Jean Cocteau Repertory

Last updated

Jean Cocteau Repertory (often called "the Cocteau" or "Cocteau Rep") was a nonprofit resident theatre company in the Bowery area of East Village, Manhattan, New York City.

Contents

History

Jean Cocteau Repertory was founded in 1971 by Eve Adamson, who named it in honor of French playwright, director and artist Jean Cocteau. [1] "The Cocteau" had a reputation for serious and respectful productions of classical plays.

Jean Cocteau Repertory's first home was on Bond Street near the Bowery. Adamson envisioned a permanent acting ensemble that would perform classical plays in rotating repertory. Actors in the company were cast in both large and small roles and, in the theatre's early years, they also served alongside the founder as staff members. Adamson, who remained artistic director until 1989, directed more than 100 productions of plays by a wide range of playwrights for the company. [2]

The Cocteau's opening season included a play by Cocteau, Orphée , in addition to works by William Shakespeare and Oscar Wilde. In 1973, the company implemented the repertory format it maintained in subsequent decades and received some of its first wide acclaim, for a production of Samuel Beckett's Waiting for Godot . In 1974, the company moved into the 140-seat Bouwerie Lane Theater. In 1981, Tennessee Williams chose the Cocteau to premiere his new play Something Cloudy, Something Clear . [3] In 2006, under new leadership, the company abandoned its name, its longtime location and its established style. [4]

Directors

Robert Hupp replaced Adamson as artistic director in 1989, but she continued to direct plays for the Cocteau. [5] In 1992 Hupp partnered with Scott Shattuck, who was eventually named producing artistic director. When they left in 1999, Shattuck and Hupp were replaced by David Fuller, who had been an actor with the company in the Something Cloudy, Something Clear era. [6] Fuller began to unionize the acting company, but four of its longtime members (along with some board members) left in 2004 and formed the Phoenix Theater Ensemble. [7] Both Fuller and one of the actors blamed artistic differences for the split. [8] In 2007, in the midst of difficulties with its finances, audience base and artistic reputation, the company was renamed The Exchange and set out to produce new works. [9]

Company members

In addition to its founder, Jean Cocteau Repertory was strongly associated with its longest-tenured acting company members, including Craig Smith (who performed in more than 200 productions for the Cocteau starting in 1973) and Elise Stone (a member of the ensemble from 1985). They were among the artists that left the company in 2004. [10]

Besides staging works from the past such as Restoration comedies and plays by historic authors such as Anton Chekhov, the Cocteau was known for productions of plays by major 20th century European playwrights such as Harold Pinter and Luigi Pirandello. [11]

Related Research Articles

<span class="mw-page-title-main">Paula Vogel</span> American playwright

Paula Vogel is an American playwright who received the 1998 Pulitzer Prize for Drama for her play How I Learned to Drive. A longtime teacher, Vogel spent the bulk of her academic career – from 1984 to 2008 – at Brown University, where she served as Adele Kellenberg Seaver Professor in Creative Writing, oversaw its playwriting program, and helped found the Brown/Trinity Rep Consortium. From 2008 to 2012, Vogel was Eugene O'Neill Professor of Playwriting and department chair at the Yale School of Drama, as well as playwright in residence at the Yale Repertory Theatre.

<span class="mw-page-title-main">Yale Repertory Theatre</span> Building

Yale Repertory Theatre at Yale University in New Haven, Connecticut was founded by Robert Brustein, dean of Yale School of Drama, in 1966, with the goal of facilitating a meaningful collaboration between theatre professionals and talented students. In the process it has become one of the first distinguished regional theatres. Located at the edge of Yale's main downtown campus, it occupies the former Calvary Baptist Church.

<span class="mw-page-title-main">San Jose Repertory Theatre</span>

The San Jose Repertory Theatre was the first resident professional theatre company in San Jose, California. It was founded in 1980 by James P. Reber. In 2008, after the demise of the American Musical Theatre of San Jose, the San Jose Rep became the largest non-profit, professional theatre company in the South Bay with an annual operating budget of $5 million. In 2006, it was saved from impending insolvency by a $2 million bailout loan from the city of San Jose; this was later restructured into a long-term loan similar to a mortgage.

