Ivan Vasiliev | |
---|---|
Born | |
Occupation | Ballet dancer |
Current group | Mikhailovsky Theatre |
Former groups | Bolshoi Ballet |
Ivan Vladimirovich Vasiliev (born 9 January 1989) is a Russian ballet dancer and choreographer. [1] [2] He graduated from the Bielorussian Ballet School in 2006.
Early on, he won prizes that include First Prize and Best Dancer Prize at the Arabesque-96 Ballet Competition in Perm in 2005, First Prize at the Moscow International Ballet Competition in 2006, Special Distinction of the Varna International Ballet Competition in 2006, Rising Star of Soul of Dance Award in 2008, one of "25 to Watch" of Dance Magazine 2008, [2] Benois Prix de la Danse in 2009, Virtuosity Prize of International Dance Open in Saint Peterburg in 2010, followed by the Grand Prix the following year, Best Dancer of 2011 UK Critic's Award. In 2014 he was granted the title of "Honoured Artist of Russia". In 2015, by public poll, he was awarded Discovery of the Year QG Prize, for his first ballet evening as choreographer.
Vasiliev joined the Bolshoi Ballet in the end of 2006, as first soloist. When 2010 came to an end he had already performed the leading roles in Le Corsaire , Flames of Paris , Don Quixote , Giselle , La Fille Mal-Gardée, Spartacus, Petrouchka , The Nutcracker , La Esmeralda , La Bayadère and been promoted to the rank of principal of the Bolshoi Ballet; he was the last dancer to be coached by Roland Petit in the role of Le Jeune Homme, and had joined The Kings of The Dance international group of male dancer stars.
Vasiliev and Natalia Osipova, his then-fiancée, left the Bolshoi in the end of 2011, in the search for wider artistic horizons. They both became principals of the Mikhailovsky Theatre in Saint Petersburg, with plenty of freedom to perform worldwide as guests. [3] Vasiliev became a regular guest principal at the American Ballet Theatre, La Scala and the Bolshoi. He also performed leading roles in Mariinsky Theatre, Stanislavsky Theatre, Novosibirsk Theatre, English National Ballet, Bayrisches Staatsballet, and the Australian Ballet. The Kings of The Dance initiative brought him through many countries during 5 years. In 2015 he became regular principal also in the Novosibirsk Theatre.
Beginning in 2015, Vasiliev started to dedicate himself to choreography too. He staged an evening in the spring of 2015 with short pieces, an evening with three one-act ballets in the spring with 2016, and a full length Christmas ballet the following winter. In May 2016, one more one-act ballet was presented in the scope of Project for Young Choreographers in Bolshoi.
Don Quixote - Marius Petipa, in the versions by Alexei Fadeyechev, Mikhail Messerer and Rudolph Nurejev
Flames of Paris - Vasily Vainonen, in the versions by Alexei Ratmansky and Mikhail Messerer
Le Corsaire - Marius Petipa, in the versions of Alexey Ratmansky and Mikhail Messerer
La Bayadére - Marius Petipa, in 3 versions of Vakhtang Chabukiani, Natalia Makarova and Yuri Grigorovitch
Spartacus - Yuri Grigorovitch
Ivan The Terrible - Yuri Grigorovitch
The Prodigal Son - Georges Balanchine
The Sleeping Beauty - in the versions of Nacho Duato and Marius Petipa
Giselle - Marius Petipa and in the versions of Yuri Grigorovitch, Vladimir Vasiliev
The Nutcracker - Yuri Grigorovich
Lost Illusions - Alexey Ratmansky
La Fille Mal Gardé - Sir Frederick Ashton
Romeo and Juliet - in 3 versions, of Sir Kenneth MacMillan, Sir Frederick Ashton and Nacho Duato
The Bright Stream - Alexey Ratmansky
Coppelia - Marius Petipa, in 2 versions of Sergei Vikharev and Enrique Martinez
The Swan Lake - Marius Petipa, in versions of Derek Lane (Siegfried), Mikhail Messerer (Evil Sorcerer), Kevin MacKenzie (Rothbarth)
La Sylphide - James Bournounville
Laurencia - Vakhtang Chabukiani, version by Mikhail Messerer
Notre-Dame - Roland Petit
Cippollino - Genrikh Mayorov
A Christmas Carol - Ivan Vasiliev
Class Concert
Halt de la Cavallerie
L'Arlesiénne
Le Jeune Homme et La Mort
Labyrinth of Solitude
Le Spectre de La Rose
For 4
Jazzy Five
Ko'D
Mercy
Passo
Facada
Mozart and Salieri
Petroushka
Sheherazade
Shostakovitch Piano Concert
Blind Affair
Morphine
Love is Everywhere
Natasha's First Ball
Rossini PDD
Serenata PDD
The Talisman PDD
Underwood
Kamarinskaya
The Skydivers
The Mariinsky Ballet is the resident classical ballet company of the Mariinsky Theatre in Saint Petersburg, Russia.
The Bolshoi Ballet is an internationally renowned classical ballet company based at the Bolshoi Theatre in Moscow, Russia. Founded in 1776, the Bolshoi is among the world's oldest ballet companies. In the early 20th century, it came to international prominence as Moscow became the capital of Soviet Russia. The Bolshoi has been recognised as one of the foremost ballet companies in the world. It has a branch at the Bolshoi Ballet Theater School in Joinville, Brazil.
Flames of Paris or The Flames of Paris is a full-length ballet in four acts, choreographed by Vasily Vainonen with the stage director Sergei Radlov to music by Boris Asafyev based on songs of the French Revolution. The libretto by Nicolai Volkov and Vladimir Dmitriev was adapted from a book by Felix Gras. It was premiered at the Kirov Theatre in Leningrad on 7 November 1932, with Natalia Dudinskaya as Mireille de Poitiers, Vakhtang Chabukiani as Jérôme, Olga Jordan as Jeanne, Nina Anisimova as Thérèse, and Konstantin Sergeyev as Mistral.
Le Corsaire is a ballet typically presented in three acts, with a libretto originally created by Jules-Henri Vernoy de Saint-Georges loosely based on the poem The Corsair by Lord Byron. Originally choreographed by Joseph Mazilier to the music of Adolphe Adam and other composers, it was first presented by the ballet of the Théâtre Impérial de l’Opéra in Paris on 23 January 1856. All modern productions of Le Corsaire are derived from the revivals staged by the Ballet Master Marius Petipa for the Imperial Ballet of St. Petersburg throughout the mid to late 19th century.
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The Sergeyev Collection is a collection of choreographic notation, music, designs for décor and costumes, theatre programs, photos and other materials that document the repertory of the Imperial Ballet of St. Petersburg, Russia at the turn of the 20th century. The majority of the choreographic notations document with varying degrees of detail the original works and revivals of the renowned choreographer Marius Petipa, who served as Premier Maître de ballet of the St. Petersburg Imperial Theatres, as well as notation and music documenting the ballets of Lev Ivanov, who served as second Maître de ballet. Also included in the collection are choreographic notation documenting dances from various operas by both Petipa and Ivanov, respectively.
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