| It's Morrissey, Man! | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1961 | |||
| Recorded | 27 April 1961 | |||
| Genre | Jazz | |||
| Label | Fontana | |||
| Dick Morrissey chronology | ||||
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It's Morrissey, Man! is an album by saxophonist Dick Morrissey. It was recorded on 27 April 1961. It was Morrissey's first album as a leader. [1] The liner notes were written by Benny Green. In 1998, Polygram's Redial division, run by Richard Cook, reissued the album as a CD. [2]
A contemporaneous Jazz Journal review commented: "Morrissey is well able to sustain interest over several choruses, and builds his solos excellently. Jones [on piano] is far less impressive, and his solos are almost invariably an anticlimax. Cecil and Barnes [bass and drums] work together well, and provide a driving beat." [3] Four decades later, a Daily Telegraph writer stated that the album had "caused a great stir among musicians and jazz insiders but failed to register greatly with the wider jazz public". [4]
Horace Ward Martin Tavares Silver was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s.
Ronnie Scott OBE was a British jazz tenor saxophonist and jazz club owner. He co-founded Ronnie Scott's Jazz Club in London's Soho district, one of the world's most popular jazz clubs, in 1959.
Crescent is a 1964 studio album by jazz musician John Coltrane, released by Impulse! as A-66. Alongside Coltrane on tenor saxophone, the album features McCoy Tyner (piano), Jimmy Garrison and Elvin Jones (drums) playing original Coltrane compositions.
Further Definitions is a 1962 jazz album by Benny Carter and his orchestra, rereleased on CD in 1997 coupled with his follow-up album, 1966's Additions to Further Definitions. The earlier album features an all-star octet that includes Coleman Hawkins, with whom Carter had recorded in Paris in 1937, using the same configuration of instruments: four saxophones, piano, guitar, bass, and drums.
Richard Edwin Morrissey was a British jazz musician and composer. He played the tenor saxophone, soprano saxophone and flute.
Conquistador! is a 1968 studio album recorded in 1966 by free jazz pianist Cecil Taylor, released by Blue Note Records.
Frank Wright was an American free jazz musician, known for his frantic style of playing the tenor saxophone. Critics often compare his music to that of Albert Ayler, although Wright "offers his honks and squawks with a phraseology derived from the slower, earthier funk of R&B and gospel music." According to AllMusic biographer Chris Kelsey, Wright "never recorded even a single record under his own name for a major label; he was 'underground' his entire career." In addition to tenor saxophone, Wright also played the soprano saxophone and bass clarinet.
Trane's Blues is a compact disc credited to the jazz musician John Coltrane, released in 1999 on Blue Note Records, catalogue 98240. It comprises recordings from sessions for Blue Note and United Artists Records as a sideman for Paul Chambers, Sonny Clark, Johnny Griffin, and Cecil Taylor that were issued respectively on their Whims of Chambers, Sonny's Crib, A Blowin' Session, and Hard Driving Jazz albums. Two selections are from Coltrane's own 1957 Blue Train, and "One for Four" had been previously unissued. "Trane's Blues" had been issued on the compilation High Step in 1975, previously known as "John Paul Jones" and named after himself, the bass player Chambers, and the drummer Philly Joe Jones. Like Prestige Records before them, as Coltrane's fame grew long after he had stopped recording for the label, Blue Note used varied recordings, often those where Coltrane had been merely a sideman, and reissued them as a new album with Coltrane's name prominently displayed. In this case, the Big Four conglomerate EMI continued that earlier practice.
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1959; and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout.
Cookin’ is the first of three live albums by Swiss drummer Charly Antolini and UK saxophonist Dick Morrissey containing mainly jazz and pop standards. The album was recorded live in Germany in 1989.
Paper Moon was recorded by the Dave Brubeck Quartet at Coast Recorders in San Francisco, California. The record was released in September 1981 by Concord Jazz, a subsidiary of Concord Records. It was produced by Russell Gloyd and engineered by Ron Davis and Phil Edwards. On this recording, pianist Dave Brubeck is accompanied by his son Chris Brubeck on the bass and bass trombone, with Jerry Bergonzi on tenor sax and Randy Jones on the drums. Paper Moon is Brubeck's third of three Concord recordings featuring this permutation of the Dave Brubeck Quartet; jazz commentator Scott Yanow referred to the album as the "most rewarding of the trio".
Mixed is a compilation album of two avant-garde jazz sessions featuring performances by the Cecil Taylor Unit and the Roswell Rudd Sextet. The album was released on the Impulse! label in 1998 and collects three performances by Taylor with Archie Shepp, Jimmy Lyons, Henry Grimes and Sunny Murray with Ted Curson and Roswell Rudd added on one track which were originally released under Gil Evans' name on Into the Hot (1961). The remaining tracks feature Rudd with Giuseppi Logan, Lewis Worrell, Charlie Haden, Beaver Harris and Robin Kenyatta and were originally released as Everywhere (1966). Essentially these are the three Cecil Taylor tracks from the "Gil Evans album" teamed with Roswell Rudd's Impulse album Everywhere, in its entirety.
Blue Spring is a 1959 album by jazz trumpeter Kenny Dorham and saxophonist Cannonball Adderley released on the Riverside label, featuring performances by Dorham and Adderley with Dave Amram, Cecil Payne, Cedar Walton, Paul Chambers, and Philly Joe Jones or Jimmy Cobb.
Fusion!: Wes Montgomery with Strings is an album by the American jazz guitarist Wes Montgomery, released in 1963.
Blue & Sentimental is an album by American saxophonist Ike Quebec recorded in 1961 and released on the Blue Note label.
Quiet Nights is a studio album by jazz musician Miles Davis, and his fourth album collaboration with Gil Evans, released in 1963 on Columbia Records, catalogue CL 2106 and CS 8906 in stereo. Recorded mostly at Columbia's 30th Street Studios in Manhattan, it is the final album by Davis and Evans.
"Nardis" is a composition by American jazz trumpeter Miles Davis. It was written in 1958, during Davis's modal period, to be played by Cannonball Adderley for the album Portrait of Cannonball. The piece has come to be associated with pianist Bill Evans, who performed and recorded it many times.
Derek Nash is a British jazz saxophonist, band leader and recording engineer.
Jazz Giant is an album by saxophonist Benny Carter that was recorded in 1957 and 1958 and released by Contemporary Records.
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