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James Martin Holman Jr. (born September 10, 1957, in Louisville, Kentucky) is a literary translator, professor, puppeteer, and puppet theater director. He did his graduate work in Japanese literature at the University of California, Berkeley.
Holman lived in Japan for more than 14 years as a missionary, graduate student, professor of Japanese literature, and resident director of two study centers: the Japan Center for Michigan Universities (JCMU) in Hikone and the Associated Kyoto Program Center (AKP) at Doshisha University in Kyoto. He was the first non-Japanese to train and perform in Japan as a traditional puppeteer in the style of puppetry commonly known as Bunraku or ningyō jōruri, making his stage debut in 1994 with the 170-year-old Tonda Traditional Bunraku Puppet Troupe in Shiga Prefecture. He is the founding director of the Bunraku Bay Puppet Troupe, based in Columbia, Missouri, which performs traditional Japanese puppet theater in the United States.
In 2017, the film "Kaiju Bunraku" debuted at the Sundance Film Festival, featuring the puppetry of Holman's Bunraku Bay Puppet Theater.
Holman has also published many translations of modern Japanese and Korean literature, including The Old Capital (1987), Palm-of-the-Hand Stories (1988), and The Dancing Girl of Izu (1998), by Nobel Prize-winning Japanese author Yasunari Kawabata; The Book of Masks (1989) and Shadows of Sound (1990), by Korean writer Hwang Sun-wŏn; and The House of Twilight by Korean author Yun Heung-gil. Holman has taught Japanese language, literature, and theater and Korean literature at colleges and universities in Japan, the United States, and Canada.
From 2005 until 2017, Holman taught Japanese language, Japanese and Korean Literature, and Japanese theater, as Teaching Professor and Coordinator of the Japanese Studies Program at the University of Missouri. In 2019 he moved to the city of Tokushima in Japan, where currently lives and where he founded the troupe, Tokubeiza, which performs traditional Japanese puppet theater.
Puppetry is a form of theatre or performance that involves the manipulation of puppets – inanimate objects, often resembling some type of human or animal figure, that are animated or manipulated by a human called a puppeteer. Such a performance is also known as a puppet production. The script for a puppet production is called a puppet play. Puppeteers use movements from hands and arms to control devices such as rods or strings to move the body, head, limbs, and in some cases the mouth and eyes of the puppet. The puppeteer sometimes speaks in the voice of the character of the puppet, while at other times they perform to a recorded soundtrack.
Yasunari Kawabata was a Japanese novelist and short story writer whose spare, lyrical, subtly-shaded prose works won him the 1968 Nobel Prize in Literature, the first Japanese author to receive the award. His works have enjoyed broad international appeal and are still widely read.
A marionette is a puppet controlled from above using wires or strings depending on regional variations. A marionette's puppeteer is called a marionettist. Marionettes are operated with the puppeteer hidden or revealed to an audience by using a vertical or horizontal control bar in different forms of theatres or entertainment venues. They have also been used in films and on television. The attachment of the strings varies according to its character or purpose.
The Old Capital is a novel by Japanese writer Yasunari Kawabata first published in 1962. It was one of three novels cited by the Nobel Committee in their decision to award Kawabata the 1968 Nobel Prize in Literature.
Bunraku is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a bunraku performance: the Ningyōtsukai or Ningyōzukai (puppeteers), the tayū (chanters), and shamisen musicians. Occasionally other instruments such as taiko drums will be used. The combination of chanting and shamisen playing is called jōruri and the Japanese word for puppet is ningyō. It is used in many plays.
Snow Country is a novel by the Japanese author Yasunari Kawabata. The novel is considered a classic work of Japanese literature and was among the three novels the Nobel Committee cited in 1968, when Kawabata was awarded the Nobel Prize in Literature.
Tonda Puppet Troupe, founded in the 1830s, is one of the most active groups performing traditional ningyō jōruri or Bunraku puppetry in Japan, and has been officially designated an Intangible Cultural Treasure.
