The Tollbooth Gallery was a site-specific exhibition space and project of the nonprofit arts organization ArtRod launched in 2003 and located in Tacoma, Washington. [1] The project featured contemporary art on view 24 hours a day and seven days a week. The aim of the Tollbooth was to offer dynamic and challenging installation and video art in an outdoor urban setting. [2] [1] [3] Tollbooth Gallery was created and curated by Jared Pappas-Kelley and Michael Lent. [4]
For each exhibition an artist or artist team was commissioned and tasked with the realization of their project at the site, while taking advantage of the freestanding concrete structure. [1] [5] Art critic Regina Hackett characterized the project as “mind-expanding art packed into cramped quarters” and described the approach as: “Art that is eager to wrestle with reality.” [6] Hackett noted: “What it lacks in space, it achieves in time,” and “on top of that, it's fabulous.” [7]
The Tollbooth commissioned eight exhibitions per year, focusing on varied approaches and engagement with the site and viewer, with an emphasis on video art, time-based work, photography, printmaking, and installation art. [1] [8] The gallery’s stated mission was to bring video and gallery work outside of the traditional museum setting, challenging artists and audience to approach site in different ways. [1] Participant and curator Fionn Meade described the Tollbooth site as a “challenging space to work with but in a good way,” commenting that “the limitations of a format make you be more decisive.” [8] This decisive approach to exhibiting contemporary art allowed the Tollbooth Gallery to program work that might be considered “edgier,” [9] which was furthered by the temporary nature of the commissions. [9] As the journal Public Art Review noted, the project benefited from the “dynamics” of its temporary exhibitions as they allowed for experimentation and “delivered on a short timeline.” [9] [10]
Over the years the Tollbooth Gallery was selected by Museum of Contemporary Art, Los Angeles to be included as part of their curriculum, [11] presented as part of the panel Conduit to Contemporary Art at Americans for the Arts National Conference, [12] and Make Your Own: Art in and out of Cologne at Henry Art Gallery. [13] A catalogue of the first year of exhibitions at Tollbooth Gallery was subsequently published as Toby Room 10. [8]
The Tollbooth Gallery was one of four major projects of the art organization ArtRod, which included Critical Line - an exhibition center, the publication Toby Room, and the film and video series Don’t Bite the Pavement. [14]
The Portland Institute for Contemporary Art (PICA) is a contemporary performance and visual arts organization in Portland in the U.S. state of Oregon. PICA was founded in 1995 by Kristy Edmunds. Since 2003, it has presented the annual Time-Based Art Festival (TBA) every September in Portland, featuring contemporary and experimental visual art, dance, theatre, film/video, music, and educational and public programs from local, national, and international artists. As of November 2017, it is led by Executive Director Victoria Frey and Artistic Directors Roya Amirsoleymani, Erin Boberg Doughton, and Kristan Kennedy.
Michael Kelley was an American artist. His work involved found objects, textile banners, drawings, assemblage, collage, performance and video. He often worked collaboratively and had produced projects with artists Paul McCarthy, Tony Oursler, and John Miller. Writing in The New York Times, in 2012, Holland Cotter described the artist as "one of the most influential American artists of the past quarter century and a pungent commentator on American class, popular culture and youthful rebellion."
Michael Lent is a British–American visual artist, academic, curator and researcher. He studied at Tyler School of Art of Temple University where he received a BFA, and earned his MFA at Goddard College supervised by sound artist Andrea Parkins, and his PhD at the University of Lincoln.
Jared Pappas-Kelley is an American curator, researcher, and visual artist. He studied at The Evergreen State College, Goddard College and the European Graduate School where he served as Graduate Teaching Assistant for both Jean-Luc Nancy and Paul D. Miller while completing his PhD. Pappas-Kelley also studied with filmmakers Claire Denis and Barbara Hammer whom he cites as influences on his visual work. His doctoral thesis, supervised by Sylvère Lotringer, examines the inherent instability of art objects, investigating what he terms "the thing that is not a thing" through an examination of events such as the 2004 Momart warehouse fire and the objects stolen and subsequently lost or destroyed by art thief Stéphane Breitwieser. Much of his current research focuses on ideas of this instability of the art object and the intersection between practice and theory, examining art as a method for understanding the object’s coming together through its undoing. Developing these themes, he is currently organizing a group exhibition that he is co-curating with Natasha Chuk entitled Solvent Forms.
