James C. Watkins | |
---|---|
Born | May 28, 1951 |
Nationality | American |
Known for | Ceramics, Pottery |
James C. Watkins (1951 - ) was born in Louisville, Kentucky, in 1951 and raised in a farming family in Athens, Alabama. [1] He is a ceramic artist living in Lubbock, Texas who has worked with clay for over 40 years. He is known for his large scale double-walled ceramic vessels and laser cut porcelain substrate [2] tiles. He is recognized for his textured surfaces, created by using alternative firing techniques. [3] His porcelain substrate tiles are fumed Archived 2014-09-07 at the Wayback Machine [4] with stannous chloride and multi-fired using ferric chloride, gold and platinum luster to achieve colorful surfaces. [5]
Watkins gained recognition through his inclusion in the 1993 White House Collection of American Crafts, [6] which was curated by Michael Monroe, who was then the director of the Renwick Gallery of the Smithsonian Institution. [7] Watkins' work is held in 21 permanent collections, including the Clinton Library [8] in Little Rock, Arkansas, the Shigaraki Institute of Ceramic Studies [9] in Shigaraki, Japan, the Everson Museum [10] in Syracuse, New York, the Tweed Museum [11] in Duluth, Minnesota, and the Eiteljorg Museum [12] in Indianapolis, Indiana. [13] His work has been widely exhibited in 40 solo exhibitions and 164 group exhibitions.
Watkins is a Paul Whitfield Horn Professor [14] Emeritus in the College of Architecture at Texas Tech University in Lubbock, Texas where he taught Architectural Ceramics and Architectural Drawing. The Horn Professorship is the highest honor that Texas Tech University bestows on members of its faculty. Horn Professorships are granted to professors in recognition of national and international distinction for outstanding research or other creative scholarly achievements.
Watkins uses his experience of growing up in the rural south during the 1950s and 60s as a source of inspiration for his signature work. His mother and father were farmers. Watkins is the oldest of six children - three boys and three girls. He grew up in a time when large cast-iron pots were still used as an essential farming utensil. [15] His mother made soap, hominy and souse in the large black cast-iron pots. Watkins creates large double-walled ceramics forms that are inspired by the memory of helping his mother keep the fire burning hot around the cast-iron pots. [16]
Watkins has been honored for his contributions to the arts and teaching.
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Terracotta, also known as terra cotta or terra-cotta, is a clay-based non-vitreous ceramic fired at relatively low temperatures. It is therefore a term used for earthenware objects of certain types, as set out below.
Pottery and porcelain is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Types have included earthenware, pottery, stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were made as early as the Jōmon period, giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics hold within its artistic tradition, owing to the enduring popularity of the tea ceremony. During the Azuchi-Momoyama period (1573–1603), kilns throughout Japan produced ceramics with unconventional designs. In the early Edo period, the production of porcelain commenced in the Hizen-Arita region of Kyushu, employing techniques imported from Korea. These porcelain works became known as Imari wares, named after the port of Imari from which they were exported to various markets, including Europe.
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