Jaynie Anderson | |
---|---|
Born | Melbourne, Australia | 15 December 1944
Citizenship | Australia, United Kingdom |
Scientific career | |
Fields | Art History, Curatorship, Conservation, Italian Renaissance Art, Australian Art History |
Institutions | University of Melbourne, Melbourne, Australia Australian Academy of the Humanities CIHA - Comité International d'Histoire de l'Art National Gallery of Art, Washington J. Paul Getty Museum, Los Angeles Kunsthistorisches Museum, Vienna Institut national d'histoire de l'art (INHA), Paris Ruskin School of Drawing and Fine Art, University of Oxford, Oxford, England Villa I Tatti, The Harvard University Center for Italian Renaissance Studies, Florence |
Jaynie Louise Anderson AM FAHA OSI (born 15 December 1944) [1] is an Australian art historian, writer and curator of exhibitions, known for her publications and exhibitions on Giorgione and Venetian painting. Anderson is a Professor Emeritus at the University of Melbourne. She was the Herald Chair of Fine Arts at the University of Melbourne from 1997 until 2014, and was President of International Committee of the History of Art (Comité International d'Histoire de l'Art, CIHA) from 2008 to 2012.
She studied at the University of Melbourne and Bryn Mawr College, Philadelphia. In 1970 she was elected the first woman Rhodes Fellow at St Hugh's College, Oxford. She remained as a lecturer in art history at the Ruskin School of Drawing and Fine Art, from 1975 to 1996. [2]
In 1997 Anderson was appointed Herald Chair of Fine Arts at the University of Melbourne, a post she held until 2014. [3] Her monograph on Giorgione (1996/7) remains one of the most authoritative studies of the artist. [4]
Anderson was elected a Fellow of the Australian Academy of the Humanities in 1999. [5]
In 2008 Anderson was elected president of the International Committee of the History of Art (Comité International d'Histoire de l'Art, CIHA), in which role she developed global art history until 2012. [6]
In 2009 she was appointed Foundation Director of the Australian Institute of Art History. [7] [8]
In 2015 she received an Italian knighthood from the President of the Republic of Italy, the only art historian to have been awarded the Order of the Star of Italy (Ufficiale dell’Ordine della Stella d’Italia), for her outstanding contribution to the study of Venetian art history, especially Giorgione. [9]
In the 2021 Queen's Birthday Honours Anderson was appointed a Member of the Order of Australia for "significant service to tertiary education, particularly to art history in Australia". [10]
Count Francesco Algarotti was an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.
Giorgio Barbarelli da Castelfranco, known as Giorgione, was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art.
Giovanni Bellini was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned. An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna.
Giovanni Morelli was an Italian art critic and political figure. As an art historian, he developed the "Morellian" technique of scholarship, identifying the characteristic "hands" of painters through scrutiny of diagnostic minor details that revealed artists' scarcely conscious shorthand and conventions for portraying, for example, ears. He was born in Verona and died in Milan.
The Sleeping Venus, also known as the Dresden Venus, is a painting traditionally attributed to the Italian Renaissance painter Giorgione, although it has long been widely thought that Titian completed it after Giorgione's death in 1510. The landscape and sky are generally accepted to be mainly by Titian. In the 21st century, much scholarly opinion has shifted further, to see the nude figure of Venus as also painted by Titian, leaving Giorgione's contribution uncertain. It is in the Gemäldegalerie, Dresden. After World War II, the painting was briefly in possession of the Soviet Union.
Laura, sometimes known as Portrait of a Young Bride, is a 1506 oil on canvas painting by the Italian Renaissance master Giorgione. It is the only known painting of the author that was signed and dated by him. This work marked Giorgione's abandonment of Giovanni Bellini's models to embrace a Leonardesque style. It hangs in the Kunsthistorisches Museum in Vienna, Austria.
The Three Philosophers is an oil painting on canvas attributed to the Italian High Renaissance artist Giorgione. It shows three philosophers – one young, one middle-aged, and one old.
Terry Smith is an Australian art historian, art critic and artist who currently lives and works in Pittsburgh, New York and Sydney.
Vincenzo Catena was an Italian painter of the Renaissance Venetian school. He is also known as Vincenzo de Biagio.
The Adoration of the Shepherds, sometimes still known as the Allendale Nativity, after a former owner, is a painting by the Italian Renaissance painter Giorgione, completed in about 1505 to 1510. The attribution is now usual, although not universal; the usual other view is that it is an early Titian. It is certainly a Venetian painting of that period. It is displayed in the National Gallery of Art of Washington, D.C., United States.
The House of Vendramin was a rich merchant family of Venice, Italy, who were among the case nuove or "new houses" who joined the patrician class when the Libro d'Oro was opened after the battle of Chioggia. Andrea Vendramin served as the sole Vendramin Doge from 1476–78, at the height of Venetian power, though in 1477 an Antonio Feleto was imprisoned, then banished, for remarking in public that the Council of the Forty-One must have been hard-pressed to elect a cheesemonger Doge. In his youth, Andrea and his brother Luca, in joint ventures, used to ship from Alexandria enough goods to fill a galley or a galley and a half, Malipiero recorded in retrospect: even his factors grew rich managing his affairs. At this period, mentions of Vendramins in various fields of business occur; Luca Vendramin (d.1527) founded a successful bank on the still-wooden Rialto Bridge with three Capelli brothers in 1507, but in his will of 1524 forbade his sons from continuing in banking. An early text on accounting mentions that the Vendramins' soap is so reliably good that you can buy it without inspecting it. Later they owned an important theatre.
Palma Vecchio, born Jacopo Palma, also known as Jacopo Negretti, was a Venetian painter of the Italian High Renaissance. He is called Palma Vecchio in English and Palma il Vecchio in Italian to distinguish him from Palma il Giovane, his great-nephew, who was also a painter.
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini and his brother Gentile Bellini and their workshops, the major artists of the Venetian school included Giorgione, Titian, Tintoretto (1518–1594), Paolo Veronese (1528–1588) and Jacopo Bassano (1510–1592) and his sons. Considered to give primacy to colour over line, the tradition of the Venetian school contrasted with the Mannerism prevalent in the rest of Italy. The Venetian style exerted great influence upon the subsequent development of Western painting.
The Association for Art History (AAH) promotes the professional practice and public understanding of art history. It was formed in 1974, is based in London, England, and is a registered charity.
The Banquet of Cleopatra is a painting by Giovanni Battista Tiepolo completed in 1744. It is now in the National Gallery of Victoria in Melbourne, Australia.
Thomas W. Gaehtgens is a German art historian with special interest in French and German art and art history from the 18th to the 20th century. He was the founding director of the Deutsches Forum für Kunstgeschichte in Paris and was director of the Getty Research Institute in Los Angeles, California.
The Comité International d'Histoire de l'Art (CIHA) is an international committee that endeavors to improve art historical research.
The National Committee for the History of Art (NCHA) is the U.S. affiliate of the Comité International d'Histoire de l'Art. It was founded in 1980 by Irving Lavin.
The Pastoral Concert or Le Concert Champêtre is an oil painting of c. 1509 attributed to the Italian Renaissance master Titian. It was previously attributed to his fellow Venetian and contemporary Giorgione. It is located in the Musée du Louvre in Paris.
Giuseppe Fiocco was an Italian art historian, art critic, and academic. He is known for his research and writings on Venetian and Florentine artists.
88–89.