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James Alexander (born December 17, 1948) is an American soul and R&B musician. He is a longtime member of the band the Bar-Kays, for which he plays bass guitar.
Alexander was born at McLemore Clinic in Memphis, Tennessee. In a 2014 interview, he stated that the clinic was across the street from Stax Records' headquarters, and that he grew up about a block away from Stax. [1] Alexander attended Booker T. Washington High School in Memphis. [2]
He is the father of the hip-hop and R&B producer Phalon "Jazze Pha" Alexander, whom he named after his best friend and late Bar-Kays bandmate, Phalon Jones. Contrary to widespread belief, James Alexander's relationship, which produced his son Phalon, was not with R&B and gospel singer Deniece "Niecy" Williams, but rather with another woman (herself an experienced singer) named Denise Williams. [3]
James Alexander was the bassist for the Bar-Kays when four of the six band members, including Phalon Jones, were killed in the same plane crash that claimed the life of soul singer Otis Redding. Alexander was the only Bar-Kays member not aboard that flight. According to a 2014 news article, before the plane departed, Alexander volunteered to return the band's rental car and take a commercial flight to the band's next engagement. [1] Other accounts state that the plane, a Beechcraft owned by Redding, only held eight occupants (Redding, five of the Bar-Kays, the pilot and Redding's road manager), and that it was Alexander's turn in the rotation to board a commercial flight to the next destination.[ citation needed ] Alexander had the task of identifying the bodies of his bandmates, as well as that of Redding.[ citation needed ]
After the crash, Ben Cauley, the sole survivor among those who were aboard the plane, worked with Alexander to reform the band. [1] Subsequent work included the soundtrack recording of the Academy Award-winning theme song from the 1971 feature film Shaft , on which Alexander played bass guitar.[ citation needed ]
As of 2018, Alexander was the only original member performing in the still-active Bar-Kays. [1]
Booker T. & the M.G.'s were an American instrumental R&B/funk band that was influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones, Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums). In the 1960s, as members of the Mar-Keys, the rotating slate of musicians that served as the house band of Stax Records, they played on hundreds of recordings by artists including Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor and Albert King. They also released instrumental records under their own name, including the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era.
Booker Taliaferro Jones Jr. is an American musician, songwriter, record producer and arranger, best known as the frontman of the band Booker T. & the M.G.'s. He has also worked in the studios with many well-known artists of the 20th and 21st centuries, earning him a Grammy Award for Lifetime Achievement.
Stax Records is an American record company, originally based in Memphis, Tennessee. Founded in 1957 as Satellite Records, the label changed its name to Stax Records in 1961. It also shared its operations with sister label Volt Records.
Memphis soul, also known as the Memphis sound, is the most prominent strain of Southern soul. It is a shimmering, sultry style produced in the 1960s and 1970s at Stax Records and Hi Records in Memphis, Tennessee, featuring melodic unison horn lines, organ, guitar, bass, and a driving beat on the drums.
Southern soul is a type of soul music that emerged from the Southern United States. The music originated from a combination of styles, including blues, country, early R&B, and a strong gospel influence that emanated from the sounds of Southern black churches. Bass guitar, drums, horn section, and gospel roots vocal are important to soul groove. This rhythmic force made it a strong influence in the rise of funk music. The terms "deep soul", "country soul", "downhome soul" and "hard soul" have been used synonymously with "Southern soul".p. 18
Donald "Duck" Dunn was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.'s and as a session bassist for Stax Records. At Stax, Dunn played on thousands of records, including hits by Otis Redding, Sam & Dave, Rufus Thomas, Carla Thomas, William Bell, Eddie Floyd, Johnnie Taylor, Albert King, Bill Withers, Elvis Presley, and many others. In 1992, he was inducted in the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.'s. In 2017, he was ranked 40th on Bass Player magazine's list of "The 100 Greatest Bass Players of All Time".
