James Lavadour

Last updated
James Lavadour
SBB and James Lavadour.jpg
James Lavadour (right) with Spencer B. Beebe of Ecotrust
Born
James Lavadour

1951 (age 7172)
Education Self-taught
Known forPainting, printmaking
Website http://pdxcontemporaryart.com/lavadour

James Lavadour (born 1951) is an American painter and printmaker. A member of the Walla Walla tribe, he is known for creating large panel sets of landscape paintings. Lavadour is the co-founder of the Crow's Shadow Institute of the Arts.

Contents

I believe that a painting must stand up on its own without explanation. I think of myself as an abstract action painter. I just happen to see landscape in the abstract events of paint. - James Lavadour [1]

Background

I'm a tribal member and grew up on the Umatilla reservation, and I love it there. One of the aspects of tribal life is that the land and I are one. - 2005 [2]

Early life

James Lavadour was born in 1951 to parents of Chinook, Walla Walla, German, Irish, Assiniboine, and French Canadian descent in Pendleton, Oregon. Discovering his love for painting as a child, Lavadour never completed high school, however he was encouraged by his family to explore his artistic endeavors. As a child he was inspired by what he described as "The Sistine Chapel": the peeling and water stained ceiling of his grandmothers house, with its drips and exposed layers, a visual experience that would influence his work for the rest of his life. [2] [3] [4] [5]

When he was young, his parents worked at the Washington State Penitentiary in Walla Walla. A troubled teenager and a poor student, he focused on working at any job he could find: delivery boy, canner, janitor, carpenter, and even a firefighter. Without opportunities to gain formal artistic training he used books to explore the world of art and culture, including books about: Charles Marion Russell, Robert Rauschenberg, Richard Diebenkorn, Pierre Bonnard, J. M. W. Turner, and Franz Kline. The major turn for his artistic interest came with exploring Chinese and Asian art, a different creation process where "the kinetic experience is the essence of making art." [2]

Professional and personal life

Exhibiting in Seattle, Washington since the 1970s, Lavadour's first major exhibitions came with his involvement in Sacred Circle, a Native American art gallery. [2]

A hiker, Lavadour's exploration of the mountain regions of his home continue to serve as a major source of inspiration for his work today. [2] [3] [4] [5]

Fine art career

I use two elemental structures, a landscape and an architectural abstraction (a vortex and a grid). There's the flow of landscape and then the intersection of the architectural structure, which is just like being in a room looking out a window, with floors, angles, walls, doors, ceilings, pathways. A painting is a complex event with many things going on at multiple levels. Close, far, color, layers, scrapes, and drips all swirled around by memories. I keep it all organized with structure. Structure is the bed to the river.
- James Lavadour [6]

Rejecting the iconography and symbolism inherent in Western art, Lavadour believes that rather than trying to make his artwork mean something it eventually just became something. A theory of rejection that he credits to his relationship with the environment and growing up on the Umatilla reservation. [2]

Early work

Primarily self-taught, Lavadour grew up exploring his environment on the Umatilla Indian Reservation and Western Oregon. His earlier works, reminiscent of German romanticism, displayed what an impact geology and landscape had on his creation process through his own monochromatic abstract lens (he described these works as his Interiors). Described as "emotional interpretations of the land," these Interiors tend to look like painted, hazy photograph-like paintings with streaks of color traveling through them. [3] [7]

James Lavadour at PDX Contemporary Art gallery, 2012 Portrait of artist James Lavadour, 2012.jpg
James Lavadour at PDX Contemporary Art gallery, 2012

Current work

In the 1990s Lavadour started to explore printmaking. The melding of printmaking with his painting led to complex layer usage in these new works. The layering technique of printmaking makes the geological features of the landscape look like maps or as if they are moving. These new works have also been compared to the art of Gerhard Richter. He also began to explore other themes, influenced by his interest in Chinese painting, abstract expressionism and jazz music (specifically John Coltrane), however, landscapes continue to be the basis for his work. [3]

The usage of panels is also seen throughout Lavadour's work, involving selections of works placed together to provide a panorama and visual exploration of the environment through Lavadour's eyes. [3] Lavadour is represented by PDX Contemporary Art, in Portland.