The Dancing Girl of Izu or The Izu Dancer is a short story by Japanese writer and Nobel Prize winner Yasunari Kawabata first published in 1926.
Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures which are held between a source of light and a translucent screen or scrim. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing. Various effects can be achieved by moving both the puppets and the light source. A talented puppeteer can make the figures appear to walk, dance, fight, nod and laugh.
Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh, a spiritual drama, and its comic accompaniment kyōgen; kabuki, a dance and music theatrical tradition; bunraku, puppetry; and yose, a spoken drama.
Imada Puppet Troupe is a traditional Japanese puppet troupe in the style that is commonly known as Ningyō Jōruri (人形浄瑠璃) or Bunraku, based in Iida, Nagano.
Bunraku Bay Puppet Troupe is an American puppet troupe that performs the traditional Japanese puppet drama commonly known as ningyō jōruri or Bunraku. Based in Columbia, Missouri, the Troupe is directed by J. Martin Holman, retired professor of Japanese language, literature, and theater at the University of Missouri, and the first non-Japanese to train and perform in the traditional puppet theater in Japan. The original puppeteers of Bunraku Bay Puppet Theater were trained in Japan by members of three traditional puppet troupes: the Tonda Puppet Troupe, founded in the 1830s in Shiga Prefecture, Japan; and the 300-year-old Kuroda Puppet Troupe and the Imada Puppet Troupe of Iida, Nagano Prefecture, Japan. In recent years most members of Bunraku Bay have spent summers training with the Imada Puppet Troupe.
The Long Christmas Ride Home is a one-act play written by Paula Vogel. It dramatises a road trip by two parents and their three young children to visit grandparents for Christmas dinner, and the emotional turmoil that they undergo. A significant element of the production schema is a Western contemporary employment of bunraku.
The Kuroda Puppet Troupe (黒田人形座) is a traditional Japanese puppet troupe in the style commonly known as ningyō jōruri or bunraku based in the city of Iida in Nagano Prefecture. Founded in 1688, the Troupe has performed continuously to the present.
A puppet is an object, often resembling a human, animal or mythical figure, that is animated or manipulated by a person called a puppeteer. Puppetry is an ancient form of theatre which dates back to the 5th century BC in ancient Greece.
Yoke thé is the Burmese name for marionette puppetry. Although the term can be used for puppetry in general, its usage usually refers to the local form of string puppetry. Like most of Burmese refined art, yoke thé performances originated from royal patronage and were gradually adapted for the wider populace. Yoke thé are almost always performed in the form of Burmese operas.
Hachioji Kuruma Ningyo is a Japanese puppet theater company that has been in the family of the founder of the kuruma ningyo style of puppetry since the 19th century. The company was named an Intangible Cultural Asset by the city of Tokyo and an Important Intangible Folk Cultural Property by the Japanese government. Since the mid 1990s, the company has been directed by Koryu Nishikawa V, who has brought the art form to international attention, touring mostly Europe and the Americas.
Mr. Thank You is a 1936 Japanese comedy-drama film written and directed by Hiroshi Shimizu. It is based on a short story by Nobel Prize-winning novelist Yasunari Kawabata, and noted for its portrayal of depression-era Japan and its location shooting.
Amelia Lirag Lapeña-Bonifacio was a Filipino playwright, puppeteer, and educator known as the "Grande Dame of Southeast Asian Children's Theatre". In 1977, she founded a children's theater troupe, Teatrong Mulat ng Pilipinas, the official theater company and puppetry troupe of the University of the Philippines. Lapeña-Bonifacio served as the President of the International Association of Theatre for Children and Young People-Philippines (ASSITEJ-Philippines) and Union Internationale de la Marionnette-Philippines (UNIMA-Philippines). She was recognized in 2018 as a National Artist of the Philippines for Theater.
The 1968 Nobel Prize in Literature was awarded to the Japanese writer Yasunari Kawabata (1899–1972) "for his narrative mastery, which with great sensibility expresses the essence of the Japanese mind." He is the first Japanese recipient of the prize.