Jeanne Bernard Dabos (1765–1842) was a French miniature painter.
Born in Lunéville, Dabos was the daughter of calligrapher Jean-Joseph Bernard , and studied with Adélaïde Labille-Guiard. [1] A 1787 letter to the Mercure indicates that she submitted two drawings and one pastel to that year's Exposition de la Jeunesse; no further activity as a pastellist is recorded. In 1789 she exhibited miniatures at the salon in Toulouse, and she showed at the Paris Salon in 1791 and from 1802 until 1835. She was influenced to attempt genre painting by her husband, Laurent Dabos. Antoine Phelippeaux produced an engraving after her portrait of Marie Antoinette. Jeanne Dubois died in Paris. [2]
Adélaïde Labille-Guiard, also known as Adélaïde Labille-Guiard des Vertus, was a French miniaturist and portrait painter. She was an advocate for women to receive the same opportunities as men to become great painters. Labille-Guiard was one of the first women to become a member of the Royal Academy, and was the first female artist to receive permission to set up a studio for her students at the Louvre.
Alexander Roslin was a Swedish painter who worked in Scania, Bayreuth, Paris, Italy, Warsaw and St. Petersburg, primarily for members of aristocratic families. He combined insightful psychological portrayal with a skillful representation of fabrics and jewels.
Rosalie Filleul was a French pastellist and painter. She was born in Paris, and was concierge of the Château de la Muette. Although she initially supported the French Revolution, she nevertheless became disillusioned by its excesses and mourned the execution of Louis XVI. Somewhat indiscreetly, at the height of the Terror, she made arrangements to sell some of the furniture at the Château de la Muette to a secondhand dealer. This was reported to the authorities and she was arrested on charges of theft and concealment of biens nationaux – property belonging to the Republic. Rosalie Filleul was found guilty and guillotined in 1794, along with her friend Mme Chalgrin, despite the attempted intervention of Chalgrin's brother Carle Vernet.
Claude Louis Langlois, known as Langlois de Sézanne, was a French portraitist and pastel artist. His portrait of Madame Morel is held by the Musée Antoine Vivenel, Compiègne.
Marie-Gabrielle Capet was a French Neoclassical painter. She was born in Lyon on 6 September 1761. Capet came from a modest background and her previous background and artistic training is unknown, but in 1781 she became the pupil of the French painter Adélaïde Labille-Guiard in Paris. She excelled as a portrait painter and her works include oil paintings, watercolours, and miniatures.
Laurent Dabos (1761–1835) was a French painter of portraits and of historical and genre subjects.
Johann Julius Heinsius was a German oil painter and miniaturist.
Jeanne-Philiberte Ledoux was a French painter. Ledoux was born in Paris and took lessons from Jean-Baptiste Greuze. Her work was first seen in public in 1793, when she showed three paintings in the Salon: Painting at Rest, Little Girls at a Crossroads, and Concealed Love. She is known for miniatures and portraits and exhibited in the Paris Salons from 1793 to 1819, in which she was a frequent exhibitor. Only one work attributed to Ledoux is signed, and none are dated.
Marie-Éléonore Godefroid was a French painter, watercolorist, pastellist, and draughtswoman. Some of her major works include Portraits of the Children of Marshall Duke d'Enghien (1810), Portrait of Queen Hortense with her Children (1812), the Royal Princes, Portrait of the Princesses Louise and Marie d'Orléans, and Portrait of the Prince de Joinville. Godefroid is best known as a portrait painter.
Jeanne-Elisabeth Chaudet was a French painter and the wife of the sculptor Antoine Denis Chaudet, who had also been her teacher.
Marie Thérèse de Noireterre (1760-1823) was a French miniaturist.
Jeanne-Angélique Boquet, sometimes Bocquet, was a French pastellist who was active around 1774.
Aglaé-Geneviève-Eurélie Cadet de Gassicourt, known as Aglaé Cadet was a French enamelist and painter of miniatures.
Marie-Nicole Vestier (1767–1846) was a French painter.
Jeanne-Marie-Françoise Perregaux, later Ferrier-Perregaux (1777–1838) was a Swiss painter.
Marie-Victoire Davril (1755–1820) was a French portrait painter.
Marie Élisabeth Jeanne de Latour-Simons, known as Marie de Latour was a Belgian painter and engraver.
Aimée Duvivier was a French painter.
Jeanne-Julie-Louise Le Brun, nicknamed "Brunette", was the daughter of Élisabeth Vigée Le Brun, and was the model of many of her paintings.
Marie-Élisabeth Gabiou, née Lemoine was a French painter.