Creation process

He wakes up about 3:00 AM every morning to work in his studio on the Confederated Tribes of the Umatilla Indian Reservation. Music serves as an inspiration and a motivator; often jazz music by the likes of some of his favorite artists: John Coltrane, Sun Ra and Miles Davis. [8]

Lavadour's process generally involves applying layers of paint, then scraping or wiping it away, performing his own form of erosion on his unique landscapes. [4] He believes there are two major aspects to his work: the capturing of the sediments, layers and shape of the physical scenery, and then an exploration of the energy of that scenery, its emotions and its relationship with the cosmos. This exploration allows him to discover the physics of the paint - the way it moves on the canvas and its final form, over the color manipulation that many artists often focus on. [8]

Crow's Shadow Institute of the Arts

Motivated by his experiences as a fellow at Rutgers University, in 1990 Lavadour co-founded Crow's Shadow Institute of the Arts, a non-profit arts organization that brings "technology, instruction and cultural exchange" to artists on the Umatilla Indian Reservation. [1] [8] [9]

Notable collections

Major exhibitions

Lavadour has also exhibited at numerous private galleries. [11]

Awards

Related Research Articles

<span class="mw-page-title-main">Pendleton, Oregon</span> City in Oregon, United States

Pendleton is a city in and the county seat of Umatilla County, Oregon. The population was 17,107 at the time of the 2020 census, which includes approximately 1,600 people who are incarcerated at Eastern Oregon Correctional Institution.

<span class="mw-page-title-main">Walla Walla people</span>

Walla Walla, Walawalałáma, sometimes Walúulapam, are a Sahaptin indigenous people of the Northwest Plateau. The duplication in their name expresses the diminutive form. The name Walla Walla is translated several ways but most often as "many waters".

<span class="mw-page-title-main">Tamástslikt Cultural Institute</span> Cultural museum in Oregon, United States

The Tamástslikt Cultural Institute is a museum and research institute located on the Umatilla Indian Reservation near Pendleton in eastern Oregon. It is the only Native American museum along the Oregon Trail. The institute is dedicated to the culture of the Cayuse, Umatilla, and Walla Walla tribes of Native Americans. The main permanent exhibition of the museum provides a history of the culture of three tribes, and of the reservation itself. The museum also has a second hall for temporary exhibitions of specific types of Native American art, craftwork, history, and folklore related to the tribes.

<span class="mw-page-title-main">Eiteljorg Museum of American Indians and Western Art</span> Art museum in Indianapolis, Indiana, U.S.

The Eiteljorg Museum of American Indians and Western Art is an art museum in downtown Indianapolis, Indiana, United States. The Eiteljorg houses an extensive collection of visual arts by indigenous peoples of the Americas as well as Western American paintings and sculptures collected by businessman and philanthropist Harrison Eiteljorg (1903–1997). The museum houses one of the finest collections of Native contemporary art in the world.

Alvin Eli Amason is a Sugpiaq Alaskan painter and sculptor. He was raised in Kodiak and is of Alutiiq ancestry. He received his Master of Fine Arts from Arizona State University and taught for several years at Navajo Community College. For seventeen years, he taught at the University of Alaska Fairbanks and was the head of the Alaska Native Art studies program there. After retiring, he was asked to join the Department of Art at the University of Alaska, Anchorage and develop an Alaska Native Art curriculum.

William Victor Higgins was an American painter and teacher, born in Shelbyville, Indiana. At the age of fifteen, he moved to Chicago, where he studied at the Art Institute in Chicago and at the Chicago Academy of Fine Arts. In Paris he was a pupil of Robert Henri, René Menard and Lucien Simon, and when he was in Munich he studied with Hans von Hayek. He was an associate of the National Academy of Design. Higgins moved to Taos, New Mexico in 1913 and joined the Taos Society of Artists in 1917. In 1923 he was on the founding board of the Harwood Foundation with Elizabeth (Lucy) Harwood and Bert Phillips.

