Hard-edge painting is painting in which abrupt transitions are found between color areas. Color areas often consist of one unvarying color. The Hard-edge painting style is related to Geometric abstraction, Op Art, Post-painterly Abstraction, and Color Field painting.
Joseph Raffael was an American contemporary realist painter. His paintings, primarily watercolors, are almost all presented on a very large scale.
Salomón Huerta is a painter based in Los Angeles, California. Huerta was born in Tijuana, Mexico, and grew up in the Boyle Heights Projects in eastern Los Angeles. Huerta received a full scholarship to attend the Art Center College of Design in Pasadena and completed his MFA at UCLA in 1998. Huerta gained critical acclaim and commercial attention in the late 1990s for his minimalist portraits of the backs of people's heads and color-saturated depictions of domestic urban architecture. He was included in the 2000 Whitney Biennial and has been featured in numerous exhibitions around the US, Europe, Latin America, The Gagosian Gallery in London England, and Studio La Città in Verona, Italy.
Larry Bell is an American contemporary artist and sculptor. He is best known for his glass boxes and large-scaled illusionistic sculptures. He is a grant recipient from, among others, the National Endowment for the Arts and the Guggenheim Foundation, and his artworks are found in the collections of many major cultural institutions. He lives and works in Taos, New Mexico, and maintains a studio in Venice, California.
Kenneth Price was an American artist who predominantly created ceramic sculpture. He studied at the Chouinard Art Institute and Otis Art Institute in Los Angeles, before receiving his BFA degree from the University of Southern California in 1956. He continued his studies at Chouinard Art Institute in 1957 and received an MFA degree from New York State College of Ceramics at Alfred University in 1959. Kenneth Price studied ceramics with Peter Voulkos at Otis and was awarded a Tamarind Fellowship.
Mark Dean Veca is an American artist based in Altadena, California. He creates paintings, drawings and large-scale installations.
Lorser Feitelson (1898–1978) was an artist known as one of the founding fathers of Southern California–based hard-edge painting. Born in Savannah, Georgia, Feitelson was raised in New York City, where his family relocated shortly after his birth. His rise to prominence occurred after he moved to California in 1927.
Roger Edward Kuntz was a highly accomplished Southern California landscape painter and a member of the Claremont Group of painters - professors and graduates of Pomona College, Scripps College, and the Claremont Graduate School. A figurative artist with an eye for abstract form, he won critical acclaim for striking compositions that transform an unusual array of subjects, including tennis players, domestic interiors, freeways, road signs, bathtubs and the Goodyear Blimp. A retrospective exhibition of his work, at the Laguna Art Museum in Laguna Beach, CA in 2009, was aptly titled "Roger Kuntz: The Shadow Between Representation and Abstraction". In the exhibition catalogue, curator Susan M. Anderson wrote: "Kuntz's work of the late 1950s and early 1960s quintessentially embodied the experimentation, fragmentation, and paradox in American culture of the time."
Ed Moses was an American artist based in Los Angeles and a central figure of postwar West Coast art.
Millie Wilson is an artist and teacher who lives and works in Austin, Texas. Wilson was a member of the faculty in the Program in Art at The California Institute of the Arts from 1985 to 2014.
David Pagel is an American art critic, educator, curator, dioramatist and bike enthusiast.
Maxwell Hendler is an American painter. In 1975, he became the first contemporary artist to have pictures in the collection of the Metropolitan Museum of Art in New York.
Peter Plagens is an American artist, art critic, and novelist based in New York City. He is most widely known for his longstanding contributions to Artforum and Newsweek, and for what critics have called a remarkably consistent, five-decade-long body of abstract formalist painting. Plagens has written three books on art, Bruce Nauman: The True Artist (2014), Moonlight Blues: An Artist's Art Criticism (1986) and Sunshine Muse: Modern Art on the West Coast, 1945-70 (1974), and two novels, The Art Critic (2008) and Time for Robo (1999). He has been awarded major fellowships for both his painting and his writing. Plagens's work has been featured in surveys at the Museum of Modern Art, Los Angeles County Museum of Art (LACMA), Whitney Museum, and PS1, and in solo exhibitions at the Hirshhorn Museum and Las Vegas Art Museum. In 2004, the USC Fisher Gallery organized and held a 30-year traveling retrospective of his work. Critics have contrasted the purely visual dialogue his art creates—often generating more questions than answers—with the directness of his writing; they also contend that the visibility of his bylines as a critic has sometimes overshadowed his artmaking—unduly. Los Angeles Times critic David Pagel described Plagens's painting as a "fusion of high-flying refinement and everyday awkwardness" with an intellectual savvy, disdain for snobbery and ungainliness he likened to Willem de Kooning's work. Reviewing Plagens's 2018 exhibition, New York Times critic Roberta Smith called the show an "eye-teasing sandwich of contrasting formalist strategies," the hard-won result of a decade of focused experimentation.