The Mar-Keys, formed in 1958, were an American studio session band for Stax Records, in Memphis, Tennessee, in the 1960s. As the first house band for the label, their backing music formed the foundation for the early 1960s Stax sound.
Eddie Lee Floyd is an American R&B and soul singer and songwriter, best known for his work on the Stax record label in the 1960s and 1970s, including the No. 1 R&B hit song "Knock on Wood".
The Bar-Kays are an American funk band formed in 1964. The band had dozens of charting singles from the 1960s to the 1980s, including "Soul Finger" in 1967, "Son of Shaft" in 1972, and "Boogie Body Land" in 1980.
Mary Frierson, later Mary Cross, better known by her stage name of Wendy Rene, was an American soul singer and songwriter. She recorded for Stax Records in the mid 1960s.
Pain in My Heart is the debut album of soul singer-songwriter Otis Redding. Redding recorded for Volt Records, a subsidiary of Stax Records, based in Memphis, Tennessee. Volt LPs were initially issued on the Atco label, which released this album.
The Soul Children was an American vocal group who recorded soul music for Stax Records in the late 1960s and early 1970s. They had three top 10 hits on the U.S. Billboard R&B chart – "The Sweeter He Is" (1969), "Hearsay" (1972), and "I'll Be the Other Woman" (1973) – all of which crossed over to the Billboard Hot 100.
Ronald Louis Caldwell was an American soul and R&B musician.
Phalon R. Jones, Jr. was an American soul and R&B musician. Jones was a saxophonist for musical group the Bar-Kays, which recorded with and also played backup for Otis Redding. Jones and three other members of the Bar-Kays, their valet Matthew Kelly and the pilot Richard Fraser died along with Redding in a plane crash in Lake Monona while on their way to a performance in Madison, Wisconsin.
Ben S. Cauley Jr. was an American trumpet player, vocalist, songwriter, and founding member of the Stax recording group the Bar-Kays. He was the only survivor of the 1967 plane crash that claimed the lives of soul singer Otis Redding and four members of the Bar-Kays.
John Colbert, known professionally as J. Blackfoot, was an American soul singer. A member of The Soul Children in the late 1960s and 1970s, he subsequently had a moderately successful solo career. His biggest hit was "Taxi", which reached the charts in both the US and UK in 1984.
Phalon Anton Alexander, known professionally as Jazze Pha, is an American songwriter, rapper, and record producer. He founded the record label Sho'nuff Records in 1995, through which he signed R&B singer Ciara in 2003. He produced her 2004 single "1, 2 Step," which peaked at number two on the Billboard Hot 100 as he served as the executive producer for its parent album, Goodies (2004). Released in a joint venture with LaFace Records, the album was met with critical and commercial success, although she parted ways with Sho'nuff shortly after.
Otis Ray Redding Jr. was an American singer and songwriter. He is regarded as one of the greatest singer-songwriters in the history of American popular music and a seminal artist in soul music and rhythm and blues. Nicknamed the "King of Soul", Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s.
Soul Finger is the debut album of the Bar-Kays, issued three months after the single of the same name. It was recorded by Tom Dowd and Chris Huston on Friday, June 23, 1967, at the Stax studio in Memphis. Though all but one member of the group were black, the album cover art, by Loring Eutemey, suggests an interracial pop music party feeling. The instrumental band, after being signed in early 1967, was tutored by Al Jackson, Jr. and the other members of Booker T. & the M.G.'s, which shows in the tightness of the rhythm section. That summer they also were selected by Otis Redding as his new backup band.
"(Sittin' On) The Dock of the Bay" is a song co-written by soul singer Otis Redding and guitarist Steve Cropper. Redding recorded it twice in 1967, including just three days before his death in a plane crash on December 10, 1967. It was released on Stax Records' Volt label in 1968, becoming the first posthumous #1 single in the US. It reached #3 on the UK Singles Chart.
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