Jackie (Original Motion Picture Soundtrack) | ||||
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Film score by | ||||
Released | 2 December 2016 | |||
Studio | Angel Recording Studios, London | |||
Genre | ||||
Length | 34:03 | |||
Label | Milan | |||
Producer | Mica Levi | |||
Mica Levi chronology | ||||
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Jackie (Original Motion Picture Soundtrack) is the soundtrack to the 2016 film of the same name, released alongside the film on December 2, 2016, by Milan Records. The score is composed by Mica Levi in their second feature film score after Under the Skin (2013). [1] [2] It received nominations for Best Original Score at the 89th Academy Awards and Best Film Music at the 69th British Academy Film Awards, amongst numerous other accolades.
Pablo Larraín recruited Mica Levi to compose music after he loved their work on Under the Skin while watching at the 70th Venice International Film Festival. [3] Their inspiration towards Jackie Kennedy helped them to write the "light-hearted music" that matched the film, but also had a sense of tragedy as well. Speaking to Fact Magazine , they recalled their experience on how the score indicates her life post Kennedy's assassination, saying: [4]
"She’s got the seriousness and the trauma of all the lives that she’s lost — her kids, as well — and all of this is being brought up while she has to face all of the world. But she’s also smashing back the drinks, smashing back the pills, because she’s trying to keep level somehow." [4]
Levi referenced the music of classical films from the 1970s to influence it in their score as well as John Coltrane and Morton Feldman's works. The scoring process was very quick, with "In terms of the first bits, it felt really quick, then there was a gap in the middle and then another bit afterward". Even before the post-production, Levi started sending music that matched appropriately to the character and the film and while editing, they got the piece to editor Sebastian to include in the final edit of the film. Hence, the soundtrack begins with a downward note as per Larraín's suggestion. [5] [6]
To reflect Jackie's character, they used glissandos in the score, as did in her studio album with Shapes, Chopped & Screwed (2011) and Under the Skin. Levi acknowledged that they were interested in this technique as it was like "something that happens if you slow [your playing] down, you get this glooping and distortion and morphing of [sound]" which they felt quite expressive and give the score an "extra frill" but also create a sonic palette reminiscent of the 1960s, the film's period which was set. The addition of glissandos could give it an "indulgent" and "soupy" texture. [4]
The film's periodic setting also helped Levi to choose a "jazz band" kind of instruments, without saxophones or trumpets as they felt the music should be very "quaint". [4] The score is performed by three bassists, eight violins, six violas, six cellos, two flutes, with one of them playing clarinet, percussion and vibraphone, tied together, to sound homogenous. They further doubled the flutes and spread harmonies, so that they cannot be played together and if being put in unison, does not sound professional, creating a sound which was "quite meaningful and innocent". They put the basses up and made it loud and course, overlaid with hard brass, wind and strings giving a "posh, rich sound". [7] The score was written within four to five months, quite less than the duration they worked in Under the Skin. [8]
Kevin Lozano of Pitchfork gave the score 7.5 out of 10, summarising "Levi’s score concretizes and helps control the artistic experience of the film. In effect, the score may not supersede its filmic anchor, but is sure does make the entire endeavor more beautiful." [9] Music critic Jonathan Broxton commented "Levi’s steadfast refusal to even make herself aware of what her film’s dramatic arc actually is renders her music entirely pointless". [10] Adam Kivel of Consequence wrote "Mica Levy is a supremely talented storyteller, able to tap into the most subtle moments and reveal unknown layers." [11] James Southall of Movie Wave gave four stars to the album, opining that it "makes the moments of subtle levity all the more effective". [12]
Sam Mackay of The Quietus had indicated that the score has "everything to do with the off-modern freshness of her approach in a field dogged by generic bombast and minimalism-by-numbers". [13] Heather Phares of AllMusic wrote "Levi's score is as powerful a presence as Jackie herself, and its creativity is more appropriate than more traditional music would have been." [14] Lauren Murphy of The Irish Times called it as an "understated score" rating three out of five. [15] Mark Kermode of The Guardian complimented Levi's score, saying "From the saddening glissando strings of the opening theme, with its falling invocations of death and discord, Levi provides the unifying emotional glue for Larraín’s deliberately shattered film. There’s a touch of Jonny Greenwood’s deeply unsettling music for There Will Be Blood about the recurrent swooning motif that Levi deploys, while eerie silences echoing between strong but fragile chords poignantly recall Jackie’s isolation. Elsewhere, the drums of war scratch at the edges of plaintive piano pieces, while jazzier sounds evoke the sunny 60s optimism that was shattered in the wake of the Dealey Plaza shooting." [16]
No. | Title | Length |
---|---|---|
1. | "Intro" | 1:26 |
2. | "Children" | 3:20 |
3. | "Car" | 0:23 |
4. | "Tears" | 0:53 |
5. | "Autopsy" | 2:39 |
6. | "Empty White House" | 2:58 |
7. | "Graveyard" | 3:10 |
8. | "Lee Harvey Oswald" | 1:58 |
9. | "Walk to the Capitol" | 2:43 |
10. | "Vanity" | 2:59 |
11. | "Decision Made" | 0:33 |
12. | "Burial" | 2:33 |
13. | "The End" | 5:14 |
14. | "Credits" | 3:14 |
Total length: | 34:03 |
The Chicago Film Critics Association Award for Best Original Score is one of several categories presented by the Chicago Film Critics Association (CFCA), an association of professional film critics, who work in print, broadcast and online media, based in Chicago. Since the 6th Chicago Film Critics Association Awards (1993), the award has been presented annually. The nominations from 1993, 1994 and 2004 are not available. The first Chicago Film Critics Association Award for Best Original Score went to composer Michael Nyman for his score to The Piano. The most recent recipient of this award is Robbie Robertson for the Western crime drama film Killers of the Flower Moon. It was awarded posthumously.
