James Howe Carse | |
---|---|
Born | c.1819 |
Died | 1900 |
Nationality | British Australian |
Known for | Landscape paintings |
James Howe Carse (ca. 1819–1900) was a British Australian [1] oil painter who specialised in landscapes. He was born in Edinburgh to a family of painters. He exhibited in the UK, won a gold medal in Chicago and rose to be described as the "best painter" in the colony of New South Wales.
Carse was born in about 1819 in Edinburgh [2] and his father is said to have been Alexander Carse, [3] a well-known painter of Scottish scenes. [4] It is thought that he was named after James Howe, a contemporary Scottish painter of animals. [3]
Carse's elder brother William [3] (some say William was his father) [5] was trained at the Royal Academy in London, but James was enrolled at the new Royal Scottish Academy, where his father, having returned to Scotland from London, was a founding member. [3] Although his father had exhibited at the academy between 1827 and 1836, he was not financially successful and his father needed to apply for financial assistance in 1843. He died the same year. [4]
Carse was in London in the early 1860s, exhibiting paintings of Scotland and England. [6] His paintings at that time include several of scenes around Bolton and Oldham. [7]
In 1866, Carse won a gold medal at the Intercolonial Exhibition in Chicago. [8]
It is believed that Carse originally entered Australia via Adelaide in South Australia in 1867 due to ill-health. [9] A watercolour drawing of the Kapunda copper mines is dated by Carse to 1867. [10] Up until 1868, he did not devote much time to art. [9]
In August 1868, Carse exhibited some of his first works at the Museum of Art at 105a Collins Street East in Melbourne, Australia. [11] The works included landscape scenes on the Campaspe and Mile Creek, Melbourne (as seen from the Botanical Gardens) and other illustrations of bush life. By September 1868 [12] Carse had begun commission work in animal and landscape paintings from premises at 143 Lonsdale Street, Melbourne.
By March 1869, Carse had six paintings exhibited in the shop of Mr. Whitehead, Collins Street, Melbourne, including one of Coliban Falls, two of Mount Beckwith, one of Mile Creek, and the other two were unnamed. [13] In November 1869, he had created two new works based on the landscapes in Talbot country, Victoria – one of Middle Creek near Clunes, and another of a swamp in the same area. [14]
In late 1869, Carse went on a "professional excursion" to the country. He returned with two oil paintings and a variety of sketches. The completed works were put on display at Hines Gallery, Collins Street by mid-January, 1870. The two paintings included Riddell's Creek Falls and Evening at Riddell's Creek. [15]
Another painting accredited to Carse during 1869 is A River Ferry Crossing. [16]
In December 1870, Carse contributed a number of his paintings to the Victorian Academy of Art exhibition, hosted in the carriage annexe of Melbourne's exhibition building. [17]
During 1869 to 1870, it appears that Carse travelled to Queensland where he painted Gladstone, Queensland, New Zealand Gully, near Rockhampton, Queensland, and Townsville, Queensland.
By January 1871 Carse had left Melbourne and was located in George Street, Sydney. [18]
In March 1872 he exhibited Weatherboard Waterfalls (No.79) at the first exhibition of colonial works for the first New South Wales Academy of Arts exhibition at Sydney's Chamber of Commerce. [19] He received a certificate of merit, [20] although many considered his work one of the best at the exhibition. In the same year he exhibited A View on the Weatherboard (No.129) in the Agricultural Society of New South Wales' Annual Show, where he was award second prize. [21]
For the second New South Wales Academy of Arts exhibition on 15 April 1873, Carse provided four oil paintings; Mount Dromedary from Hobbs' Point (No.15), The Waterfall in the Blue Mountains (No.16), Loch Oich and Inverary Castle in Scotland (No.17), and Loch Laggan (No.18). [22] [23] Carse took out the Hon. John Campbell prize of £25 for Loch Oich and Inverary Castle in Scotland. [24] [25]
For the third New South Wales Academy of Arts exhibition in April 1874, Carse submitted a portrait of himself sitting in his studio working with brush and palette. [26] In July, nine paintings by Carse were sent to Victorian Academy of Art exhibition in Melbourne. The paintings included Loch Oich and Inverary Castle in Scotland, The Waterfall in the Blue Mountains, Mount Dromedary from Hobbs' Point, Weatherboard Waterfalls, Aisla Craig, Mount Macedon, Willoughby Falls on the North Shore, Loch Laggan and Loch Ericht. [27] An additional painting Loch Subnaig (No.100) was also presented. [28]