<span class="mw-page-title-main">Austin Pendleton</span> American actor

Austin Campbell Pendleton is an American actor, playwright, theatre director, and instructor.

The Circle Repertory Company, originally named the Circle Theater Company, was a theatre company in New York City that ran from 1969 to 1996. It was founded on July 14, 1969, in Manhattan, in a second floor loft at Broadway and 83rd Street by director Marshall W. Mason, playwright Lanford Wilson, director Rob Thirkield, and actress Tanya Berezin, all of whom were veterans of the Caffe Cino. The plan was to establish a pool of artists — actors, directors, playwrights and designers — who would work together in the creation of plays. In 1974, The New York Times critic Mel Gussow acclaimed Circle Rep as the "chief provider of new American plays."

Love, Janis is the musical stage show about the life and music of rock and roll singer Janis Joplin, conceived, adapted and directed by Randal Myler. It debuted Off-Broadway in 2001 at the Village Theater with musical direction by former Big Brother And The Holding Company band member Sam Andrew. The show had a long and healthy run, garnering over 700 performances.

<span class="mw-page-title-main">Soho Repertory Theatre</span> American Off-Broadway theater company

The Soho Repertory Theatre, known as Soho Rep, is an American Off-Broadway theater company based in New York City which is notable for producing avant-garde plays by contemporary writers. The company, described as a "cultural pillar", is currently located in a 65-seat theatre in the TriBeCa section of lower Manhattan. The company, and the projects it has produced, have won multiple prizes and earned critical acclaim, including numerous Obie Awards, Drama Desk Awards, Drama Critics' Circle Awards, and a Pulitzer Prize. A recent highlight was winning the Drama Desk Award for Sustained Achievement for "nearly four decades of artistic distinction, innovative production, and provocative play selection."

Daniel John Sullivan is an American theatre and film director and playwright.

Dinner with Friends is a play written by Donald Margulies. It premiered at the 1998 Humana Festival of New American Plays and opened Off-Broadway in 1999. The play received the 2000 Pulitzer Prize for Drama.

<span class="mw-page-title-main">Arkansas Repertory Theatre</span>

Arkansas Repertory Theatre(The Rep) is the longest-running nonprofit resident theater in Arkansas. It is affiliated with Actors' Equity Association and offers a year-round season. The Rep is housed in a 377-seat facility in Little Rock, Arkansas. It was founded in 1976 by Cliff Fannin Baker.

<span class="mw-page-title-main">Kansas City Repertory Theatre</span>

Kansas City Repertory Theatre is a professional resident theater company serving the Kansas City metropolitan area, and is the professional theater in residence at the University of Missouri-Kansas City (UMKC).

Eric Simonson is an American writer and director in theatre, film and opera. He is a member of Steppenwolf Theatre in Chicago, and the author of plays Lombardi, Fake, Honest, Magic/Bird and Bronx Bombers. He won the 2005 Academy Award for his short documentary A Note of Triumph: The Golden Age of Norman Corwin, and was nominated for a Tony Award for Best Direction of a Musical in 1993 for The Song of Jacob Zulu.

Tony Taccone is an American theater director, and the former artistic director of Berkeley Repertory Theatre in Berkeley, California.

<span class="mw-page-title-main">Milwaukee Repertory Theater</span> American theater company

Milwaukee Repertory Theater is a theater company in Milwaukee, Wisconsin. Founded as the Fred Miller Theatre Company, the group is housed in the Associated Bank Theater Center, which includes the Quadracci Powerhouse Theater, the Stiemke Studio, and the Stackner Cabaret. Milwaukee Rep produces an annual production of A Christmas Carol at the Pabst Theater. It serves an annual audience of over 200,000 patrons, including over 15,000 subscribers.

Mark Brokaw is an American theatre director. He won the Drama Desk Award, Obie Award and Lucille Lortel Award as Outstanding Director of a Play for How I Learned to Drive.

<i>Lombardi</i> (play)

Lombardi is a play by Eric Simonson, based on the book When Pride Still Mattered: A Life of Vince Lombardi by Pulitzer Prize-winning author David Maraniss.

<span class="mw-page-title-main">Birmingham Repertory Theatre</span> Theatre in Birmingham, England

Birmingham Repertory Theatre, commonly called Birmingham Rep or just The Rep, is a producing theatre based on Centenary Square in Birmingham, England. Founded by Billie Lester, it is the longest-established of Britain's building-based theatre companies and one of its most consistently innovative.

