes its title from a line in the title track from Venom's 1981 album Welcome to Hell. On Scorn Defeat, the line itself is said on "At My Funeral".
Live from Memphis is a live promotional recording by rock band Wishbone Ash. The promotional recording featured only a few tracks and was only released in America. The entire EP was included as bonus tracks on the 2002 remastered version of Argus (1972).
Werk 80 II is the eighth full-length album by German industrial gothic metal band Atrocity, released on February 29, 2008 and their 2nd full-length cover album after the original Werk 80 album released in 1997. Burlesque artist Dita Von Teese is the cover model.
Creed of Iron is the fifth full-length studio album by Polish black metal band Graveland. It was also released under the Polish title Prawo Stali, with lyrics sung in Polish. The album was released in 2000 on No Colours Records and in 2001 by Nawia Productions. Both versions was remixed in summer 2009 in Darken Home Forge and released in November 2 on 2 CD with bonus tracks from Raise Your Sword! EP, limited to 500 hand-numbered copies and digipack A5, 200 hand-numbered copies.
The Varangian Way is the second full-length album by the Finnish folk metal band Turisas, released on May 27, 2007 through Century Media. It is a concept album that tells the story of a group of Scandinavians traveling the river routes of medieval Kievan Rus', through Ladoga, Novgorod and Kyiv, down to the Eastern Roman Empire.
Dethalbum II is the second full length album by virtual band Dethklok, from the animated series Metalocalypse. The CD and deluxe CD/DVD were released on September 29, 2009. The album was later released on LP to the United States and Canada.
Hammer of the North is the fifth full-length album by Swedish heavy metal band Grand Magus. The CD was recorded at 301 studios outside of Stockholm, Sweden, and features artwork by Necrolord. The album was released on 23 June 2010 on the record label Roadrunner Records.
Written in the Sand is the eighth full-length studio album recorded by the various M.S.G. lineups, the first group effort after the McAuley Schenker era. Re-energized by the short-lived reunion with UFO and by the recording of Walk on Water, Michael Schenker collected yet another group of players, composed of Leif Sundin on vocals, Shane Gaalaas on drums, and Barry Sparks on bass.
Long Live Heavy Metal is the fifth studio album from the Canadian heavy metal band 3 Inches of Blood. It is the second 3 Inches of Blood album to be released through Century Media and not feature Jamie Hooper on screaming vocals, and is their only release to feature the same line-up as the previous one. This would also be the band's final studio album before disbanding in 2015 and reuniting in 2023.
Green is the sixth studio album by American rock band R.E.M., released on November 7, 1988, by Warner Bros. Records. The second album to be produced by the band and Scott Litt, it continued to explore political issues both in its lyrics and packaging. The band experimented on the album, writing major-key rock songs and incorporating new instruments into their sound including the mandolin, as well as switching their original instruments on other songs.
