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The Toltec culture was a pre-Columbian Mesoamerican culture that ruled a state centered in Tula, Hidalgo, Mexico, during the Epiclassic and the early Post-Classic period of Mesoamerican chronology, reaching prominence from 950 to 1150 CE. The later Aztec culture considered the Toltec to be their intellectual and cultural predecessors and described Toltec culture emanating from Tōllān as the epitome of civilization. In the Nahuatl language the word Tōltēkatl (singular) or Tōltēkah (plural) came to take on the meaning "artisan". The Aztec oral and pictographic tradition also described the history of the Toltec Empire, giving lists of rulers and their exploits.
Teotihuacan is an ancient Mesoamerican city located in a sub-valley of the Valley of Mexico, which is located in the State of Mexico, 40 kilometers (25 mi) northeast of modern-day Mexico City.
Chalchiuhtlicue is an Aztec deity of water, rivers, seas, streams, storms, and baptism. Chalchiuhtlicue is associated with fertility, and she is the patroness of childbirth. Chalchiuhtlicue was highly revered in Aztec culture at the time of the Spanish conquest, and she was an important deity figure in the Postclassic Aztec realm of central Mexico. Chalchiuhtlicue belongs to a larger group of Aztec rain gods, and she is closely related to another Aztec water god called Chalchiuhtlatonal.
Obsidian is a naturally formed volcanic glass that was an important part of the material culture of Pre-Columbian Mesoamerica. Obsidian was a highly integrated part of daily and ritual life, and its widespread and varied use may be a significant contributor to Mesoamerica's lack of metallurgy. Lithic and contextual analysis of obsidian, including source studies, are important components of archaeological studies of past Mesoamerican cultures and inform scholars on economy, technological organization, long-distance trade, ritual organization, and socio-cultural structure.
The Great Goddess of Teotihuacan is a proposed goddess of the pre-Columbian Teotihuacan civilization, in what is now Mexico.
"Spearthrower Owl" was a Mesoamerican person from the Early Classic period, who is identified in Maya inscriptions and iconography. Mayanist David Stuart has suggested that Spearthrower Owl was a ruler of Teotihuacan at the start of the height of its influence across Mesoamerica in the 4th and 5th century, and that he was responsible for an intense period of Teotihuacan presence in the Maya area, including the conquest of Tikal in 378 CE.
Siyaj Kʼakʼ, also known as Fire is Born, was a prominent political figure mentioned in the glyphs of Classic Period (250–800 CE) Maya civilization monuments, principally Tikal, as well as Uaxactun and the city of Copan. Epigraphers originally identified him by the nickname "Smoking Frog", a description of his name glyph, but later deciphered it as Siyaj Kʼakʼ, meaning "Fire is born". He is believed by some to have been the general of the Teotihuacano ruler Spearthrower Owl.
Mary Ellen Miller is an American art historian and academician specializing in Mesoamerica and the Maya.
The Pyramid of the Moon is the second-largest pyramid in Mesoamerica, after the Pyramid of the Sun, and located in modern-day San Martín de las Pirámides, Mexico. It is found in the western part of the ancient city of Teotihuacan and mimics the contours of the mountain Cerro Gordo, just north of the site. Cerro Gordo may have been called Tenan, which in Nahuatl, means "mother or protective stone". The Pyramid of the Moon covers a structure older than the Pyramid of the Sun which existed prior to 200 AD.
George L. Cowgill was an American anthropologist and archaeologist. He was a professor of anthropology at Arizona State University from 1990-2005, and research professor emeritus from 2005 until his death. He received his PhD from Harvard in 1963 with a dissertation on The Post-Classic Period in the Southern Maya Lowlands. Most of his career was devoted to research at the ancient Mexican city of Teotihuacán. He taught at Brandeis University between 1960 and 1990. Cowgill made important contributions in a number of areas, including the archaeology of Mesoamerica, the comparative study of early states and cities, and quantitative methods in archaeology.
