Jean Carey Bond | |
---|---|
Born | New York City, U.S. |
Alma mater | Little Red School House |
Spouse | |
Children | 2 |
Jean Carey Bond is an American writer and activist. A member of the Harlem Writers Guild and Black Arts Movement, [1] she has written for both adult and child audiences. She wrote Brown is a Beautiful Color , a children's book that explores a black child's discovery of how his own skin color is beautiful as he explores, discovering things around him that are the color brown. She was married to architect Max Bond from 1961 until his death in 2009. [2]
Jean Carey was born at Edgecombe Sanitarium in Harlem, New York City. [3] An only child, her father was Richard Carey, one of Harlem's first heart surgeons, [4] and she is the niece of Benjamin J. Davis Jr. [5] As a child, she spent time in both Harlem and Greenwich Village, the latter where she attended the Little Red School House.
Carey married J. Max Bond Jr., a Harvard trained architect [4] who opened an architecture firm in Harlem. [3] The couple met after Bond had relocated from France to New York in 1960. They married on October 7, 1961. [6]
In 1964, the couple moved to Accra, Ghana, inspired by Pan-Africanism and the socialist progressive political climate. [6] Max Bond became the architect for Kwame Nkrumah and Carey began contributing to Freedomways and African Review alongside Julian Mayfield. She became contributing editor, writing for Freedomways until it ceased publication in 1985. [7] In 1969, she published Brown is a Beautiful Color . [8] In Freedomways, her work explored racial discrimination, black power, civil rights, and feminism. She wrote the opening essay for the journal's issue about Lorraine Hansberry. [9]
Carey and Bond returned to New York in 1967. Carey had two children with Bond: Carey and Ruth. [6]
In 1996, Carey was part of a delegation of African Americans who visited Cuba. Led by Manning Marable, the delegation participated in a series of conversations about Cuba and its relationship with African Americans. [10]
She became a founding member of the Black Radical Congress in 1998. [7] She serves on the advisory committee of the New York City Commission on Human Rights. [1] She is a founding board member of Lee Chamberlin's Playwrights Inn Project alongside Lenny Kravitz. [11]
James Arthur Baldwin was an African American writer and civil rights activist who garnered acclaim for his essays, novels, plays, and poems. His 1953 novel Go Tell It on the Mountain has been ranked by Time magazine as one of the top 100 English-language novels. His 1955 essay collection Notes of a Native Son helped establish his reputation as a voice for human equality. Baldwin was an influential public figure and orator, especially during the civil rights movement in the United States.
Lorraine Vivian Hansberry was an American playwright and writer. She was the first African-American female author to have a play performed on Broadway. Her best-known work, the play A Raisin in the Sun, highlights the lives of black Americans in Chicago living under racial segregation. The title of the play was taken from the poem "Harlem" by Langston Hughes: "What happens to a dream deferred? Does it dry up like a raisin in the sun?" At the age of 29, she won the New York Drama Critics' Circle Award — making her the first African-American dramatist, the fifth woman, and the youngest playwright to do so. Hansberry's family had struggled against segregation, challenging a restrictive covenant in the 1940 U.S. Supreme Court case Hansberry v. Lee.
Theater in the United States is part of the old European theatrical tradition and has been heavily influenced by the British theater. The central hub of the American theater scene is Manhattan, with its divisions of Broadway, Off-Broadway, and Off-Off-Broadway. Many movie and television stars have gotten their big break working in New York productions. Outside New York, many cities have professional regional or resident theater companies that produce their own seasons, with some works being produced regionally with hopes of eventually moving to New York. U.S. theater also has an active community theater culture, which relies mainly on local volunteers who may not be actively pursuing a theatrical career.
John Henrik Clarke was an African-American historian, professor, prominent Afrocentrist, and pioneer in the creation of Pan-African and Africana studies and professional institutions in academia starting in the late 1960s.
The Schomburg Center for Research in Black Culture is a research library of the New York Public Library (NYPL) and an archive repository for information on people of African descent worldwide. Located at 515 Malcolm X Boulevard between West 135th and 136th Streets in the Harlem neighborhood of Manhattan, New York City, it has, almost from its inception, been an integral part of the Harlem community. It is named for Afro-Puerto Rican scholar Arturo Alfonso Schomburg.
Alice Childress was an American novelist, playwright, and actress, acknowledged as "the only African-American woman to have written, produced, and published plays for four decades." Childress described her work as trying to portray the have-nots in a have society, saying: "My writing attempts to interpret the 'ordinary' because they are not ordinary. Each human is uniquely different. Like snowflakes, the human pattern is never cast twice. We are uncommonly and marvellously intricate in thought and action, our problems are most complex and, too often, silently borne." Childress became involved in social causes, and formed an off-Broadway union for actors.
Georgia Blanche Douglas Camp Johnson, better known as Georgia Douglas Johnson, was a poet and playwright. She was one of the earliest female African-American playwrights, and an important figure of the Harlem Renaissance.
