Jean-Marc Decrop (born 1955 in France) is a specialist of Chinese contemporary art. He is one among the art collectors who have contributed to the discovery, the recognition and the influence of Chinese contemporary art abroad.
Passionnate about art, but convinced that management is also important in culture, he studies management (ESCP Promo 1978 Harvard PMD 1987), taking responsibility of the cultural committee of his school. He starts his career as cultural attaché at the French Embassy of Asuncion in Paraguay but quickly moves to Asia where, as an expatriate in Japan (1982 -1987) on his free time from business, he organizes several exhibitions (contemporary Japanese sculpture and photography).
He discovers Chinese Contemporary Art in 1992, starts his collection, sets up as a resident in Hong Kong in 1993 and deepens his knowledge with Chinese avant-garde. In November 2001, he is appointed expert at the French National Chamber of Experts CNES for Chinese contemporary art. He becomes then the first European expert certified in that specialty.
Influenced by his relationship with Hans van Dijck (co-founder with Ai Weiwei of the gallery CAAW in Beijing), he is also at that time a partner with Johnson Chang for the gallery Hanart Taipei, of which he is a 25% shareholder during 1995-2000.
Partner and artistic advisor of Paris Galerie Loft from 1999 to 2007, he produces as a forerunner several pioneering monographic exhibitions of major Chinese contemporary artists:
Meanwhile he also curates non-commercial shows at 11 museums or foundations for which he writes catalogue essays, among which :
His actions progressively contribute to the recognition of Chinese art in Europe. Through his purchases as a collector and as a gallerist, he supports this movement and its artists . In 2001, he sells his personal collection of Figuration Narrative (Auction Poulain-Le Fur, Paris, February 2001, [2] to devote its resources exclusively to Chinese art. [3] His Chinese collection, rich in key works from the period 1985-1995 amounts then to some 500 artworks, placing it among the major collections in that field (Guy Ullens, David Tang, Uli Sigg). From an early stage, he tries to encourage French intellectuals and journalists to write about Chinese art by inviting them to tour workshops and artists studios in Beijing : Christine Buci-Glucksmann, Pierre Cornette de Saint Cyr, Michel Nuridsany (Le Figaro), Henri-François Debailleux Libération ).
He helps to build many European collections (collection Guy Ullens; [4] collection Gillion-Crowet; [5] collection of Flers; [6] [7] collection of Harold t'Kint Roodenbeke; [8] collection Samir Sabet d'Acre and Florence Pucci; [9] collection DSL Levy) [10]
He organizes loans, via Galerie Loft of good Chinese artworks to international museums (from 1999 to 2006 more than 100 works loaned to 26 museums); [11] writes many articles and essays ; provides unremittingly information and photographs to european newspapers, magazines and media ; collaborates with publishing houses for illustration of books and novels with Chinese artworks Bleu de Chine, Chine en poche, les Éditions de l'Olivier, Éditions Philippe Picquier).
CNN broadcasting of a film on the exhibition « Futuro », 2000 CACOM Macau Contemporary Art Centre, Macau, curator Jean-Marc Decrop guided tour and interview.
Sui Jianguo, professor and ex-chairman of the Department of Sculpture in Central Academy of Fine Arts in Beijing, is a contemporary Chinese artist.
Qiu Zhijie is a contemporary Chinese artist who works primarily in video and photography. Overall, Qiu's work suggests the struggle between the forces of destiny and self-assertion. Other common themes are social fragmentation and transience.
Zhang Xiaogang is a contemporary Chinese symbolist and surrealist painter. Paintings in his Bloodline series are predominantly monochromatic, stylized portraits of Chinese people, usually with large, dark-pupiled eyes, posed in a stiff manner deliberately reminiscent of family portraits from the 1950s and 1960s. Recently, he also created sculptures, translating for the first time into three dimensions many characters of the sort seen in his "Bloodlines—Big Family" portrait series. These sculptures have featured in many exhibits and continue his work as one of China's leading, and most highly sought-after, contemporary artists.
David Rosenberg is a French art curator and author, specialized in modern and contemporary art styles.
Mahi Binebine is a Moroccan painter and novelist born in Marrakech in 1959. Binebine has written six novels which have been translated into various languages.
Liu Xiaodong is a contemporary Chinese artist.