For the fourth New South Wales Academy of Arts exhibition in March 1875, Carse submitted Bega Swamp and Views on theWagonga River. [29] A total of five pieces were submitted (No.s 16–19, 50 & 51). [30] He received Highly Commended and Certificate of Merit (No.19). [31] [32] Works submitted for the exhibition were transferred to the Sydney Intercolonial Exhibition of 1875 (No.30,31,35,41,44,45). [33]
Carse, now living in Waverly, sent two pictures to the Intercolonial Exhibition in Melbourne, September 1875. [34] The two pictures were A Creek in New South Wales and Walaga Falls. [35] He received third place (No.3089 & 3090). [36]
In November 1875, Carse and fellow artists J.A.C. Willis, Grant Lloyd, A.B. McMinn and H Wise, visited camps set up by the Academy of Arts in the Grose Valley, Blue Mountains. [37]
An exhibition of his new work was shown at the Melbourne Public Library. He enjoyed commercial success, as an engraving of his drawing was included on the front cover of the Illustrated Melbourne Post later that year. [4] An engraving of his painting of Aboriginals sitting around a fire on the shore of King George Sound was commissioned by Edwin Carton Booth. This and several of his other drawings of New Zealand and Western Australia were included in Booth's Australia Illustrated , although they were attributed to "Carr". [38]
By 1876 he had helped to found Melbourne's Victorian Academy of Art and the New South Wales Academy of Art, and he had been awarded numerous prizes and awards. [8] In that year he was described in New South Wales as the "perhaps the best painter in the colony" [3] and his work was selling at 30 guineas a painting. In 1880 he joined a group who left the Academy of Art to create the Art Society of New South Wales. Carse was now creating a large number of paintings but from this time they diminished both in quantity and originality as he reworked old subjects. [3]
He and his friend George Podmore's home was at Mosman Bay. Carse died in 1900 from the effects of alcoholism. [4]
The World's Columbian Exposition was a world's fair held in Chicago in 1893 to celebrate the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. For Department K (Fine Arts, Painting, Sculpture & co.), Department 141, A. E. Watson of Circular Quay, Sydney, loaned a collection 46 oil paintings by Carse, as part of the New South Wales collection of artists, to the exposition.
No. | Description |
---|---|
1 | Cattle Watering, Bulli Pass, N.S.W. |
2 | Farmyard at Mulgrave, N.S.W. |
3 | Scene at Tilba Tilba, N.S.W. |
4 | Weatherboard Falls, Blue Mountains, N.S.W. |
5 | Mountain Scene, Katoomba, N.S.W. |
6 | Miner's Camp by Moonlight, Lithgow, N.S.W. |
7 | Scene on the Mountains, Mount Victoria, N.S.W. |
8 | Pallette Knife Scene, Bulli Pass, N.S.W. |
9 | Coast Scene, near Botany, N.S.W. |
10 | Wheeny Creek, Hawkesbury River, N.S.W. |
11 | Bulli Pass and Kiama in the Distance, N.S.W. |
12 | Scene at Mossman's Bay, N.S.W. |
13 | Scene at Emu Plains, N.S.W. |
14 | Scene at Richmond, N.S.W. |
15 | Scene on the Hawkesbury River, N.S.W. |
16 | Coast Scene, Bondi, N.S.W. |
17 | Scene, Parramatta River, N.S.W. |
18 | Scene at Pitt Town, on the Hawkesbury River, N.S.W. |
19 | Coast Scene, Broken Bay, N.S.W. |
20 | Hut by Moonlight at Broken Hill, N.S.W. |
21 | Scene at Port Jackson, N.S.W. |
22 | Swamp Scene near the Coast, Manly, N.S.W. |
23 | Scene at Randwick, N.S.W. |
24 | Scene at Narrabeen, N.S.W. |
25 | Bark Hutt, Clyde River, N.S.W. |
26 | Creek Scene, Blue Mountains, N.S.W. |
27 | Scene at Gosford, N.S.W. |
28 | Mountain Scene, Kurrajong, N.S.W. |
29 | Three Deserted Huts Scenes, Morning, Noon, and Night, N.S.W. |
30 | Scene at Broughton Pass, N.S.W. |
31 | Grose Valley, N.S.W. |
32 | Coast Scene, Newcastle, N.S.W. |
33 | Wattle Flat, N.S.W. |
34 | Bulli Pass, N.S.W. |
35 | Scene at Blacktown, N.S.W. |
36 | Coast Scene at Coogee Bay, N.S.W. |
37 | Bushrangers' Bay, N.S.W. |
38 | Scene at Woy Woy, Brisbane Water, N.S.W. |
39 | Scene in New Zealand |
40 | Three Pallette Knife Scenes, Lane Cove River |
41 | Scene on the Lynn, N.S.W. |
42 | Scene on the Lynn, N.S.W. |
43 | Loch Ard |
44 | Scene on the Nepean River, N.S.W. |
45 | Bush Fire |
46 | Cattle Truck |
His work is held at a number of galleries, including Gallery Oldham, [7] National Gallery of Victoria [2] [8] and the National Library of Australia. [39]
Thomas William Roberts was an English-born Australian artist and a key member of the Heidelberg School art movement, also known as Australian impressionism.
