Jem Southam

Last updated

Jem Southam (born 1950) is a British landscape photographer and educator. [1] He has had solo exhibitions at Tate St Ives, the Victoria and Albert Museum, The Lowry, and the Royal West of England Academy.

Contents

Southam's work is held in the collections of the British Council; [1] UK Government Art Collection; [2] J. Paul Getty Museum, Los Angeles; [3] Metropolitan Museum of Art, New York; [4] Nelson-Atkins Museum of Art, Kansas City, Missouri; [5] Rijksmuseum, Amsterdam; [6] Science Museum Group, UK; [7] Tate, UK; [8] and the Victoria and Albert Museum, London. [9]

Life and work

Southam was born in Bristol. He studied creative photography at the London College of Printing, [10] then worked at Arnolfini Gallery in Bristol from 1976 to 1982. He taught at Falmouth School of Art then taught photography for many years at the University of Plymouth where he is now emeritus Professor of Photography in the School of Art, Design and Architecture. [2] [11]

Predominantly, "Southam's subject is the rural landscape of the South West of England, where he lives and works." [1] He conducts long-term studies of selected sites, that trace changes over seasons and even several years. His first project, in black and white, was The Floating Harbour: a Landscape History of Bristol City Docks (1977–84). All subsequent series are in colour and include Paintings of the West of Cornwall (1982–86); and The Long White Cloud, made in New Zealand at the end of 2018. [10] He uses an 8×10 large format view camera. [12]

Publications

Solo exhibitions

Awards

Collections

Southam's work is held in the following permanent collections:

Related Research Articles

Bill Brandt was a British photographer and photojournalist. Born in Germany, Brandt moved to England, where he became known for his images of British society for such magazines as Lilliput and Picture Post; later he made distorted nudes, portraits of famous artists and landscapes. He is widely considered to be one of the most important British photographers of the 20th century.

Richard Billingham is an English photographer and artist, film maker and art teacher. His work has mostly concerned his family, the place he grew up in the West Midlands, but also landscapes elsewhere.

Roger Mayne was an English photographer, best known for his documentation of the children of Southam Street, London.

<span class="mw-page-title-main">Anna Atkins</span> British photographer (1799–1871)

Anna Atkins was an English botanist and photographer. She is often considered the first person to publish a book illustrated with photographic images. Some sources say that she was the first woman to create a photograph.

<span class="mw-page-title-main">Mitch Epstein</span> American photographer

Mitchell Epstein is an American photographer. His books include Vietnam: A Book of Changes (1997); Family Business (2003), which won the 2004 Kraszna-Krausz Photography Book Award; Recreation: American Photographs 1973–1988 (2005); Mitch Epstein: Work (2006); American Power (2009); Berlin (2011); New York Arbor (2013); Rocks and Clouds (2018); Sunshine Hotel (2019); In India (2021); and Property Rights (2021).

Nick Waplington is a British / American artist and photographer. Many books of Waplington's work have been published, both self-published and through Aperture, Cornerhouse, Mack, Phaidon, and Trolley. His work has been shown in solo exhibitions at Tate Britain and The Photographers' Gallery in London, at Philadelphia Museum of Art in the USA, and at the National Museum of Photography, Film & Television in Bradford, UK; and in group exhibitions at Venice Biennale, Italy and Brooklyn Museum, New York City. In 1993 he was awarded an Infinity Award for Young Photographer by the International Center of Photography. His work is held in the permanent collections of the Solomon R. Guggenheim Museum in New York City, Victoria and Albert Museum and Government Art Collection in London, National Gallery of Australia, the Philadelphia Museum of Art, and Royal Library, Denmark.

<span class="mw-page-title-main">Boris Mikhailov (photographer)</span> Ukrainian photographer

Boris Andreyevich Mikhailov or Borys Andriyovych Mykhailov is a Ukrainian photographer. He has been awarded the Hasselblad Award and the Citibank Private Bank Photography Prize.

Dan Holdsworth is a British photographer who creates large-scale photographs and digital art characterized by the use of traditional techniques and unusually long exposure times, and by radical abstractions of geography. He has exhibited internationally including solo shows at BALTIC Centre for Contemporary Art, Gateshead, and Barbican Art Gallery, London; and group shows at Tate Britain, London, and Centre Pompidou, Paris. His work is held in collections including the Tate Collection, Saatchi Collection, and the Victoria and Albert Museum, London. He lives and works in Newcastle upon Tyne and London.

Christopher David Killip was a Manx photographer who worked at Harvard University from 1991 to 2017, as a Professor of Visual and Environmental Studies. Killip is known for his black and white images of people and places especially of Tyneside during the 1980s.

Peter Fraser is a British fine art photographer. He was shortlisted for the Citigroup Photography Prize in 2004.