ArtRod is a nonprofit arts organization located in Tacoma, Washington. It was founded in 1958 and went through several incarnations including Allied Arts and Artists Exchange. The mission of ArtRod is to facilitate art exhibition in nontraditional public arenas and grew out of a response to bring contemporary art forms from a traditional museum setting and directly into the community's path.
Toby Room is a quarterly arts publication founded in 2001 and a project of ArtRod.
Josh MacPhee is an artist, curator, stonemason and activist living in Brooklyn, New York.
The Tacoma Art Museum (TAM) is an art museum in Tacoma, Washington, United States. It focuses primarily on the art and artists from the Pacific Northwest and broader western region of the U.S. Founded in 1935, the museum has strong roots in the community and anchors the university and museum district in downtown Tacoma.
Site Gallery is an art gallery in Sheffield, England. It specialises in moving image, new media and performance based art.
The Museum of the African Diaspora (MoAD) is a contemporary art museum in San Francisco, California. MoAD holds exhibitions and presents artists exclusively of the African diaspora, one of only a few museums of its kind in the United States. Located at 685 Mission St. adjacent to the St. Regis Hotel in the Yerba Buena Arts District, MoAD is a nonprofit organization as well as a Smithsonian Affiliate. Prior to 2014, MoAD educated visitors on the history, culture, and art of the African diaspora through permanent and rotating exhibitions. After a six-month refurbishment in 2014 to expand the gallery spaces, the museum reopened and transitioned into presenting exclusively fine arts exhibitions. MoAD does not have a permanent collection and instead works directly with artists or independent curators when developing exhibitions.
Kelley Walker is an American post-conceptual artist who lives and works in New York City. He uses advertising and digital media to make "paintings" using screen printing and/or digital printing technologies. His art appropriates iconic cultural images, altering them to highlight underlying issues of American politics and consumerism. He produces work collaboratively with artist Wade Guyton under the name Guyton\Walker.
Critical Line was a contemporary art exhibition center that opened 5 May 2006 in the St. Helens section of Tacoma, Washington. The 1,800-foot redesigned gallery space specialized in installation art, video, performance, sound art, photography, and time-based work, and was devised to "allow for creative exploration, experimentation, and exhibition in a space where artists are encouraged to take creative risks." The gallery operated in partnership with its satellite project the Tollbooth Gallery, under the direction of Jared Pappas-Kelley alongside Michael Lent, and was one of four major projects of the nonprofit art organization ArtRod. These also included the contemporary art journal Toby Room, and the film and video series Don't Bite the Pavement.
Mary Lucier is an American visual artist and pioneer in video art. Concentrating primarily on video and installation since 1973, she has produced numerous multiple- and single-channel pieces that have had a significant impact on the medium.
Wynne Greenwood is a queer feminist performance artist who works in various media such as installation art, photography, filmmaking and music. One of her well known projects include the electropop and video project group, Tracy + the Plastics. Wynne works out of Seattle, Washington, and was an Instructor in the Department of Art and Art History at Seattle University.
The Rosamund Felsen Gallery is one of the longest-running art galleries in Los Angeles, California, involved in and influencing the broader American art community since its establishment in 1978. The gallery has operated four locations since its inception: first on La Cienega Boulevard in Los Angeles, then on Santa Monica Boulevard in West Hollywood, later at Bergamot Station in Santa Monica, and finally in the Arts District, Los Angeles in Downtown Los Angeles.
Don't Bite the Pavement is a series of contemporary art exhibitions showcasing installation art, expanded video, and experimental film, which toured the west coast of the United States, Canada, and the United Kingdom.
Marita Dingus is an African-American artist who works in multimedia, using found objects.
Kerstin Brätsch is a German contemporary visual artist. She is primarily known as a painter, also making work collaboratively as DAS INSTITUT and KAYA. She currently lives and works in New York City.
Cheryl Kelley is an American painter known for her photorealism, especially her paintings of classic and muscle cars. Her work has been featured on the cover of Harper's Magazine and can be seen at the Scott Richards Contemporary Art gallery in San Francisco, California, the Bernarducci·Meisel Gallery in New York City, New York, and the Seven Bridges Foundation in Greenwich, Connecticut. In 2009 and 2011 she was a finalist for the Hunting Art Prize, and in 2012 she received a Pollock-Krasner Foundation grant. The art collectors' resource Artsy considers her one of ten "Masters of Photorealism".
Lucy Cox in Chard, Somerset, UK, is a British abstract artist and curator.
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