 | This biographical article is written like a résumé .(October 2020) |
 | This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations .(July 2011) |
Jaime Reis (born December 1983) is a composer from Lisbon, Portugal whose music has been presented in Portugal, Poland, Turkey, Brazil, Singapore, Hong Kong, Taiwan, France, Austria, Ukraine and Belgium.
2018
Aera excipere
12 flutes 2018
Sândalo Prata
Flute and guitar 2017
Voces excipere
12 soloist voices 2017
Fluxus, pas trop haut dans le ciel
16 channels in a dome distribution. 2017
Fluxus, Dimensionless sound (B)
Flute and electronics 2017
Bartolomeu, o voador,
Piano and electronics - didactic piece 2017
Inverso Sangue: Cinábrio (III)
Violin, viola and cello 2017
Inverso Sangue: Granito (B) (II)
Saxophone, violin and cello 2017
Inverso Sangue: Granito (II)
Clarinet, violin and cello 2017
Inverso Sangue: Âmbar (I)
Clarinet 2016
A Omnisciência é um Colectivo - Part IV
Percussion and electronics 2016
Bartolomeu, o voador,
Children's choir, recitant and electronics 2016
Sangue Inverso: Obsidiana (III)
Flute, clarinet and piano 2016
Sangue Inverso: Magnetite (I)
Piano - didactic piece 2016
Sangue Inverso: Ametista (II)
Piano and flute 2015
Sangue Inverso: Ametista (B) (II)
Piano and recorder 2015
Sangue Inverso: Olho de Tigre (VI)
Piano, violin, viola and cello 2015
Fluxus, Drag
Cello, double bass and electronics 2015
Jeux de l’Espace
Electronics (8 + PLA) 2015
A Omnisciência é um Colectivo - Part III
Electronics and piano 2014
GS65
Viola solo 2012/2014
Fluxus, Dimensionless sound
Flute glissando headjoint and electronics 2013
Fluxus, Transitional Flow
Viola and electronics 2013
Fluxus, Lift
Electronics 2010/2011
A Anamnese das Constantes Ocultas
Ensemble and electronics (6 + PLA) 2009/2011
A Omnisciência é um Colectivo - Part II
Electronics and wind orchestra 2009
A Omnisciência é um Colectivo - Part I
Electronics 2008
Estudos de Densidades II
Ensemble - didactic piece 2007
Sinais no Tempo
Guitar and electronics 2006
Densidades Emergentes
Orchestra 2005
Reificação Espectral
Orchestra and electronics 2005
Density Study
Robot orchestra 2004
Improvisação sobre três poemas de Al Berto
Orchestra 2004
(Sobre o processo de) Replicação
2 flutes, 2 percussionists 2003/2004
Phonopolis
Electronics 2003
Síntese
Orchestra 2003
Lysozyme Synthesis
Piano 2002
Calmodulin Synthesis
5 percussionist 2001/2003
Estátua de Pessanha
Piano, bass flute and real-time video
– Akademia Muzyczna Kraków, Três conferências sobre história da Música em Portugal, 2003
– “Breve história do desenvolvimento da tecnologia electrónica aplicada à composição musical”, 4º Encontro da Secção Portuguesa da AES (Audio Engineering Society), Universidade de Aveiro, June 2003
– Modelos matemáticos applicados à composição musical – Um meio ou um fim?, Escola Superior de Turismo e Telecomunicações de Seia, 2004
– “Biological models applied to musical composition”, Musical Thinking Today forum, 42. Internationale Ferienkurse für Neue Musik, Darmstadt, 2004
– Graz, Áustria | Hörfest | compositor convidado juntamente com o Miso Ensemble | estreia: Lysozyme Synthesis, 2005
– “Phonopolis” – apresentação da peça nas Listening Rooms da International Computer Music Conference (ICMC), Barcelona, 2005
– Festivais de Música Electroacústica como produtos de Turismo, June 2006, Escola Superior de Turismo e Telecomunicações de Seia
– International Summer School of Systematic Musicology, Gent, Belgium, 2006
– A Música Electrónica de Luciano Berio, March 2007, Conservatório de Música de Seia
– “Biological Models and Music Composition”, poster apresentado no congresso “Musica e Genética”, Bologna, Italy, May 2007
– Introdução à História da Música em Portugal, Biblioteca Municipal de Palmela, May 2007
– Model ASEM, Cultural Pillar, Beijing, China, 2008
– Stockhausen Courses, Kürten, Germany, 2009 – moderator of the Forum for Music Educators
– Helsinki University, ASEFUAN AGM, Helsinki, Finland, 2010
– participant, 15th ASEF University, Woosuk University, Wanju, Jeonbuk Province, South Korea, 2009
