Jeff Willette (born April 29, 1971 in Big Rapids, Michigan) is an American computer graphics 3D animator. [1] [2] In 2008, Willette was nominated for a Visual Effects Society Award in the category of Outstanding Animated Character in a Live Action Broadcast Program or Commercial (shared with Matthew Hackett, Sean Andrew Faden, and Denis Gauthier; and in 2010 he was nominated for a Visual Effects Society Award in the category of Outstanding Compositing in a Broadcast Program or Commercial. [3]
His numerous film and television credits for visual effects and computer animation includes:
In 2017, Jeff joined Venice, CA - based boutique Timber as Digital Effects Supervisor. [4]
Phil Tippett is an American movie director and Oscar and Emmy Award-winning visual effects supervisor and producer, who specializes in creature design, stop-motion and computerized character animation. Over his career, he has assisted ILM and DreamWorks, and in 1984 formed his own company, Tippett Studio. His work has appeared in movies such as the original Star Wars trilogy, Jurassic Park, and RoboCop. He is currently involved with his ongoing Mad God stop-motion series, which were funded through Kickstarter.
Foundation Imaging was a CGI visual effects studio, computer animation studio, and post-production editing facility.
John Andrew Berton Jr. is an American computer graphics animator and visual effects supervisor. His most recent completed project is Bedtime Stories. He also recently worked in India, supervising effects on the film Krrish 3. In the fall of 2013, he joined the faculty of Drexel University in Philadelphia.
Jim Rygiel is a visual effects supervisor. He has worked on major feature films since 1984, including The Lord of the Rings movie trilogy and Godzilla. He now works at FuseFX visual effects studio.
Chris Watts, is an American inventor, businessman, filmmaker, and visual effects supervisor.
Matthew Hackett is an American computer graphics animator. In 2008, Hackett was nominated for a Visual Effects Society Award in the category of Outstanding Animated Character in a Live Action Broadcast Program or Commercial (shared with Jeff Willette, Sean Andrew Faden, and actor Denis Gauthier. Hackett is featured within the 2001 documentary short The Making of Final Fantasy: The Spirits Within.
Sean Andrew Faden is a computer graphics animator. In 2003 he was nominated for a Saturn Award for Best Special Effects for his work on the film xXx, and in 2008, he was nominated for a Visual Effects Society Award in the category of Outstanding Animated Character in a Live Action Broadcast Program or Commercial.
Michael "Ffish" Hemschoot is a director, animator and has held a variety of roles as a visual effects artist in major Hollywood films. Since 1996, Hemschoot has worked on films such as Mars Attacks!, What Dreams May Come, The Matrix, Hollow Man, Black Hawk Down, Minority Report and National Treasure.
Rob Coleman is a Canadian animation director who works with award-winning Australian visual effects and animation studio, Animal Logic. He joined Animal Logic in 2012 as the studio's Head of Animation. Coleman is a two-time Oscar nominee for his animation work on Star Wars: Episode I – The Phantom Menace and Star Wars: Episode II – Attack of the Clones and has been nominated for two BAFTA Awards for his work on Men in Black and Star Wars: The Phantom Menace.
Carey Villegas is a visual effects artist who was nominated at the 83rd Academy Awards in the category of Best Visual Effects, for the film Alice in Wonderland. His nomination was shared with Sean Phillips, Ken Ralston and David Schaub. Also for Alice in Wonderland, Carey won the 2010 Golden Satellite Award for Best Visual Effects and was nominated for the British Academy Award (BAFTA), Critics Choice Award, Saturn Award, and the Visual Effects Society Award (VES) for "Outstanding Visual Effects in a Visual Effects Driven Motion Picture".
Erik Winquist is an American New Zealander visual effects supervisor. He is best known for his work on three prominent film franchises featuring large computer generated animal effects: Peter Jackson's King Kong (2005), Planet of the Apes prequel films, and Rampage (2018).