The Panthéon Bouddhique, also known as the Galeries du Panthéon Bouddhique or the Galerie du Pantheon Bouddhique du Japon et de la Chine, is a collection of Japanese and Chinese art works. It is a wing of the Guimet Museum, located within the Hôtel Heidelbach at 19, Avenue d'Iéna in the 16th arrondissement of Paris, France.
Allan Sekula was an American photographer, writer, filmmaker, theorist and critic. From 1985 until his death in 2013, he taught at California Institute of the Arts. His work frequently focused on large economic systems, or "the imaginary and material geographies of the advanced capitalist world."
Jean "Johnny" Pigozzi, heir to the CEO of the automobile brand Simca, is an art collector, photographer and fashion designer. He lives in Geneva.
Xu Zhen, born in 1977 in Shanghai, China, is a multimedia artist. Xu Zhen's body of work, which includes photography, installation art and video, entails theatrical humour and social critique. His projects are informed by performance and conceptual art. Xu's work focuses on human sensitivity and dramatizes the humdrum of urban living.
Chambers Fine Art is an art gallery based in New York City and Beijing that specializes in Chinese contemporary art. Opened in New York in 2000 by Christophe Mao. Notable Chinese artists who had their first solo show in the United States at Chambers include: Lu Shengzhong, Shi Jinsong, Hong Hao, Qiu Zhijie, Hong Lei, and Chi Peng.
Qiu Shihua is a Chinese landscape painter. He lives and works in Beijing and Shenzhen.
Hadrien de Montferrand is a French dealer in Chinese contemporary art. He has worked as marketing director for Artcurial, the largest French auction house, and for the UCCA Center for Contemporary Art in Beijing. He has headed the development of the gallery in Beijing since 2009.
Yan Xing is an artist known for performance, installation, video and photography. He grew up in Chongqing and currently lives and works in Beijing and Los Angeles.
Fabien Fryns is a Belgian art dealer and collector, residing in Beijing since 2004. He has worked in the art world since 1986, specializing in contemporary Chinese art since 2000.
UCCA Center for Contemporary Art or UCCA is a leading Chinese independent institution of contemporary art. Founded in 2007 and located at the heart of the 798 Art District in Beijing, China, it welcomes more than one million visitors a year. Originally known as the Ullens Center for Contemporary Art, UCCA underwent a major restructuring in 2017 and now operates as the UCCA Group, comprising two distinct entities: UCCA Foundation, a registered non-profit that organizes exhibitions and research, stages public programs, and undertakes community outreach; and UCCA Enterprises, a family of art-driven retail and educational ventures. In 2018, UCCA opened an additional museum, UCCA Dune, in Beidaihe, a seaside resort town close to Beijing. In 2021, a third site in Shanghai was opened, UCCA Edge. The museum had 385,295 visitors in 2020, and ranked 55th in the List of most-visited art museums in the world.
Jérôme Sans is a French artistic director, director of contemporary art institutions, art critic, and curator. He is based in Paris.
Baron Guy François Edouard Marie Ullens de Schooten Whettnall is a Belgian art collector, philanthropist, and former businessperson.
The Yangjiang Group is a Chinese artist collective founded in 2002 by Zheng Guogu, Chen Zaiyan, and Sun Qinglin. The group's name takes after their hometown in Yangjiang, Guangdong Province. The Yangjiang Group's works have been exhibited in Europe and Asia. Their works show a strong attachment to a sense of place in their hometown.
Art and China after 1989: Theater of the World is an exhibition that took place at Solomon R. Guggenheim Museum in New York between October 6, 2017 – January 7, 2018. The exhibition presents works by seventy-one artists and artist collectives across China and worldwide, who define contemporary experience in and of China. Looking at a period between the Tiananmen Square Protests, which also coincides with the end of the Cold War, and the Beijing Olympics in 2008, the exhibition explores a time when "anything seemed possible" and artists from China sought visibility in the global art world. The curators of the exhibition write that the works in this exhibition respond to how China went through a radical transformation between 1989 and 2008, which had an unmatchable impact at the global level. The exhibition has been considered as "an invaluable window" onto the intersection of contemporary art, politics, and history, and as an opportunity to ask questions about the role of museums as sites of learning how one could be a global citizen today. It also traveled to Guggenheim Museum Bilbao and the San Francisco Museum of Modern Art in 2018 and 2019, respectively.