Mica Levi, also known by their stage name Micachu, is an English singer, songwriter, composer and producer. Levi is classically trained and since 2008 has released experimental pop music with their band Good Sad Happy Bad, including the critically praised debut album Jewellery in 2009.
Pablo Larraín Matte is a Chilean filmmaker. He is known for films such as the Academy Award-nominated films No (2012), Neruda (2016), Jackie (2016), and Spencer (2021). In 2017, Larraín and his brother Juan de Dios co-produced Sebastián Lelio's A Fantastic Woman, which was the first Chilean film to win the Academy Award for Best Foreign Language Film. In 2021, Larrain directed the psychological romance horror miniseries Lisey's Story. With The Eternal Memory (2023), he earned his a Academy Award nomination for Best Documentary Feature Film as a producer.
Nicholas Britell is an American film and television composer. He has received numerous accolades including an Emmy Award and a Grammy Award. He has also received Academy Award nominations for Best Original Score for Barry Jenkins' Moonlight (2016), If Beale Street Could Talk (2018), and Adam McKay's Don't Look Up (2021). He also scored McKay's The Big Short (2015) and Vice (2018). He is also known for scoring Battle of the Sexes (2017), Cruella (2021), and She Said (2022).
Jackie is a 2016 biographical drama film directed by Pablo Larraín and written by Noah Oppenheim. The film stars Natalie Portman as Jacqueline Kennedy. Peter Sarsgaard, Greta Gerwig, Billy Crudup, and John Hurt also star; it was Hurt's final film released in his lifetime before his death in January 2017. The film follows Kennedy in the days when she was First Lady in the White House and her life immediately following the assassination of her husband, United States President John F. Kennedy, in 1963. It is partly based on Theodore H. White's Life magazine interview with the widow at Hyannis Port, Massachusetts, in November 1963.
The 42nd Los Angeles Film Critics Association Awards, given by the Los Angeles Film Critics Association (LAFCA), honored the best in film for 2016.
The 15th Washington D.C. Area Film Critics Association Awards were announced on December 5, 2016.
The 37th Boston Society of Film Critics Awards, honoring the best in filmmaking in 2016, were given on December 11, 2016.
The 37th London Film Critics' Circle Awards, honouring the best in film for 2016, were announced by the London Film Critics' Circle on 22 January 2017.
La La Land: Original Motion Picture Soundtrack is the soundtrack album to the 2016 film La La Land. The soundtrack album was released through Interscope Records on December 9, 2016. The album has peaked at number 2 on the US Billboard 200 and number 1 on the UK Albums Chart. At the 89th Academy Awards, the film won the Academy Awards for Best Original Score and Best Original Song for "City of Stars".
Moonlight (Original Motion Picture Soundtrack) is the soundtrack to the 2016 film of the same name directed by Barry Jenkins. The film's original score is composed by Nicholas Britell who applied a chopped and screwed technique of hip hop remixes to orchestral music, producing a "fluid, bass-heavy score". The soundtrack album consisted of 21 tracks, with incorporated compositions from Goodie Mob, Boris Gardiner and Barbara Lewis and an arrangement of Wolfgang Amadeus Mozart's "Vesperae solennes de confessore" by Britell, with the score accompanying the remainder of it.
Inside Out: Original Soundtrack is the soundtrack album to Disney/Pixar's 2015 film of the same name, produced by Pixar Animation Studios and Walt Disney Pictures. Directed by Pete Docter, the film featured musical score composed by Michael Giacchino. This is the second collaboration between Giacchino and Docter, after previously working on Up, which fetched the former, an Academy Award for Best Original Score. Giacchino termed the score as "more emotional in comparison to the score for Up" and also being "more personal" due to his experience on parenthood. The score was recorded within January and May 2015, and featured more orchestral and symphonic music accompanied by a range of instruments, from piano, guitar, drum, organ and harp.
Under the Skin (Original Motion Picture Soundtrack) is the soundtrack album to the 2014 film of the same name. Released digitally on 28 March 2014 by Rough Trade Records, the soundtrack was composed by Mica Levi and produced by Peter Raeburn. The score consists of dark ambient music, primarily written and recorded over a span of 10 months, with the pitch of the score being altered at several intervals for "listeners to make them feel uncomfortable". While the score consisted of viola, several instruments such as strings and percussions were accompanied in the cues. The album was physically released in CDs on 18 April 2014, and a vinyl edition was released on 10 October by Warner Records and Milan Records, which re-issued the album twice: the first re-issue was released on 12 June 2020 by Mondo and a second re-issue is scheduled for release on 8 July 2022 by Juno Records.
Spencer (Original Motion Picture Soundtrack) is the soundtrack to the 2021 film Spencer directed by Pablo Larraín. It was composed by Jonny Greenwood, and combines free jazz and classical baroque music highlighting the tragedy and emotions of Diana, Princess of Wales. The album was released on November 12, 2021, by Mercury KX label.