Jared Pappas-Kelley is an American curator, researcher, and visual artist. He studied at The Evergreen State College, Goddard College and the European Graduate School where he served as Graduate Teaching Assistant for both Jean-Luc Nancy and Paul D. Miller (DJ Spooky) while completing his PhD. [1] Pappas-Kelley also studied with filmmakers Claire Denis and Barbara Hammer whom he cites as influences on his visual work. [2] His doctoral thesis, supervised by Sylvère Lotringer, examines the inherent instability of art objects, investigating what he terms "the thing that is not a thing" [3] through an examination of events such as the 2004 Momart warehouse fire and the objects stolen and subsequently lost or destroyed by art thief Stéphane Breitwieser. [4] Much of his current research focuses on ideas of this instability of the art object and the intersection between practice and theory, examining art as a method for understanding the object’s coming together through its undoing. [3] Developing these themes, he is currently organizing a group exhibition that he is co-curating with Natasha Chuk entitled Solvent Forms. [3]
In addition, Pappas-Kelley’s visual work, film, and installations have exhibited internationally in museums, [5] [6] festivals, [7] [8] and galleries, most recently at London gallery Five Years [9] curated by Dennis Cooper. From 2001 until 2007, Pappas-Kelley was publisher and a founding editor of the contemporary art journal Toby Room . [1] His articles and writings on art appear in journals, newspapers, and anthologies, [10] including publications such as The Rumpus, [11] and he is a peer reviewer and serves as article editor in academic journals. [1] His direction of the arts organization ArtRod led to the creation of the Tollbooth Gallery and Critical Line art center alongside other media projects. [12]
Since 1999 Pappas-Kelley has toured and curated an ongoing series of expanded and experimental video/film series called Don’t Bite the Pavement. [13] [14] [8]
Pappas-Kelley’s first job after graduating from university was in the Bomis/Nupedia offices where Wikipedia was first taking form, and he along with the rest of the staff composed and played with some of the first wiki experiments there. [15]
Pappas-Kelley made a brief appearance as a fictionalized artist Jared Pappas in the Robin Hobb novel Ship of Magic . [16]
Filmmaker Claire Denis once described Pappas-Kelley's approach with: "Jared, well I have no words to say how much I was impressed by him, by his capability to synthesize, by his aptitude to capitalize everything not only for his own profit but also for the group." [17]
Michael Kelley was an American artist whose work involved found objects, textile banners, drawings, assemblage, collage, performance, photography, sound and video. He also worked on curatorial projects; collaborated with many other artists and musicians; and left a formidable body of critical and creative writing. He often worked collaboratively and had produced projects with artists Paul McCarthy, Tony Oursler, and John Miller. Writing in The New York Times, in 2012, Holland Cotter described the artist as "one of the most influential American artists of the past quarter century and a pungent commentator on American class, popular culture and youthful rebellion."
The Tollbooth Gallery was a site-specific exhibition space and project of the nonprofit arts organization ArtRod launched in 2003 and located in Tacoma, Washington. The project featured contemporary art on view 24 hours a day and seven days a week. The aim of the Tollbooth was to offer dynamic and challenging installation and video art in an outdoor urban setting. Tollbooth Gallery was created and curated by Jared Pappas-Kelley and Michael Lent.
Michael Lent is a British–American visual artist, academic, curator and researcher. He studied at Tyler School of Art of Temple University where he received a BFA, and earned his MFA at Goddard College supervised by sound artist Andrea Parkins, and his PhD at the University of Lincoln.
ArtRod is a nonprofit arts organization located in Tacoma, Washington. It was founded in 1958 and went through several incarnations including Allied Arts and Artists Exchange. The mission of ArtRod is to facilitate art exhibition in nontraditional public arenas and grew out of a response to bring contemporary art forms from a traditional museum setting and directly into the community's path.
Toby Room is a quarterly arts publication founded in 2001 and a project of ArtRod.
Josh MacPhee is an artist, curator, stonemason and activist living in Brooklyn, New York.
