Jasmina Holbus | |
|---|---|
 | |
| Born | 21 November 1968 Belgrade, PR Serbia, FPR Yugoslavia |
| Occupation | Poet, designer |
| Nationality | Serbian |
| Period | 1990– |
| Genre | Poetry, stage design |
Jasmina Holbus (born 21 November, 1968) is a Serbian stage designer, poet and interior designer.
Holbus graduated from Chelsea College of Arts in London in 1996 with a degree in interior design. She has been a member of the Association of Writers of Serbia since 1993 and a member of The Applied Artists and Designers Association of Serbia since 2007, [1] holding the status of an independent artist.
She has been professionally engaged in interior design since 1997 and has designed residential and commercial spaces. Since 2015, she has been the co-owner and the director of a company which has designed and built a number of residential buildings in Belgrade. [2]
Holbus resides and works in Belgrade. She has a son, Alex Julius Holbus, from a previous marriage to Yugoslav-Serbian ice hockey player Mirko Holbus. [3]
Holbus has been engaged in literary work since 1990. She took part in the Festival Voix Vives de méditerranée en méditerranée 2016, a poetry festival in Sète, France, during which her poetry was translated into French and published by Al Manar, a French publishing house specializing in literature from the Mediterranean region [4]
She has published thirteen collections of poems:
| Year | Theatre/ Ballet plays | Author | Director/ Choreographer | Theater / Production |
|---|---|---|---|---|
| 2004 | Big white plot | Dimitrije Vojnov | Miloš Lolić | Atelier 212 |
| 2006 | The President and Eve of Retirement | Thomas Bernhard | Dino Mustafić | Yugoslav Drama Theatre |
| 2006 | Other side | Dejan Dukovski | Miloš Lolić | Yugoslav Drama Theatre |
| 2007 | Banat | Uglješa Šajtinc | Dejan Mijač | Yugoslav Drama Theatre |
| 2007 | Mensch Meier | Franz Xavier Kroetz | Miloš Lolić | Atelier 212 |
| 2008 | Dreamers | Robert Muzil | Miloš Lolić | Yugoslav Drama Theatre |
| 2009 | A Flea in Her Ear (adaptation) | Greg Leaming | Ljubiša Ristić | Yugoslav Drama Theatre |
| 2010 | God is a DJ | Falk Richter | Miloš Lolić | Little Theatre "Duško Radović" |
| 2011 | Zoika's Apartment | Mikhail Bulgakov | Dejan Mijač | Serbian National Theatre |
| 2012 | Othello | William Shakespeare | Miloš Lolić | Yugoslav Drama Theatre |
| 2014 | The Journal of Carnojevic | Milos Crnjanski | Miloš Lolić | Yugoslav Drama Theatre |
| 2014 | Don Juan | Molière | Maša Kolar | Budva City Theatre & Bitef Dance Company |
| 2014 | Dali & Picasso | Fernando Arabal | Dimitrije Udovički | Bitef Theatre |
| 2015 | Triad | Libretista J. Holbus | Maša Kolar | Zagreb Dance Centre |
| 2015 | Mary Stuart | Friedrich Schiller | Miloš Lolić | National Theatre in Belgrade |
| 2017 | Macbeth | William Shakespeare | Miloš Isailović | XII Festival mediteranskog teatra Purgatorije |
| 2017 | Macbeth | William Shakespeare | Maša Kolar | Croatian National Theater |
| 2017 | The Wall, the Lake | Dushan Jovanovic | Miloš Lolić | Slovenian National Theater |
| 2018 | NORDOST | Torsten Buchsteiner | Jana Maričić | Bitef Teatar i Beo Art |
| 2018 | Five life's of sad Milutin | Milena Markovic | Alexandra Milavić Davies | Atelier 212 |
| 2018 | Novel on London | Miloš Crnjanski | Ana Đorđević | Belgrade Drama Theater |
| 2019 | Nathan der Weise | Gotthold Ephraim Lessing | Jovana Tomić | Yugoslav Drama Theatre |
| 2019 | The Cave | Ivan Ilić & Slobodan Obradović | Jana Maričić | BELEF 2019 - Theatre Vuk |
| 2019 | La Celestina | Fernando de Rojas | Milan Nešković | Yugoslav Drama Theatre&City Theatre Budva |
| 2019 | Knives in Hens | David Harrower | Katarina Žutić | Atelier 212 |
| 2019 | On the Darkening Green | Milena Marković | Jovana Tomić | National Theatre in Belgrade |
| 2020 | Motion | Dimitrije Kokanov | Jovana Tomić | Bitef Theatre |
| 2020 | The Screens | Jean Genet | Dino Mustafić | Novi Sad Theater/ Újvidéki Színház |
| 2021 | The Son | Florian Zeller | Ana Tomović | Atelier 212 |
| 2021 | Kaspar | Peter Handke | Miloš Lolić | Yugoslav Drama Theatre |
| 2021 | The Lustful Days of Hung Johnny | Filip Grujić | Jovana Tomić | Novi Sad Theater – Újvidéki Színház |
| 2021 | Middlesex | Jeffrey Eugenides | Jovana Tomić | Serbian National Theatre |
| 2022 | Children of the Sun | Maxim Gorky | Jovana Tomić | Montenegrin National Theatre |
| 2022 | Holy Prada | Dimitrije Kokanov | Sanja Mitrović | Bitef Theatre |
| 2022 | Revolt. She Said. Revolt Again. | Alice Birch | Jovana Tomić | Atelier 212 |
| 2022 | Yerma | Simon Stone | Ana Tomović | Montenegrin National Theatre |
| 2023 | Unter Grund | Sanja Mitrović | Sanja Mitrović | Schauspielhuis Dortmund |
| 2023 | The Loser | Thomas Bernhard A.S. Pushkin | Nataša Radulović | Yugoslav Drama Theatre |
| 2023 | Pains of Youth | Ferdinand Bruckner | Jovana Tomić | Yugoslav Drama Theatre |
| 2023 | Adam and Eve | Miroslav Krleža | Maša Kolar | Croatian National Theater in Rijeka |
| 2024 | I Dreamed That I Woke Up | Željko Hubač | Dino Mustafić | National Theatre in Belgrade |
Holbus has been the creator of various multimedia projects in architecture and graphic design, as well as audio-video installations. She worked as the art director for the project Bojan Z. Sextet in Sava Centre, Belgrade, and the Synagogue in Novi Sad in 2013. She was the creator of video works for Bojan Zulfikarpašić's tour of his jazz piano album Shelter with a View, which toured France, Belgium, the Netherlands, and Switzerland in 2014 and 2015. [4] She was also the author of the multimedia art research project Let's Talk, exhibited in 2016 at the Gallery Štab in Belgrade. [6]
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