Lari George Pittman is a Colombian-American contemporary artist and painter. Pittman is an Emeritus Distinguished Professor of Painting and Drawing at the UCLA School of the Arts and Architecture.
George Herms is an American artist best known for creating assemblages out of discarded, often rusty, dirty or broken every-day objects, and juxtaposing those objects so as to infuse them with poetry, humor and meaning. He is also known for his works on paper, including works with ink, collage, drawing, paint and poetry. The prolific Herms has also created theater pieces, about which he has said, "I treat it as a Joseph Cornell box big enough that you can walk around in. It's just a continuation of my sculpture, one year at a time." Legendary curator Walter Hopps, who met Herms in 1956, "placed Herms on a dazzling continuum of assemblage artists that includes Pablo Picasso, Kurt Schwitters, Marcel Duchamp, and Joseph Cornell, as well as California luminaries Wallace Berman and Edward Kienholz." Often called a member of the West Coast Beat movement, Herms said that Wallace Berman taught him that "any object, even a mundane cast-off, could be of great interest if contextualized properly." "That’s my whole thing," Herms says. "I turn shit into gold. I just really want to see something I've never seen before." George Herms lives and works in Los Angeles.
Paul Schimmel is an American curator of contemporary art based in Los Angeles. Schimmel served as the chief curator of The Museum of Contemporary Art, Los Angeles (MOCA), from 1990 until 2012, where he organized numerous exhibitions. From 2013 through 2017, he was a vice president and partner with the art gallery Hauser & Wirth and co-founder of Hauser Wirth & Schimmel in Los Angeles. In late February 2017, Schimmel departed from the Hauser & Wirth enterprise, including Hauser Wirth & Schimmel in Los Angeles, with no public comment on his behalf.
Merion Estes is a Los Angeles-based painter. She earned a B.F.A. at the University of New Mexico, in Albuquerque, and an M.F.A. at the University of Colorado, in Boulder. Estes was raised in San Diego from the age of four. She moved to Los Angeles in 1972 and first showed her work at the Woman's Building in Los Angeles. As a founding member of Grandview 1 & 2, she was involved in the beginnings of Los Angeles feminist art organizations including Womanspace, and the feminist arts group "Double X," along with artists Judy Chicago, Nancy Buchanan, Faith Wilding, and Nancy Youdelman. In 2014, Un-Natural, which was shown at the Los Angeles Municipal Art Gallery in Los Angeles and included Estes' work, was named one of the best shows in a non-profit institution in the United States by the International Association of Art Critics.
Soo Kim is a Korean-American artist. She was born in South Korea in 1969 and moved to Los Angeles in 1980. She earned a B.A. from the University of California, Riverside, and a MFA from California Institute of the Arts. Kim lives in Los Angeles and is on the faculty at Otis College of Art and Design. Kim often employs techniques of cutting and layering in order to introduce areas of absence or disruption in what we tend to take for granted—the interpretation of photographic images."
Jennifer Pastor is an American sculptor and Professor of Visual Arts at the University of California Irvine. Pastor examines issues of space encompassing structure, body and object orientations, imaginary forms, narrative and progressions of sequence.
Jack Hooper was an American painter, muralist, sculptor, printmaker and art educator. Hooper was a major figure on the Southern California art scene, belonging to that generation of Los Angeles painters who matured during the late 1950s and the 1960s, painters such as John Altoon, Sam Amato, Robert Irwin, Lee Mullican, William Brice and Billy Al Bengston. He was an innovator in the use of new materials, most importantly plastic in art. He is known for abstract expressionist, mural and figurative painting. Hooper has exhibited in art museums and galleries nationally and internationally including solo shows in Europe, Mexico and the United States. Modeling renown UCLA art professor and figurative artist, Jan Stussy, the last 20 years of his life were spent in rural Mexico, where he drew and painted every single day until his death.
