| It Hurts So Good | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1973 | |||
| Studio | ||||
| Genre | Soul | |||
| Length | 36:26 | |||
| Label | Spring | |||
| Producer | Brad Shapiro Raeford Gerald | |||
| Millie Jackson chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
| Christgau's Record Guide | B [2] |
It Hurts So Good is the second album by American singer-songwriter Millie Jackson.
| Chart (1973) | Peak position |
|---|---|
| Billboard Top Soul Albums [3] | 13 |
| Year | Single | Chart positions | |
|---|---|---|---|
| US Pop | US Soul | ||
| 1973 | "It Hurts So Good" [3] | 24 | 3 |
| 1973 | "Breakaway" [3] | – | 16 |
Good Old Boys is the fourth studio album by American musician Randy Newman, released on September 10, 1974 on Reprise Records, catalogue number 2193. It was Newman's first album to obtain major commercial success, peaking at number 36 on the Billboard 200. The premiere live performance of the album took place on October 5, 1974, at the Symphony Hall in Atlanta, Georgia, with guest Ry Cooder and Newman conducting the Atlanta Symphony Orchestra.
He Touched Me is the 17th studio album by American singer and musician Elvis Presley, released in April 1972. A contemporary gospel music album, it earned him his second of three Grammy Awards. The album was his third and final studio gospel album, and the most contemporary of the three. He Touched Me was certified Gold on March 27, 1992 and Platinum on July 15, 1999 by the RIAA.
Mildred Virginia Jackson is an American R&B and soul recording artist. Beginning her career in the early 1960s, three of Jackson's albums have been certified gold by the RIAA for over 500,000 copies sold. Jackson's songs often include long spoken sections, sometimes humorous, sometimes sexually explicit. She recorded songs in an R&B, disco, or dance-music style and occasionally in a country style.
Spinners is the third studio album recorded by American R&B group The Spinners, produced by Thom Bell and released in April 1973 on the Atlantic label. The album was the group's first for Atlantic after leaving Motown.
Hendrix in the West is a live album by Jimi Hendrix, released posthumously in January 1972 by Polydor Records (UK), and in February by Reprise Records (US). The album tracks are split between those recorded in 1969 by the Jimi Hendrix Experience with bassist Noel Redding and drummer Mitch Mitchell and in 1970 with Billy Cox and Mitchell during The Cry of Love Tour.
E.S.P. is a Millie Jackson album released in 1983. In addition to her signature soul music songs, it also includes somewhat more Hi-NRG and Funk dance song production popular at the time such as "This Girl Could Be Dangerous", "Sexercise" and the title track.
A Moment's Pleasure is a 1979 album by R&B musician Millie Jackson. It peaked at #47 on the Top R&B/Hip-Hop Albums and #144 on The Billboard 200 chart. It includes the singles "Never Change Lovers In The Middle of the Night", "Kiss You All Over" and the title track.
Caught Up is the fourth album by R&B musician Millie Jackson. It includes the hit singles, "(If Loving You Is Wrong) I Don't Want to Be Right", "The Rap" and "I'm Through Trying to Prove My Love to You." A concept album, Caught Up follows the story of a woman having an affair with a married man. Side A features Jackson singing from the mistress' point of view and Side B is told from the wife's point of view.
Millie Jackson is the self-titled debut album by singer-songwriter, Millie Jackson. This album is different from all her other album to follow in that this album features some Motown style songs. It includes the R&B hits "A Child of God ", "My Man, A Sweet Man" and "Ask Me What You Want." The album was arranged by Tony Camillo and Bert de Coteaux.
Live & Uncensored is a live album by Millie Jackson recorded in concert at The Roxy Theatre in Los Angeles, California. The album shows what her shows were like, from tender romantic ballads to explicit recreations of classical pieces. The dialogue during and between songs were often considered a highlight, with topics ranging from soap operas on television to shady men in her life. While not on stage with her, she singles out The Pointer Sisters in the crowd, casually talking with them as if they were all at a party. "Phuck U Symphony" is one of the best-known tracks on this album, and Jackson continues to include it in her live shows to this day.
So Full Of Love is a 1978 album by The O'Jays. The album contains the #1 R&B hit "Use ta Be My Girl", and was awarded RIAA Platinum Certification for sales of 1,000,000 copies.
Happiness Is Being with the Spinners is the seventh studio album recorded by American R&B group The Spinners, released in July 1976 on the Atlantic label. It was produced by Thom Bell and recorded at Sigma Sound Studios in Philadelphia and Kaye-Smith Studios in Seattle.
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Feelin' Bitchy is a 1977 album by singer-songwriter, Millie Jackson. It features two of Jackson's best known songs, the Merle Haggard cover "If You're Not Back in Love by Monday", and the Latimore track "All the Way Lover". The latter features one of Millie's trademark extended raps, this time on the topic of men who refuse to perform oral sex on their partners.
"It Hurts So Good" is a song written by Phillip Mitchell, and first recorded in 1971 by Katie Love and the Four Shades of Black on the Muscle Shoals Sound label. That version was not a hit, and the song was later recorded more successfully by Millie Jackson, whose 1973 recording was featured in the blaxploitation action film Cleopatra Jones. Hit versions were also recorded by Susan Cadogan and Jimmy Somerville, both titled as "Hurt So Good".
Leroy Phillip Mitchell, often credited as Prince Phillip Mitchell, is an American R&B singer, songwriter, and record producer. He wrote "Starting All Over Again" for Mel and Tim, and "It Hurts So Good" and "Leftovers", which were both hits for Millie Jackson, as well as having some success in the 1970s and 1980s as a solo singer.
Spring Records was an American record label established in New York City in 1967. It was formed out of an artist and production management company set up earlier by Bill Spitalsky, Roy Rifkind and Julie Rifkind. The label name came from their surnames, "Sp" for Spitalsky and "ri" for Rifkind. It was associated with the Polydor group.
Still Caught Up is the fifth album by R&B musician Millie Jackson, issued by Spring Records in 1975. It includes the single, "Loving Arms" / "Leftovers." A sequel to Jackson's previous album, Caught Up, which told the story of a woman having an affair with a married man, Still Caught Up reprises its themes of adultery and recrimination. Where Side A of Caught Up featured Jackson singing from the mistress' point of view and Side B from the jilted wife's point of view, Still Caught Up begins with the wife on Side A and concludes with the mistress on Side B.
Live at Carnegie Hall is a live album by American soul singer-songwriter and producer Bill Withers. The album was recorded on October 6, 1972, at Carnegie Hall in New York City and released on April 21, 1973, by Sussex Records as a double LP. On October 28, 1997, it was reissued as a single CD by Columbia/Legacy.
The Leon Thomas Album is the second album by American jazz vocalist and percussionist Leon Thomas recorded in 1970 and released by the Flying Dutchman label.