<span class="mw-page-title-main">John Mix Stanley</span> 19th-century American artist

John Mix Stanley was an artist-explorer, an American painter of landscapes, and Native American portraits and tribal life. Born in the Finger Lakes region of New York, he started painting signs and portraits as a young man. In 1842 he traveled to the American West to paint Native American life. In 1846 he exhibited a gallery of 85 of his paintings in Cincinnati and Louisville. During the Mexican–American War, he joined Colonel Stephen Watts Kearney's expedition to California and painted accounts of the campaign, as well as aspects of the Oregon Territory.

Kay WalkingStick is a Native American landscape artist and a member of the Cherokee Nation. Her later landscape paintings, executed in oil paint on wood panels often include patterns based on Southwest American Indian rugs, pottery, and other artworks.

Corwin "Corky" Clairmont is a printmaker and conceptual and installation artist from the Confederated Salish and Kootenai Tribes of the Flathead Nation. Known for his high concept and politically charged works, Clairmont seeks to explore situations that affect Indian Country historically and in contemporary times.

I don't put work out that gives solutions but provokes questions. - Corky Clairmont

Lorenzo Clayton is a contemporary Navajo sculptor, printmaker, conceptual and installation artist. His artwork is notable for exploring the concepts of spirituality through abstraction.

<span class="mw-page-title-main">Jim Denomie</span> Native American painter (1955–2022)

Jim Denomie was an Ojibwe Native American painter, known for his colorful, at times comical, looks at United States history and Indigenous peoples of the Americas.

Joe Feddersen is a Colville sculptor, painter, photographer and mixed-media artist. He is known for creating artworks strong in geometric patterns reflective of what is seen in the environment, landscape and his Native American heritage.

<span class="mw-page-title-main">Jeffrey Gibson</span> American painter and sculptor

Jeffrey A. Gibson is an American Mississippi Choctaw/Cherokee painter, and sculptor. He has lived and worked in Brooklyn; Hudson, New York; and Germantown, New York.

Neil Meitzler (1930–2009) was an American painter, well known in the Pacific Northwest for his landscapes and scenes of nature, rendered in a distinctive, modern style. He is often associated with the 'Northwest School' art movement.

Kesler Edward "Kes" Woodward is an American artist, art historian and curator. Known for his colorful paintings of northern landscapes, he was awarded the first Alaska Governor's Award for Lifetime Achievement in the Arts in 2004. Woodward has also written extensively on the Art of the circumpolar North and has curated exhibitions which have toured Alaska, California, Oregon, Washington, and Georgia.

<span class="mw-page-title-main">Wendy Red Star</span> Native American contemporary artist

Wendy Red Star is an Apsáalooke contemporary multimedia artist born in Billings, Montana, in the United States. Her humorous approach and use of Native American images from traditional media draw the viewer into her work, while also confronting romanticized representations. She juxtaposes popular depictions of Native Americans with authentic cultural and gender identities. Her work has been described as "funny, brash, and surreal".

<span class="mw-page-title-main">Amanda Snyder</span> American painter

Amanda Viola Snyder, née Tester, was a contemporary American artist from Portland, Oregon. She produced hundreds of drawings, paintings and woodcuts, and held 32 solo exhibitions.

James Pringle Cook is an American painter based in Tucson, Arizona, known nationally for expressive, monumental landscapes and urban scenes that employ vigorous brushwork and thick, impasto surfaces and move between realism and passages of abstraction. He has explored a wide range of geographies across the United States and subjects from craggy mountains and seascapes to industrial accidents to the figure. Curators and critics, however, generally agree that his work is as much about pure painting as it is about his convincing recapitulations of the world and a sense of place. Museum Director Robert Yassin described Cook as "a painter who is in love with painting [whose] bravura use of paint is akin to the abstract expressionists; unlike them, however, he provides viewers with a recognizable reality, ordered by his own personal vision and controlled by his technical mastery." Discussing his urban works, Margaret Regan wrote, "Cook is so skilled a painter he can turn almost anything into a thing of beauty […] His bravura handling of the paint is what matters: his pure layers of color, slabbed in thick gobs onto his linen canvases with a palette knife, glistening like butter."