Steven Ilous is an entrepreneur, director, writer, and producer. He is the leading founder of Monolith, SMI Entertainment and is best known for his expertise in visual effects, having worked in the visual effects department on over 17 films, including The Matrix Reloaded and The Matrix Revolutions and the Polar Express.
Armen V. Kevorkian is an American-Armenian visual effects supervisor and television director.
Sharon Calahan is an American cinematographer who was director of photography on the Pixar films A Bug's Life (1998), Toy Story 2 (1999), and Finding Nemo (2003), and was lighting director for Ratatouille (2007), Cars 2 (2011), and The Good Dinosaur (2015). She took part in the early rise of computer animated feature filmmaking and the acceptance of that medium as cinematography. Calahan is the first member of the American Society of Cinematographers who was invited to join on the basis of a career entirely in animated film. She was nominated, with Bill Reeves, Eben Ostby, and Rick Sayre, for a 2000 BAFTA Award for Best Achievement in Special Visual Effects for A Bug's Life.
The Visual Effects Society Award for Outstanding Virtual Cinematography in a CG Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in virtual cinematography. It was first awarded in 2003 and 2004 for, under the title "Best Visual Effects Photography in a Motion Picture", before being scrapped from the ceremony. The award was given separately to artists in live-action film, animated film, and commercials/television. These categories were first awarded in 2012. The following year, the category specifically awarding animated film was dropped, with only live-action film and commercial/television being awarded. In 2015, only live-action films were awarded. The following year, the category's title changed to "Outstanding Virtual Cinematography in a Photoreal Project". It has held its current title since 2020.
The Visual Effects Society Award for Outstanding Visual Effects in a Photoreal Episode is one of the annual awards given by the Visual Effects Society starting in 2002. While the award's title has changed several time within this period, the recipient has always been a visual effects-heavy television episode. Episodes with more background effects work have their own category, the Outstanding Supporting Visual Effects in a Photoreal Episode. Until 2012, miniseries and television movies had their own category.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Episode is one of the annual awards given by the Visual Effects Society, starting in 2003. It is awarded to visual effects artists for their work in compositing. It has gone through several title changes over the years; from 2003 to 2012, the category included commercials in the category, before refocusing in 2013, specifically nominating television programs.
The Visual Effects Society Award for Outstanding Animated Character in an Episode or Real-Time Project is one of the annual awards given by the Visual Effects Society, starting from 2002. Since its inception, the award's title has gone through several title changes, and one major category shift. First awarded in 2002, the award was titled "Best Character Animation in a Live Action Televised Program, Music Video or Commercial" and given to the best character animation in a televised program, with no specific character cited. This would change in 2004, when the category was re-titled "Outstanding Performance by an Animated Character in a Live Action Broadcast Program", and given to visual effects artists for work on a specified character. The category was again re-titled the following year, this time to "Outstanding Performance by an Animated Character in a Live Action Broadcast Program, Commercial, or Music Video". In 2008, it was titled "Outstanding Animated Character in a Live Action Broadcast Program or Commercial", but changed in 2014 to "Outstanding Performance of an Animated Character in a Commercial, Broadcast Program, or Video Game" and once again the next year to "Outstanding Animated Performance in an Episode, Commercial, or Real-Time Project". In the title changed to "Outstanding Animated Performance in an Episode or Real-Time Project" and, finally, in 2017 to "Outstanding Animated Character in an Episode or Real-Time Project"
The Visual Effects Society Award for Outstanding Created Environment in an Episode, Commercial, or Real-Time Project is one of the annual awards given by the Visual Effects Society starting from 2004. The award was originally titled "Outstanding Created Environment in a Live Action Broadcast Program", and changed in 2005 to "Outstanding Created Environment in a Live Action Broadcast Program, Commercial, or Music Video". It was again changed in 2009, this time to "Outstanding Created Environment in a Feature Motion Picture", and again in 2011 to "Outstanding Created Environment in a Live Action Feature Motion Picture". Before its final change in 2015, to its current title, it was re-titled in 2014 to "Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture".