Janet Taylor Pickett | |
---|---|
Born | |
Alma mater | University of Michigan |
Patron(s) | Kamala Harris [1] |
Website | janettaylorpickett |
Janet Taylor Pickett (born August 13, 1948) is an American artist. Pickett's mixed media works are inspired by her life experience as an African American woman.
Janet Taylor Pickett was born in 1948 in Ann Arbor, Michigan where she earned both her bachelor's and master's degrees in fine art. She also studied art at the Vermont Studio Center, Parsons School of Design, and the Fashion Institute of Technology. [1]
Taylor Pickett works in various mediums including sculpture, installation, painting, assemblage, and collage. Her work is inspired by her life as an African American woman and informed by her 30 years teaching at Essex County College in New Jersey. In her own words, "My Blackness is a declarative statement in my work.” [2]
Taylor Pickett was one of the artists whose work was exhibited in the 1986 group show Progressions: Cultural Legacy at MoMA PS1. [3] [4]
Kamala Harris is a patron of Taylor Pickett's work. [1] One of the artist's pieces was displayed in the congressional office when Harris was a senator. [2]
Milton Clark Avery was an American modern painter. Born in Altmar, New York, he moved to Connecticut in 1898 and later to New York City. He was the husband of artist Sally Michel Avery and the father of artist March Avery.
The Studio Museum in Harlem is an American art museum devoted to the work of artists of African descent. The museum's galleries are currently closed in preparation for a building project that will replace the current building, located at 144 West 125th Street between Adam Clayton Powell Jr. Boulevard and Lenox Avenue in Harlem, Manhattan, New York City, with a new one on the same site. Founded in 1968, the museum collects, preserves and interprets art created by African Americans, members of the African diaspora, and artists from the African continent. Its scope includes exhibitions, artists-in-residence programs, educational and public programming, and a permanent collection.
Cynthia Morris Sherman is an American artist whose work consists primarily of photographic self-portraits, depicting herself in many different contexts and as various imagined characters.
Arthur Bowen Davies was an avant-garde American artist and influential advocate of modern art in the United States c. 1910–1928.
Beverly Buchanan was an African-American artist whose works include painting, sculpture, video, and land art. Buchanan is noted for her exploration of Southern vernacular architecture through her art.
David C. Driskell was an American artist, scholar and curator recognized for his work in establishing African-American Art as a distinct field of study. In his lifetime, Driskell was cited as one of the world's leading authorities on the subject of African-American Art. Driskell held the title of Distinguished University Professor of Art Emeritus at the University of Maryland, College Park. The David C. Driskell Center at the University of Maryland, is named in his honor.
Joan Mitchell was an American artist who worked primarily in painting and printmaking, and also used pastel and made other works on paper. She was an active participant in the New York School of artists in the 1950s. A native of Chicago, she is associated with the American abstract expressionist movement, even though she lived in France for much of her career.
Alma Woodsey Thomas was an African-American artist and teacher who lived and worked in Washington, D.C., and is now recognized as a major American painter of the 20th century. Thomas is best known for the "exuberant", colorful, abstract paintings that she created after her retirement from a 35-year career teaching art at Washington's Shaw Junior High School.
Mickalene Thomas is a contemporary African-American visual artist best known as a painter of complex works using rhinestones, acrylic, and enamel. Thomas's collage work is inspired from popular art histories and movements, including Impressionism, Cubism, Dada, the Harlem Renaissance, and selected works by the Afro-British painter Chris Ofili. Her work draws from Western art history, pop art, and visual culture to examine ideas around femininity, beauty, race, sexuality, and gender.
Williams is the first African American artist to be featured in The Janson History Of Art.
Deborah Willis is a contemporary African-American artist, photographer, curator of photography, photographic historian, author, and educator. Among her awards and honors, she is a 2000 MacArthur Fellow. She is currently Professor and Chair of the Department of Photography and Imaging at Tisch School of the Arts of New York University. In 2024, she was elected to the American Philosophical Society.
Janet Fish is a contemporary American realist artist. Through oil painting, lithography, and screenprinting, she explores the interaction of light with everyday objects in the still life genre. Many of her paintings include elements of transparency, reflected light, and multiple overlapping patterns depicted in bold, high color values. She has been credited with revitalizing the still life genre.
Ann Agee is an American visual artist whose practice centers on ceramic figurines, objects and installations, hand-painted wallpaper drawings, and sprawling exhibitions that merge installation art, domestic environment and showroom. Her art celebrates everyday objects and experiences, decorative and utilitarian arts, and the dignity of work and craftsmanship, engaging issues involving gender, labor and fine art with a subversive, feminist stance. Agee's work fits within a multi-decade shift in American art in which ceramics and considerations of craft and domestic life rose from relegation to second-class status to recognition as "serious" art. She first received critical attention in the influential and divisive "Bad Girls" exhibition, curated by Marcia Tucker at the New Museum in 1994, where she installed a functional, handmade ceramic bathroom, rendered in the classic blue-and-white style of Delftware. Art in America critic Lilly Wei describes Agee's later work as "the mischievous, wonderfully misbegotten offspring of sculpture, painting, objet d'art, and kitschy souvenir."
Mequitta Ahuja is a contemporary American feminist painter of African American and South Asian descent who lives in Baltimore, Maryland. Ahuja creates works of self-portraiture that combine themes of myth and legend with personal identity.
The Barnett-Aden Gallery was an art gallery in Washington D.C., founded by James V. Herring and Alonzo J. Aden, who were associated with Howard University's art department and gallery. The Barnett-Aden Gallery is recognized as the first successful Black-owned private art gallery in the United States, showcasing numerous collectible artists and becoming an important, racially integrated part of the artistic and social worlds of 1940s and 1950s Washington, D.C.
vanessa german is an American sculptor, painter, writer, activist, performer, and poet based in Pittsburgh, Pennsylvania.
Amy Sherald is an American painter. She works mostly as a portraitist depicting African Americans in everyday settings. Her style is simplified realism, involving staged photographs of her subjects. Since 2012, her work has used grisaille to portray skin tones, a choice she describes as intended to challenge conventions about skin color and race.
Bill Scott is a contemporary abstract painter and printmaker who works and lives in Philadelphia. Scott studied painting at the Pennsylvania Academy of the Fine Arts from rom 1974 to 1979, and with the painter Jane Piper (1916–1991).
Jennifer Packer is a contemporary American painter and educator based in New York City. Packer's subject matter includes political portraits, interior scenes, and still life featuring contemporary Black American experiences. She paints portraits of contemporaries, funerary flower arrangements, and other subjects through close observation. Primarily working in oil paint, her style uses loose, improvisational brush strokes, and a limited color palette.
The French Collection is a series of twelve quilt paintings by American artist Faith Ringgold completed between 1991 and 1997. Divided into two parts composed of eight and four quilts each, the series utilizes Ringgold's distinct style of story quilts to tell the fictional story of a young African American woman in the 1920s, Willia Marie Simone, who leaves Harlem for Paris to live as an artist and model. The stories, illustrated in acrylic paint and written in ink surrounding the paintings, narrate Willia Marie's journey as she befriends famous artists, performers, writers, and activists, runs a café and works as a painter, and develops a distinct Black feminist intellectual worldview based on her experiences and identity. Willia Marie's interactions with notable modernist artists and their oeuvres are an archetypical example of Ringgold's responses to the predominantly white male artistic canon, wherein she often directly invoked, embraced, and challenged the central figures of modernist art.