<span class="mw-page-title-main">Helen O'Toole</span> American painter and educator

Helen O'Toole is an Irish-born painter based in the United States, who is known for abstract paintings suggestive of landscape. She has exhibited throughout Ireland and the United States, in Singapore, and at venues including the San Francisco Museum of Modern Art, Portland Art Museum, Chicago Cultural Center, Tacoma Art Museum, and Institute of Contemporary Arts Singapore. Her work has been featured in the journals Artforum, Arts Magazine, New Art Examiner, and Zyzzyva, as well as the Chicago Tribune,The Irish Times, Seattle Post-Intelligencer, and National Public Radio. Art writers frequently discuss the interplay in her work between abstraction, the evocation of otherworldly light, land and space, and a commitment to investigating meaning through a painting process akin to the processes of cultivation and excavation. Artforum critic James Yood wrote, "echoing the often inchoate quality of nature, her paint surges toward mystery and hints at a kind of chiaroscuro of the spirit"; curator Bonnie Laing-Malcomson suggests her "richly colored monumental paintings evoke the moody landscape of her rural Irish homeland, summoning the force of J. M. W. Turner and Mark Rothko." She has been recognized with a Guggenheim Fellowship in Fine Arts, a Contemporary Northwest Art Award, and a Pollock-Krasner Foundation Award (2013), among other awards. O'Toole lives in Seattle, Washington and is Professor of Art and Chair of the Painting and Drawing Program at the University of Washington.

References

  1. 1 2 3 4 "James Lavadour". Eiteljorg Fellows. Eiteljorg Museum. 2005. Archived from the original on 14 December 2010. Retrieved 4 March 2011.
  2. 1 2 3 4 5 6 Sheila Farr (2005). "Desolation, transformation: James Lavadour's landscapes of the mind". Visual arts. The Seattle Times. Archived from the original on 28 June 2011. Retrieved 4 March 2011.
  3. 1 2 3 4 5 6 "Art Review: James Lavadour at Hallie Ford." The Oregonian: Oregon Live. (retrieved 22 Nov 2009)
  4. 1 2 3 4 Katerine Bovee (2006). "James Lavadour at PSU". Sunday. Portland Art. Retrieved 4 March 2011.
  5. 1 2 "James Lavadour: The Properties of Paint". Schneider Museum of Art. Southern Oregon University. 2008. Archived from the original on 28 June 2011. Retrieved 4 March 2011.
  6. Sharon Butler (2008). "James Lavadour's geology". Two Coats of Paint. Retrieved 4 March 2011.
  7. "James Lavadour". Off the Map. National Museum of the American Indian. 2006. Retrieved 4 March 2011.
  8. 1 2 3 Rosemary Carstens (2009). "James Lavadour: Landscapes that transcend depictions of place" (PDF). Artist to Watch. Southwest Art. Archived from the original (PDF) on 8 July 2011. Retrieved 4 March 2011.
  9. Cipolle, Alex (March 12, 2019). "Increasing Exposure for Native Artists". New York Times.
  10. "About Us." Crow's Shadow Institute of the Arts. (retrieved 22 Nov 2009)
  11. 1 2 James Lavadour (2010). "Resume". James Lavadour. Cumberland Gallery. Retrieved 4 March 2011.
  12. "Stretching the Canvas: Eight Decades of Native Painting". National Museum of the American Indian. Retrieved 7 March 2021.
  13. Martin, Jillian (26 January 2013). "James Lavadour at Venice Biennale". Entertainment. Oregon Live. Retrieved 26 January 2013.
  14. Nemiroff, Dianne (1992). Land, Spirit, Power.

Further reading