It Don't Bother Me | ||||
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Studio album by | ||||
Released | November 11, 1965 | |||
Recorded | c. April 1965 | |||
Studio | Pye Studios, Denmark Street, London | |||
Genre | Folk | |||
Label | Transatlantic | |||
Producer | Nathan Joseph, Bill Leader (uncredited) | |||
Bert Jansch chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Encyclopedia of Popular Music | [2] |
Record Mirror | [3] |
Uncut | [4] |
It Don't Bother Me is the second album by Scottish folk musician Bert Jansch, released in November 1965. The album was produced by Nathan Joseph and Bill Leader, although Leader was left uncredited. [5]
The album features nine songs and two instrumentals composed by Jansch, as well as one by Alex Campbell ("So Long [Been on the Road So Long]"), and the traditional "900 Miles". For this last track, Jansch accompanies himself on the banjo rather than the steel-string acoustic guitar which he uses elsewhere. "My Lover" has Roy Harper [6] playing some additional guitar, while John Renbourn is playing the lead acoustic guitar part. "Lucky Thirteen" is a guitar duet with Renbourn, based on a song written by the latter and apparently recorded during the Bert and John session. [7]
All tracks composed by Bert Jansch, except where indicated
No. | Title | Length |
---|---|---|
1. | "Oh, My Babe" | 3:56 |
2. | "Ring-A-Ding Bird" | 4:39 |
3. | "Tinker's Blues" (Instrumental) | 1:04 |
4. | "Anti Apartheid" | 4:02 |
5. | "The Wheel" (Instrumental) | 1:45 |
6. | "A Man I'd Rather Be" | 2:04 |
7. | "My Lover" | 4:00 |
No. | Title | Writer(s) | Length |
---|---|---|---|
8. | "It Don't Bother Me" | 4:25 | |
9. | "Harvest Your Thoughts of Love" | 2:12 | |
10. | "Lucky Thirteen" (Instrumental) | John Renbourn | 3:30 |
11. | "As the Day Grows Longer Now" | 3:40 | |
12. | "So Long (Been On the Road So Long)" | Alex Campbell | 3:10 |
13. | "Want My Daddy Now" | 1:33 | |
14. | "900 Miles" | Traditional | 3:03 |
Pentangle are a British folk band, formed in London in 1967. The original band was active in the late 1960s and early 1970s, and a later version has been active since the early 1980s. The original line-up, which was unchanged throughout the band's first incarnation (1967–1973), was Jacqui McShee (vocals); John Renbourn ; Bert Jansch ; Danny Thompson ; and Terry Cox (drums).
Herbert Jansch was a Scottish folk musician and founding member of the band Pentangle. He was born in Glasgow and came to prominence in London in the 1960s as an acoustic guitarist and singer-songwriter. He recorded more than 28 albums and toured extensively from the 1960s to the 21st century.
David Michael Gordon "Davey" Graham was a British guitarist and one of the most influential figures in the 1960s British folk revival. He inspired many famous practitioners of the fingerstyle acoustic guitar such as Bert Jansch, Wizz Jones, John Renbourn, Martin Carthy, John Martyn, Paul Simon and Jimmy Page, who based his solo "White Summer" on Graham's "She Moved Through the Fair". Graham is probably best known for his acoustic instrumental "Anji" and for popularizing DADGAD tuning, later widely adopted by acoustic guitarists.
Anne Patricia Briggs is an English folk singer. Although she travelled widely in the 1960s and early 1970s, appearing at folk clubs and venues in Britain and Ireland, she never aspired to commercial success or to achieve widespread public acknowledgment of her music. However, she was an influential figure in the British folk revival, being a source of songs and musical inspiration for others such as A. L. Lloyd, Bert Jansch, Jimmy Page, The Watersons, June Tabor, Sandy Denny, Richard Thompson, and Maddy Prior.
Bill Leader is an English recording engineer and record producer. He is particularly associated with the British folk music revival of the 1960s and 1970s, producing records by Paddy Tunney, Davey Graham, Bert Jansch, John Renbourn, Frank Harte and many others.
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Raymond Ronald Jones, better-known as Wizz Jones, is an English acoustic guitarist, and singer-songwriter. He was born in Thornton Heath, Surrey, England and has been performing since the late 1950s and recording from 1965 to the present. He has worked with many of the notable guitarists of the British folk revival, such as John Renbourn and Bert Jansch.
Cruel Sister is an album recorded in 1970 by folk-rock band Pentangle. It was the most folk-based of the albums recorded by the band, with all the tracks being versions of traditional songs. Whereas their previous album had been produced by Shel Talmy, and featured quite a heavily produced, commercial sound, Cruel Sister was produced by Bill Leader, noted for his recordings of folk musicians.
The Pentangle is the 1968 debut album of the band Pentangle: Terry Cox, Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson. It brought together their separate influences of folk, jazz, blues, early music and contemporary songwriting. One of the band's most commercially successful albums, it reached number 21 in the British charts.
Reflection is an album recorded in 1971 by folk-rock band Pentangle.
Solomon's Seal is an album recorded in 1972 by folk-rock band Pentangle. It was the last album recorded by the original line-up, before the band split in 1973. Jacqui McShee has stated that it is her favourite Pentangle album. The album title refers to the Seal of Solomon — a mythical signet ring with magical powers, sometimes associated with the pentagram symbol adopted by Pentangle.
John Bailey (1931–2011) was a British luthier who made and repaired guitars and other stringed instruments during the 1960s revival of English folk music and beyond. Bailey lived in London until 1972 when he moved to Dartmouth in Devon.
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"Anji" is an acoustic fingerstyle guitar piece composed and recorded by noted folk guitarist Davy Graham in 1961 and originally released as part of his EP debut 3/4 AD. The piece is one of the best-known acoustic blues-folk guitar pieces ever composed, with many notable artists covering it, such as Bert Jansch, John Renbourn, Lillebjørn Nilsen, Paul Simon, and Harry Sacksioni. The song is in the key of A minor and is notable for its trademark descending bassline. However, the original recording by Davy Graham is in the key of C minor with a capo at the third fret.
Lucky Thirteen is the first release by Scottish folk musician Bert Jansch in America, compiled from his first two UK albums Bert Jansch and It Don't Bother Me. It was released by Vanguard in 1966.
Bert and John is an album by the folk musicians Bert Jansch and John Renbourn, released in 1966. The two would later play together in the group Pentangle. An expanded version of the album was later released in America in 1969 by Vanguard as Stepping Stones. It featured two extra tracks, "It Don't Bother Me" and "My Lover".
Leather Launderette is the 16th album by Scottish folk musician Bert Jansch, recorded together with fellow musician Rod Clements. The album was released in March 1989. Jansch had health problems during the recording, and in 1987, after being rushed to hospital, he quit drinking alcohol. Colin Harper says in his Bert Jansch biography, Dazzling Stranger, "There can be no doubt that Bert's creativity, reliability, energy, commitment and quality of performance were all rescued dramatically by the decision to quit boozing".
Bert Jansch was a Scottish folk musician. His discography consists of 21 studio albums, 8 live albums, 36 compilations, 5 videos, 2 EPs, and 12 singles. In addition, his compositions and guitar work have been featured on a number of albums by other artists.
John Renbourn was an English guitarist and composer. His discography consists of 20 studio albums, 5 live albums, 19 compilations, and 2 videos. In addition, his compositions and guitar work have been featured on a number of albums by other artists.