<span class="mw-page-title-main">David Fishelson</span> American dramatist

David J. Fishelson is an American producer, playwright, and director for film, theatre, television and radio, based in Manhattan since 1982. He is best known for being the lead producer of Golda's Balcony, the longest-running one-woman show in Broadway history (2003–05)—which he also produced as a feature motion picture, Golda's Balcony , that was popular in over 75 film festivals in 2019-20)—as well as being the founder/producer of Manhattan Ensemble Theatre, an award-winning Off-Broadway theatre company located in SoHo, New York City. As a filmmaker, his work has been broadcast on PBS, exhibited theatrically, and selected for 87 international film festivals. As a theatre producer and playwright, his work has garnered 31 nominations from the Tony, Drama Desk, Outer Critics Circle, Obie, Drama League, Lortel, Blackburn Prize and Touring Broadway awards organizations, while landing on Time Out NY's year-end "Best in Theatre" list on 4 different occasions.

<span class="mw-page-title-main">Branden Jacobs-Jenkins</span> American playwright (born 1984)

Branden Jacobs-Jenkins is an American playwright. He won the 2014 Obie Award for Best New American Play for his plays Appropriate and An Octoroon. His plays Gloria and Everybody were finalists for the 2016 and 2018 Pulitzer Prize for Drama, respectively. He was named a MacArthur Fellow for 2016.

<span class="mw-page-title-main">The Mirror Theater Ltd</span> Theater company in New York City

The Mirror Theater was founded by Sabra Jones in 1983, who was also the Founding Artistic Director. The first program of the theater was the Mirror Repertory Company (MRC). Founding members of the company included Eva Le Gallienne, John Strasberg, and Geraldine Page. Sabra Jones reached out to Ellis Rabb, artistic director of the APA Phoenix Repertory Company, John Houseman of the Mercury Theater, and Eva Le Gallienne of the Civic Repertory Theatre Company. The company was intended to be "an alternating repertory company in the classic sense" of actor-manager leadership, which Rabb, Houseman, and La Gallienne pioneered. Alternating repertory refers to when one company performs a variety of plays in the same season with the same actors, which was formerly a mainstay of theater tradition. This system has been attributed with helping actors grow in their craft through a wide variety of roles. MRC was funded in its inception primarily by philanthropist Laurance S. Rockefeller, with additional donations from philanthropists and actors such as Paul Newman, Al Pacino, Dustin Hoffman, and others.

References

  1. Simonson, Robert. "Eve Adamson, Founder of the Jean Cocteau Rep, Is Dead at 67". playbill.com. Playbill. Retrieved 11 October 2014.
  2. Simonson, Robert. "Eve Adamson, Founder of the Jean Cocteau Rep, Is Dead at 67". playbill.com. Playbill. Retrieved 11 October 2014.
  3. "Jean Cocteau Repertory Theatre records 1971-2005". New York Public Library. Retrieved 11 October 2014.
  4. Zinoman, Jason. "Uptown, a Company No Longer Plays Nice". nytimes.com. The New York Times. Retrieved 11 October 2014.
  5. "Jean Cocteau Repertory Theatre records 1971-2005". New York Public Library. Retrieved 11 October 2014.
  6. "David Fuller Takes the Helm at NYC's Jean Cocteau Rep". playbill.com. Playbill. Retrieved 11 October 2014.
  7. "Jean Cocteau Repertory Theatre records 1971-2005". New York Public Library. Retrieved 11 October 2014.
  8. Gussow, Mel. "Off Broadway, Resignations Follow Rift at Cocteau". nytimes.com. The New York Times. Retrieved 12 October 2014.
  9. "Jean Cocteau Repertory Theatre records 1971-2005". nypl.org. New York Public Library. Retrieved 11 October 2014.
  10. Simonson, Robert. "Phoenix Rises from Cocteau Rep's Ashes". nysun.com. New York Sun. Retrieved 11 October 2014.
  11. Robertson, Campbell. "Eve Adamson, 68, Founder of Cocteau Troupe, Dies". nytimes.com. The New York Times. Retrieved 11 October 2014.