Mesoamerica is a historical region and cultural area that begins in the southern part of North America and extends to the Pacific coast of Central America, thus comprising the lands of central and southern Mexico, all of Belize, Guatemala, El Salvador, and small parts of Honduras, Nicaragua and Costa Rica. As a cultural area, Mesoamerica is defined by a mosaic of cultural traits developed and shared by its indigenous cultures.
Río Azul is an archaeological site of the Pre-Columbian Maya civilization. It is the most important site in the Río Azul National Park in the Petén Department of northern Guatemala, close to the borders of Mexico and Belize. Río Azul is situated to the southeast of the Azul river and its apogee dates to the Early Classic period.
Talud-tablero is an architectural style most commonly used in platforms, temples, and pyramids in Pre-Columbian Mesoamerica, becoming popular in the Early Classic Period of Teotihuacan. Talud-tablero consists of an inward-sloping surface or panel called the talud, with a panel or structure perpendicular to the ground sitting upon the slope called the tablero. This may also be referred to as the slope-and-panel style.
David S. Stuart is an archaeologist and epigrapher specializing in the study of ancient Mesoamerica, the area now called Mexico and Central America. His work has studied many aspects of the ancient Maya civilization. He is widely recognized for his breakthroughs in deciphering Maya hieroglyphs and interpreting Maya art and iconography, starting at an early age. He is the youngest person ever to receive a MacArthur Fellowship, at age 18. He currently teaches at the University of Texas at Austin and his current research focuses on the understanding of Maya culture, religion and history through their visual culture and writing system.
In archaeology, the classic Maya collapse is the decline of the Classic Maya civilization and the abandonment of Maya cities in the southern Maya lowlands of Mesoamerica between the 7th and 9th centuries. At Ceibal, the Preclassic Maya experienced a similar collapse in the 2nd century.
The Feathered Serpent is a prominent supernatural entity or deity, found in many Mesoamerican religions. It is still called Quetzalcoatl among the Aztecs, Kukulkan among the Yucatec Maya, and Q'uq'umatz and Tohil among the K'iche' Maya.
Quetzalcoatl is a deity in Aztec culture and literature. Among the Aztecs, he was related to wind, Venus, Sun, merchants, arts, crafts, knowledge, and learning. He was also the patron god of the Aztec priesthood. He was one of several important gods in the Aztec pantheon, along with the gods Tlaloc, Tezcatlipoca and Huitzilopochtli. The two other gods represented by the planet Venus are Tlaloc and Xolotl.
Painting in the Americas before European colonization is the Precolumbian painting traditions of the Americas. Painting was a relatively widespread, popular and diverse means of communication and expression for both religious and utilitarian purpose throughout the regions of the Western Hemisphere. During the period before and after European exploration and settlement of the Americas; including North America, Central America, South America and the islands of the Caribbean, the Bahamas, the West Indies, the Antilles, the Lesser Antilles and other island groups, indigenous native cultures produced a wide variety of visual arts, including painting on textiles, hides, rock and cave surfaces, bodies especially faces, ceramics, architectural features including interior murals, wood panels, and other available surfaces. Many of the perishable surfaces, such as woven textiles, typically have not been preserved, but Precolumbian painting on ceramics, walls, and rocks have survived more frequently.
Esther Pasztory is a professor emerita of Pre-Columbian art history at Columbia University. From 1997 to her retirement in 2013 she held the Lisa and Bernard Selz Chair in Art History and Archaeology. Among her many publications are the first art historical manuscripts on Teotihuacan and the Aztecs. She has been the recipient of a Guggenheim Fellowship (1987–88) and a senior fellow of the board of Dumbarton Oaks.
The use of mirrors in Mesoamerican culture was associated with the idea that they served as portals to a realm that could be seen but not interacted with. Mirrors in pre-Columbian Mesoamerica were fashioned from stone and served a number of uses, from the decorative to the divinatory. An ancient tradition among many Mesoamerican cultures was the practice of divination using the surface of a bowl of water as a mirror. At the time of the Spanish conquest this form of divination was still practiced among the Maya, Aztecs and Purépecha. In Mesoamerican art, mirrors are frequently associated with pools of liquid; this liquid was likely to have been water.
