Jessica Jackson Hutchins is an American artist from Chicago, Illinois who is based in Portland, Oregon. Her practice consists of large scale ceramics, multi-media installations, assemblage, and paintings all of which utilize found objects such as old furniture, ceramics, worn out clothes, and newspaper clippings. She is most recognizable for her sloppy craft assemblages of furniture and ceramics. Her work was selected for the 2010: Whitney Biennial, featured in major art collections, and has been exhibited throughout the United States and internationally, in Iceland, the UK, and Germany.
Roxy Paine is an American painter and sculptor widely known for his installations that often convey elements of conflict between the natural world and the artificial plains man creates. He was educated at both the College of Santa Fe in New Mexico and the Pratt Institute in New York.
Marion M. Bass, known as Pinky Bass or Pinky/MM Bass, is an American photographer, known for her work in pinhole photography.
Yun-Fei Ji is a Chinese painter. He has lived in New York since 1990.
Sanford Biggers is a Harlem-based interdisciplinary artist who works in film/video, installation, sculpture, music, and performance. An L.A. native, he has lived and worked in New York City since 1999.
Amy Pleasant is an American painter living and working in Birmingham, AL.
Heather T. Hart is a visual artist who works in a variety of media including interactive and participatory Installation art, drawing, collage, and painting. She is a co-founder of the Black Lunch Table Project, which includes a Wikipedia initiative focused on addressing diversity representation in the arts on Wikipedia.
Amy Feldman is an American abstract painter from Brooklyn, New York.
Jaimie Warren is an American photographer and performance artist who is based in Brooklyn, New York. Warren is a fellow in Interdisciplinary Arts from the New York Foundation for the Arts, she is the recipient of the Baum Award for An Emerging American Photographer, and is a featured artist on the PBS Art:21 series “New York Close Up”.
Phyllis Baldino is an American visual artist whose art engages in a conceptual practice that merges performance art, video art, sculpture, and installation in an exploration of human perception. Her single-channel videos are distributed by Electronic Arts Intermix in New York, NY. She currently lives and works in Brooklyn, New York.
Mary Miss is an American artist and designer. Her work has crossed boundaries between architecture, landscape architecture, engineering and urban design. Her installations are collaborative in nature: she has worked with scientists, historians, designers, and public administrators. She is primarily interested in how to engage the public in decoding their surrounding environment.
Maren Hassinger is an African-American artist and educator whose career spans four decades. Hassinger uses sculpture, film, dance, performance art, and public art to explore the relationship between the natural world and industrial materials. She incorporates everyday materials in her art, like wire rope, plastic bags, branches, dirt, newspaper, garbage, leaves, and cardboard boxes. Hassinger has stated that her work “focuses on elements, or even problems—social and environmental—that we all share, and in which we all have a stake…. I want it to be a humane and humanistic statement about our future together.”
Dawn Clements (1958–2018) was an American contemporary artist and educator. She was known for her large scale, panoramic drawings of interiors that were created with many different materials in a collage-style. Her primary mediums were sumi ink and ballpoint pen on small to large scale paper panels. In order to complete a drawing she cut and pasted paper, editing and expanding the composition to achieve the desired scale. Her completed drawings reveal her working process through the wrinkles and folds evident in the paper. She described her work as “a kind of visual diary of what [she] see[s], touch[es], and desire[s]. As I move between the mundane empirical spaces of my apartment and studio, and the glamorous fictions of movies, apparently seamless environments are disturbed through ever-shifting points of view.”
Anya Liftig is an American performance artist.
Danielle Dean is a British-American visual artist. She works in drawing, installation, performance and video. She has exhibited in London and in the United States; her work was included in an exhibition at the Hammer Museum focusing on new or under-recognized artists working in Los Angeles.
Doreen Garner is an American sculptor and performance artist. Her art practice explores where history, power, and violence meet on the body via beauty or medicine. Garner has exhibited at a number of venues, including New Museum, Abrons Arts Center, Pioneer Works, Socrates Sculpture Park, The National Museum of African American History in Washington, D.C., Museum of Contemporary African Diasporan Art in Brooklyn, and Chrysler Museum of Art in Norfolk, Virginia. Garner holds a monthly podcast called #trashDAY with artist Kenya (Robinson). Garner lives and works in Brooklyn, New York.
Baseera Khan is an American visual artist. They use a variety of mediums in their practice to "visualize patterns and repetitions of exile and kinship shaped by economic, social, and political changes in local and global environments, with special interests in decolonization processes".
Aisha Tandiwe Bell is an American visual artist known for her work that creates myth and ritual through mixed media including sculpture performance, video, sound, drawing, and installation that addresses themes of fragmentation, shape-shifting, code-switching, hyphenated identities and multiple consciousness, marginalization, and lack of agency people in the African Diaspora struggle with. Through her mixed media, Aisha Tandiwe Bell's art focuses on and looks at the societal constraints of sex, race, and class. She uses each piece of her art to look at the norms that society has created around sex, race, and class and the limitations that people have placed upon themselves when it comes to these ideas. As a Jamaican-American woman in the United States, Bell uses her art to represent the displacement that she feels and the alter egos that black women have to uphold publicly and privately. The sculptures that Bell creates are intentionally cracked, fragmented, and imperfect to reflect her fractured identity.
Beatriz Cortez is a Los Angeles-based artist and scholar from El Salvador. In 2017, Cortez was featured in a science fiction-themed exhibit at University of California, Riverside, and in 2018, her work was shown in the Made in L.A. group artist exhibition at the Hammer Museum in Los Angeles. She holds a Ph.D in Latin American Literature from Arizona State University. She also earned an M.F.A. from the California Institute of the Arts. Cortez currently teaches in the Central American Studies department at California State University, Northridge. According to Cortez, her work explores "simultaneity, life in different temporalities and different versions of modernity, particularly in relation to memory and loss in the aftermath of war and the experience of migration". Cortez has received the 2018 Rema Hort Mann Foundation Fellowship for Emerging Artists, the 2017 Artist Community Engagement Grant, and the 2016 California Community Foundation Fellowship for Visual Artists. Beatriz Cortez is represented by Commonwealth and Council, Los Angeles.
Karyn Olivier is a Philadelphia-based artist who creates public art, sculptures, installations and photography. Olivier alters familiar objects, spaces, and locations, often reinterpreting the role of monuments. Her work intersects histories and memories with present-day narratives.