Shauneille Gantt Perry Ryder was an American stage director and playwright. She was one of the first African-American women to direct off-Broadway.
J. Max Bond Jr. was an American architect. He developed an interest in architecture based on experiences ranging from viewing a staircase at a dormitory at the Tuskegee Institute to views of North African construction styles on a visit to Tunisia. He became one of a small number of nationally prominent African-American architects. He married writer Jean Carey Bond in 1961 and they had two children.
James Mercer Langston Hughes was an American poet, social activist, novelist, playwright, and columnist from Joplin, Missouri. One of the earliest innovators of the literary art form called jazz poetry, Hughes is best known as a leader of the Harlem Renaissance. He famously wrote about the period that "the Negro was in vogue", which was later paraphrased as "when Harlem was in vogue."
Esther Victoria Cooper Jackson was an American civil rights activist, social worker, and communist activist. She worked with Shirley Graham Du Bois, W. E. B. Du Bois, Edward Strong, and Louis E. Burnham, and was one of the founding editors of the magazine Freedomways, a theoretical, political and literary journal published from 1961 to 1985. She also served as organizational and executive secretary at the Southern Negro Youth Congress.
Freedomways was the leading African-American theoretical, political and cultural journal of the 1960s–1980s. It began publishing in 1961 and ceased in 1985.
A Raisin in the Sun is a play by Lorraine Hansberry that debuted on Broadway in 1959. The title comes from the poem "Harlem" by Langston Hughes. The story tells of a black family's experiences in south Chicago, as they attempt to improve their financial circumstances with an insurance payout following the death of the father, and deals with matters of housing discrimination, racism, and assimilation. The New York Drama Critics' Circle named it the best play of 1959, and in recent years publications such as The Independent and Time Out have listed it among the best plays ever written.
The Sign in Sidney Brustein's Window is the second and last staged play by playwright Lorraine Hansberry, author of A Raisin in the Sun. The play focuses on events that occur after Sidney hangs a political sign urging the end to bossism in the window of his Greenwich Village apartment. Chaos ensues in his marriage and personal relationships and raises questions about Bohemian culture, Judaism, race, suicide, homosexuality, political corruption, interracial love, and prostitution.
Hortense J. Spillers is an American literary critic, Black Feminist scholar and the Gertrude Conaway Vanderbilt Professor at Vanderbilt University. A scholar of the African diaspora, Spillers is known for her essays on African-American literature, collected in Black, White, and In Color: Essays on American Literature and Culture, published by the University of Chicago Press in 2003, and Comparative American Identities: Race, Sex, and Nationality in the Modern Text, a collection edited by Spillers published by Routledge in 1991.
New Heritage Theatre Group (NHTG) is the oldest Black nonprofit theater company in New York City, established in 1964. Through its multiple divisions: IMPACT Repertory Theatre, The Roger Furman Reading Series, and New Heritage Films, New Heritage gives training, exposure, and experience to new and emerging artists, playwrights, directors and technicians of color. New Heritage was founded by the late Roger Furman and is currently headed by Executive Producer Voza Rivers and Executive Artistic Director Jamal Joseph. NHTG presentations capture the historical, social, and political experiences of Black and Latino descendants in America and abroad.
Brown is a Beautiful Color is a picture book written by Jean Carey Bond and illustrated by Barbara Zuber. The book was first published by Franklin Watts in 1969.
Barbara Zuber was an American painter and illustrator. She was the first African American woman to graduate with a Bachelor of Fine Arts from Yale University. Her work focused on the daily life of African Americans. She contributed the art to Brown is a Beautiful Color and has exhibited her work at the Indianapolis Museum of Art, Gibbes Museum of Art, and the Montgomery Museum of Fine Arts.
Freedom was a monthly newspaper focused on African-American issues published from 1950 to 1955. The publication was associated primarily with the internationally renowned singer, actor and then officially disfavored activist Paul Robeson, whose column, with his photograph, ran on most of its front pages. Freedom's motto was: "Where one is enslaved, all are in chains!" The newspaper has been described as "the most visible African American Left cultural institution during the early 1950s." In another characterization, "Freedom paper was basically an attempt by a small group of black activists, most of them Communists, to provide Robeson with a base in Harlem and a means of reaching his public... The paper offered more coverage of the labor movement than nearly any other publication, particularly of the left-led unions that were expelled from the CIO in the late 1940s... [It] encouraged its African American readership to identify its struggles with anti-colonial movements in Africa, Asia, and the Caribbean. Freedom gave extensive publicity to... the struggle against apartheid."
Louis Everett Burnham was an African-American activist and journalist. From his college days, and continuing through adulthood, he was involved in activities emphasizing racial equality, through various left-wing organizations, campaigns and publications in both the northern and southern United States, particularly in New York City and Birmingham, Alabama.