– Model ASEM, guest speaker – “On the Cultural Policies in Portugal”, Sciences Po, Le Havre, France, 2009
– Gulbenkian Foundation – Introdução à obra Luiz Vaz 73, de Jorge Peixinho e Ernesto de Sousa – Lisbon, CAM, 2009
– ASEF's Rapporteur – COP15 – “Arts, Culture and Sustainability: Building Synergies between Asia and Europe” and “Culture | Futures: The Transition to an Ecological Age 2050,” Denmark, December 2009
– Keio University, ASEFUAN AGM, Tokyo, Japan, 2010
– UNICAMP – Composition Lecture, Brazil, September 2010
– Salvador na Bahia, Brazil – UFBA – Composition Lectures – Guest composer at III FIMC – Festival Internacional de Música Contemporânea (along with composer Paulo Chagas, conductor Pedro Pinto Figueiredo and guitar player Pedro Rodrigues), September 2010
– Encontro Internacional de Música e Arte Sonora – EIMAS – “De Entretecimento a Omnisciência”, UFRJ /UNIRIO – Juiz de Fora e Rio de Janeiro, September 2010
– Culturgest, Lisboa – “Luís Vaz 73, uma possível reconstituição ou a reconstituição possível?”, Jorge Peixinho – Mémoires... Miroirs, October, 2010
– “Música Electroacústica e Espacialização”, Sociedade Portuguesa de Acústica, Laboratório Nacional de Engenharia Civil – November 2010
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Peixinho, J., & de Sousa, E. (2012). Recording: Performance Almada, Um Nome de Guerra e Nós Não Estamos Algures na Casa de Serralves ; Grupo de Música Contemporânea de Lisboa; M. Jaime Reis. Ernesto de Sousa Centro de Estudos - Multidisciplinares (cemes). Retrieved from http://www.ernestodesousa.com/?p=446
CD: Caminhos de Orfeu - Obras encomendadas pelo Grupo de Música Contemporânea de Lisboa - Electroacoustics Technical Assistance Adviser: Jaime Reis. (2012). Sabadell, Barcelona: La Mà de Guido.
Reis, J. (2015). CD: Fluxus, Transition Flow; Portuguese Contemporary Music for Viola and Electronics; viola: João Pedro Delgado. Guarda, Portugal: SÍNTESE-GMC RECORD LABEL. Retrieved from https://itunes.apple.com/pt/album/portuguese-contemporary-music/id957574297
Reis, J. (2016). Calmodulin Synthesis, for 5 percussionists (2002). Parede: PORTUGUESE MUSIC RESEARCH & INFORMATION CENTRE. Retrieved from www.mic.pt
Reis, J. (2005). Introdução ao pensamento musical de João Rafael. Centro de Informação Da Música Portuguesa, 1–10. Retrieved from www.mic.pt
Reis, J., & Martel, P. (2013). Modelos e Estruturas Biológicas Aplicadas à Composição Musical e Arte Computacional. In P. Martel (Ed.), I Colóquio Internacional Arte e Ciência em Diálogo. Universidade do Algarve.
Reis, J. (2015). Perception and Reception of Emmanuel Nunes’s musical practice. In G. Stöck, P. F. de Castro, & K. Stöck (Eds.), Estes sons, esta linguagem’. Essays on Music, Meaning and Society in Honour of Mário Vieira de Carvalho. Leipzig: Gudrun Schröder Verlag.
Reis, J. (2015). Parametric loudspeakers array technology: a 4th dimension of space in electronic music? In 1st International Congress for Electroacoustic Music – Electroacoustic Winds 2015. Aveiro.
Reis, J. (2011). Video: Calmodulin Synthesis ; Lisbon Ensemble 20/21 ; M.: Pedro Pinto Figueiredo; Marco Fernandes, Miguel Filipe, Pedro Martins, Fábio Dias, Luís Cascão. MPAGDP - A música portuguesa a gostar dela própria. Retrieved from http://vimeo.com/33237840
Reis, J. (2010). João Rafael. In S. Castelo-Branco (Ed.), Enciclopédia da Música em Portugal no Século XX (p. 1090). Lisboa: Círculo de Leitores.
Reis, J. (2011). CD: A Omnisciência é um Colectivo - parte 2 ; WASBE; União Filarmónica do Troviscal; M. André Granjo. Chiayi City, Taiwan: Mark Records. https://doi.org/ASIN: B00668IFQQ
Reis, J. (2016). Lysozyme Synthesis, for piano (2003). Parede: PORTUGUESE MUSIC RESEARCH & INFORMATION CENTRE. Retrieved from www.mic.pt
Reis, J. (2017). Fluxus, Dimensionless Sound (2012–14), for glissando flute and electronics - score and CD. (E. Drescher, Ed.). Berlin: Verlag Neue Musik.
Reis, J. (2011). Video: Lysozyme Synthesis ; Ana Telles. MPAGDP - A música portuguesa a gostar dela própria. Retrieved from http://vimeo.com/33302763
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