Sir Arthur Ernest Streeton was an Australian landscape painter and a leading member of the Heidelberg School, also known as Australian Impressionism.
Sir William Dobell was an Australian portrait and landscape artist of the 20th century. Dobell won the Archibald Prize, Australia's premier award for portrait artists on three occasions. The Dobell Prize is named in his honour.
Sir John Campbell Longstaff was an Australian painter, war artist and a five-time winner of the Archibald Prize for portraiture. His cousin Will Longstaff was also a painter and war artist.
George Washington Thomas Lambert was an Australian artist, known principally for portrait painting and as a war artist during the First World War.
Julian Rossi Ashton was an English-born Australian artist and teacher. He is best known for founding the Julian Ashton Art School in Sydney and encouraging Australian painters to capture local life and scenery en plein air, greatly influencing the impressionist Heidelberg School movement.
Lloyd Frederic Rees was an Australian landscape painter who twice won the Wynne Prize for his landscape paintings.
Johann Joseph Eugene von Guérard was an Austrian-born artist, active in Australia from 1852 until 1882. Known for his finely detailed landscapes in the tradition of the Düsseldorf school of painting, he is represented in Australia's major public galleries, and is referred to in the country as Eugene von Guerard.
The Athenaeum or Melbourne Athenaeum at 188 Collins Street is an art and cultural hub in the central business district of Melbourne, Victoria, Australia. Founded in 1839, it is the city's oldest cultural institution.
Frederick William Leist was an Australian artist. During the First World War, he was an official war artist with Australian forces in Europe.
Ben Quilty is an Australian artist and social commentator, who has won a series of painting prizes: the 2014 Prudential Eye Award, 2011 Archibald Prize, and 2009 Doug Moran National Portrait Prize. He has been described as one of Australia's most famous living artists.
John Mather was a Scottish-Australian plein-air painter and etcher.
Ethel Carrick, later Ethel Carrick Fox was an English Impressionist and Post-Impressionist painter. Much of her career was spent in France and in Australia, where she was associated with the movement known as the Heidelberg School.
Constance Stokes was an Australian modernist painter who worked in Victoria. She trained at the National Gallery of Victoria Art School until 1929, winning a scholarship to continue her study at London's Royal Academy of Arts. Although Stokes painted few works in the 1930s, her paintings and drawings were exhibited from the 1940s onwards. She was one of only two women, and two Victorians, included in a major exhibition of twelve Australian artists that travelled to Canada, the United Kingdom and Italy in the early 1950s.
Florence Ada Fuller was a South African-born Australian artist. Originally from Port Elizabeth, Fuller migrated as a child to Melbourne with her family. There she trained with her uncle Robert Hawker Dowling and teacher Jane Sutherland and took classes at the National Gallery of Victoria Art School, becoming a professional artist in the late 1880s. In 1892 she left Australia, travelling first to South Africa, where she met and painted for Cecil Rhodes, and then on to Europe. She lived and studied there for the subsequent decade, except for a return to South Africa in 1899 to paint a portrait of Rhodes. Between 1895 and 1904 her works were exhibited at the Paris Salon and London's Royal Academy.
Jean Bellette was an Australian artist. Born in Tasmania, she was educated in Hobart and at Julian Ashton's art school in Sydney, where one of her teachers was Thea Proctor. In London she studied under painters Bernard Meninsky and Mark Gertler.
John Alexander Gilfillan was a professor of painting at the University of Strathclyde who migrated to Whanganui, New Zealand in 1841. He settled on a farm in Whanganui but when this was destroyed in 1847 he moved to Australia. While there he worked as a Customs Agent and painted a number of significant historical paintings.
James Hazel Adamson was a machinist and inventor, better known for his paintings and engravings of marine subjects in the early days of colonization of South Australia.
Norah Gurdon was an Australian artist. Her first name is often misspelled Nora in many articles reviewing her work.
The Australian Academy of Art was a conservative Australian government-authorised art organisation which operated for ten years between 1937 and 1946 and staged annual exhibitions. Its demise resulted from opposition by Modernist artists, especially those associated with the Contemporary Art Society, though the influence of the Academy continued into the 1960s.
Additional information on Carse's life and art can be found at "The artist James Howe Carse (1819–1900) in Manchester, Victoria and the south coast of NSW", at Academia.edu