<span class="mw-page-title-main">Gerry Badger</span>

Gerald David "Gerry" Badger is an English writer and curator of photography, and a photographer.

Mark Haworth-Booth is a British academic and historian of photography. He was a curator at the Victoria & Albert Museum in London from 1970 to 2004.

"New Topographics: Photographs of a Man-Altered Landscape" was a groundbreaking exhibition of contemporary landscape photography held at the George Eastman House's International Museum of Photography from October 1975 to February 1976. The show, curated by William Jenkins, had a lasting impact on aesthetic and conceptual approaches to American landscape photography. The New Topographics photographers, including Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Frank Gohlke, Nicholas Nixon, and Stephen Shore, documented built and natural landscapes in America, often capturing the tension between natural scenery and the mundane structures of post-war America: parking lots, suburban homes, crumbling coal mines. The photographs, stark and documentary, are often devoid of human presence. Jenkins described the images as "neutral" in style, "reduced to an essentially topographic state, conveying substantial amounts of visual information but eschewing entirely the aspects of beauty, emotion, and opinion".

Richard Hamblyn is a British environmental writer and historian. He is a lecturer in the Department of English, Theatre and Creative Writing at Birkbeck, University of London, and has contributed articles and reviews to the Sunday Times, The Guardian, the Independent, the Times Literary Supplement and the London Review of Books.

Hannah Starkey is a British photographer who specializes in staged settings of women in city environments, based in London. In 2019 she was awarded an Honorary Fellowship of the Royal Photographic Society.

Simon Norfolk is a Nigerian-born British architectural and landscape photographer. He has produced four photo book monographs of his work. His photographs are held in over a dozen public museum collections.

<span class="mw-page-title-main">Chris Harrison (photographer)</span>

Chris Harrison is an English photographer known for his work which has explored ideas of home, histories and class.

<span class="mw-page-title-main">Richard Learoyd</span> British artist and photographer

Richard Learoyd is a British contemporary artist and photographer.

Susan Lipper is an American photographer, based in New York City. Her books include Grapevine (1994), for which she is best known, Trip (2000) and Domesticated Land (2018). Lipper has said that all of her work is "subjective documentary"; the critic Gerry Badger has said many describe it as "ominous".

Paul Joyce is a British photographer and filmmaker. His portraits of artists are held in the collection of the National Portrait Gallery, London and his Welsh landscape photographs are held in the collection of Amgueddfa Cymru – Museum Wales.

References

  1. 1 2 3 4 "Jem Southam - Artists - Collection - British Council − Visual Arts". visualarts.britishcouncil.org. Retrieved 2022-10-10.
  2. 1 2 3 "Jem Southam". Government Art Collection. Retrieved 2022-10-10.
  3. 1 2 "Jem Southam (The J. Paul Getty Museum Collection)". The J. Paul Getty Museum Collection. Retrieved 2022-10-10.
  4. 1 2 "1 results for Jem Southam". www.metmuseum.org. Retrieved 2022-10-10.
  5. 1 2 "Jem Southam – Artists/Makers – The Nelson-Atkins Museum of Art". nelson-atkins.org. Retrieved 2022-10-11.
  6. 1 2 "Moerdijkbrug, Jem Southam, 2003". Rijksmuseum. Retrieved 2022-10-11.
  7. 1 2 "Jem Southam - Science Museum Group Collection". sciencemuseumgroup.org.uk. Retrieved 2022-10-10.
  8. 1 2 "Jem Southam born 1950". Tate. Retrieved 2022-10-10.
  9. 1 2 "Search Results - V&A Explore the Collections". Victoria and Albert Museum. Retrieved 2022-10-10.
  10. 1 2 "Photographer Jem Southam captures the majesty of New Zealand". Financial Times. 8 February 2019. Retrieved 2022-10-10.
  11. "Professor Jem Southam - University of Plymouth". www.plymouth.ac.uk. Retrieved 2022-10-10.
  12. "Britain: what lies ahead?". www.ft.com. Retrieved 2022-10-14.
  13. "Tate St Ives Winter Season 2004". BBC. Retrieved 2022-10-11.
  14. "Past Exhibitions and Displays 2006". www.vam.ac.uk. 25 January 2013. Retrieved 2022-10-11.
  15. "Exhibition preview: Jem Southam: Clouds Descending, Salford". The Guardian. 15 November 2008. Retrieved 2022-10-10.
  16. "Wander lonely as a cloud". Manchester Evening News. 18 April 2010. Retrieved 2022-10-10.
  17. "Jem Southam: A Bend in The River". Royal West of England Academy. Retrieved 2023-03-14.
  18. "Deutsche Börse Photography Foundation Prize" (PDF). The Photographers' Gallery .