Lowery Stokes Sims is an American art historian and curator of modern and contemporary art known for her expertise in the work of African, African American, Latinx, Native and Asian American artists such as Wifredo Lam, Fritz Scholder, Romare Bearden, Joyce J. Scott and others. She served on the curatorial staff of the Metropolitan Museum of Art, the Studio Museum in Harlem, and the Museum of Arts and Design. She has frequently served as a guest curator, lectured internationally and published extensively, and has received many public appointments. Sims was featured in the 2010 documentary film !Women Art Revolution.
Critical Line was a contemporary art exhibition center that opened 5 May 2006 in the St. Helens section of Tacoma, Washington. The 1,800-foot redesigned gallery space specialized in installation art, video, performance, sound art, photography, and time-based work, and was devised to "allow for creative exploration, experimentation, and exhibition in a space where artists are encouraged to take creative risks." The gallery operated in partnership with its satellite project the Tollbooth Gallery, under the direction of Jared Pappas-Kelley alongside Michael Lent, and was one of four major projects of the nonprofit art organization ArtRod. These also included the contemporary art journal Toby Room, and the film and video series Don't Bite the Pavement.
Wynne Greenwood is a queer and lesbian feminist performance artist who works in various media such as installation art, photography, filmmaking and music. One of her well known projects include the electropop and video project group, Tracy + the Plastics. Wynne works out of Seattle, Washington, and was an instructor in the Department of Art and Art History at Seattle University.
David Maisel is an American photographer and visual artist whose works explore vestiges and remnants of civilizations both past and present. His work has been the subject of five major monographs, published by Nazraeli Press, Chronicle Books, and Steidl.
Stephen Nowlin is an American curator/artist whose practice superimposes art and science and is associated with the national ArtScience movement. He is a vice president at Art Center College of Design and founding director of the college's Alyce de Roulet Williamson Gallery.
John Miller is an artist, writer, and musician based in New York and Berlin. He received a B.F.A. from the Rhode Island School of Design in 1977. He attended the Whitney Museum of American Art Independent Study Program in 1978 and received an M.F.A. from California Institute of the Arts in 1979. Miller worked as a gallery attendant at Dia:Chelsea. He is currently Professor of Professional Practice in Art History at Barnard College
Don't Bite the Pavement is a series of contemporary art exhibitions showcasing installation art, expanded video, and experimental film, which toured the west coast of the United States, Canada, and the United Kingdom.
Willie Young is a 20th-century American artist. Young is mainly self-taught, and his work has been exhibited alongside other prominent outsider artists, such as Bill Traylor, Nellie Mae Rowe and Thornton Dial. The main body of his work consists of delicately rendered graphite drawings.
Paul Kneale is a London based artist whose practice explores the impact of digital technology on the world's perception of reality and art.
Glenn Adamson is an American curator, author, and historian whose research and work focuses on the intersections of design, craft, and contemporary art. Adamson is currently editor-at-large of The Magazine Antiques, editor of Journal of Modern Craft, a freelance writer and a curator. Adamson has held previous notable appointments as the Director of the Museum of Arts and Design, Head of Research at the Victoria and Albert Museum, and as Curator at the Chipstone Foundation.
Giovanni Aloi is an author and curator specializing in the representation of nature in modern and contemporary art. He teaches art history and visual culture at School of the Art Institute of Chicago. He is the Founder and Editor in Chief of Antennae: The Journal of Nature in Visual Culture and is the co-editor of the University of Minnesota Press book series Art after Nature. Aloi is also USA correspondent for Esse Magazine Art+Opinion.
Volume Gallery is a commercial art gallery focused on design and contemporary art. It is located in West Town, Chicago. Volume Gallery represents artists and designers working in diverse disciplines such as ceramics, fiber, glass, and object design. The gallery presents seven curated thematic and solo exhibitions a year with an emphasis on emerging and mid-career artists.
Lina Puerta is a Colombian-American mixed media artist based in New York City. She was born in New Jersey and grew up in Colombia.
Claire Beckett is an American photographer known for her exploration of post-9/11 America.
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