Jeneen Frei Njootli | |
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| Born | 1988 |
| Alma mater | University of British Columbia |
| Movement | Interdisciplinary |
Jeneen Frei Njootli (born 1988) [2] is an interdisciplinary Vuntut Gwitchin artist known primarily for their work with sound and textiles, performance, fashion, workshops, and barbeques.
Njootli is a co-creator of the ReMatriate Collective, a group working toward better representation of Indigenous women in the media. [3] [4]
As one of the five finalist of the 2018 Sobey Art Award, Njoottli's work, wind sucked in through bared teeth (2017) is included in an eponymous exhibition featuring the finalists at the National Gallery of Canada. [5]
In 2016, Njootli completed the Media Arts Residency at the Western Front, an artist-run centre in Vancouver. [6]
Njootli has worked on several projects and presentations with artist Olivia Whetung. Whetung wrote Fugitive Dust to accompany Njootli’s solo exhibition I Can’t Make You Those Mitts Because There Is a Hole in My Heart and My Hands Hurt (2018). [7]
In 2017, Njootli earned an M.F.A from the University of British Columbia. [8] In 2016, Njootli completed the Earth Line Indigenous Tattoo training residency. [9]
2018
2016
2015
2014
In 2018, Njootli was the Sobey Art Award Finalist for the West Coast and Yukon categories. [19] In 2017, Njootli was also longlisted for the Sobey Art Award for the West Coast and Yukon categories, [20] and in the same year, awarded the Contemporary Art Society of Vancouver's Artist Prize. [21] In 2016, Njootli was awarded the Hnatyshyn Foundation, William & Meredith Saunderson Prize for Emerging Canadian Artist Lectures, Workshops & Curating. [22]
Vuntut National Park is a national park located in northern Yukon, Canada. It was established in 1995 as part of the Vuntut Gwitchin First Nation Final Agreement, to conserve, protect and present to Canadians a portion of the North Yukon Natural Region, to recognize Vuntut Gwitchin history and culture, and to protect the traditional and current use of the park by the Vuntut Gwitchin. The name Vuntut comes from the Gwichʼin for among the lakes. Fewer than 25 people visit the park each year.
The Vuntut Gwitchin First Nation (VGFN) is a First Nation in the northern Yukon in Canada. Its main population centre is Old Crow. The language originally spoken by the people is Gwichʼin.
Germaine Koh is a Malaysian-born and Canadian conceptual artist based in Vancouver. Her works incorporate the artistic styles of neo-conceptual art, minimalism, and environmental art, and is concerned with the significance of everyday actions, familiar objects and common places.
The Sobey Art Award is Canada's largest prize for young Canadian artists. It is named after Canadian businessperson and art collector Frank H. Sobey, who established The Sobey Art Foundation. It is an annual prize given to an artist 40 and under who has exhibited in a public or commercial art gallery within 18 months of being nominated. A jury consisting of an international juror and representatives of galleries from the West Coast and the Yukon, the Prairies and the North, Ontario, Quebec and the Atlantic Provinces creates a longlist of 25 artists, five from each region. The jury meets to select the winner and four other finalists, one from each region.
Lorraine Peter, is a Canadian politician. She represented the electoral district of Vuntut Gwitchin in the Yukon Legislative Assembly from 2000 to 2006. She was a member of the Yukon New Democratic Party.
The Morris and Helen Belkin Art Gallery is a contemporary art gallery in Vancouver, British Columbia, on the campus of the University of British Columbia. The gallery is housed in a building designed by architect Peter Cardew which opened in 1995. Cardew received a RAIC gold medal for the building's design in 2012. It houses UBC's growing collection of contemporary art as well as archives containing objects and records related to the history of art in Vancouver.
Shary Boyle D.F.A. is a contemporary Canadian visual artist working in the mediums of sculpture, drawing, painting and performance art. She lives and works in Toronto.
Sonny Assu is a Ligwilda'xw Kwakwaka'wakw contemporary artist. Assu's paintings, sculptures, prints, installations, and interventions are all infused with his wry humour which is a tool to open the conversation around his themes of predilections: consumerism, colonization and imperialism.
Abbas Akhavan is a Montreal-based visual artist. His recent work consists of site-specific installations, sculpture, video, and performance, consistently in response to the environment in which the work is created. Akhavan was born in Tehran, Iran in 1977. He received his Bachelor of Fine Arts from Concordia University in 2004 and his Master of Fine Arts from the University of British Columbia in 2006. Akhavan's family immigrated to Canada from Iran during the Iran-Iraq war. His work has gained international acclaim, exhibiting in museums, galleries and biennales all over North America, Europe and the Middle East. He is the recipient of the Kunstpreis Berlin (2012), the Abraaj Group Art Prize (2014), and the Sobey Art Award (2015).
Judy Chartrand is a Cree artist from Manitoba, Canada. She is an artist who grew up in the Downtown Eastside neighbourhood of Vancouver, British Columbia. Her works frequently confront issues of postcolonialism, Indigenous feminism, socio-economic inequity, and Indigenous knowledge expressed through the mediums of ceramics, found objects, archival photography, and traditional Indigenous techniques of beadwork, moose hair tufting and quillwork.
Jennifer Weih is a Canadian artist and educator based in Vancouver, British Columbia. She currently teaches at the Emily Carr University of Art and Design. Weih received her BFA from the Emily Carr University of Art and Design and her MFA from the University of British Columbia. She works in installation, objects, video, and print. Her projects include a range of aesthetics including found, manufactured, or crafted materials. She is part of the production team at Other Sights for Artists' Projects. Weih was a programmer for VIVO Media Arts Centre, which she initiated community oriented projects, and founded Signal and Noise Media Art Festival.
Brenda Draney is a contemporary Cree artist based in Edmonton, Alberta.
Jordan Bennett is a multi-disciplinary artist of Mi'kmaq descent from Stephenville Crossing, Newfoundland, also known as Ktaqamkuk. He is married to Métis visual artist Amy Malbeuf.
Luanne Martineau is a contemporary, multimedia Canadian artist best known for her hand-spun and felted wool sculptures. Her work engages with social satire as well as feminist textile practice.
Tsēma Igharas, formerly known as Tamara Skubovius, is an interdisciplinary artist and member of the Tāłtān First Nation based in Vancouver, British Columbia. Igharas uses Potlatch methodology in making art, to assert the relationships between bodies and the world, and to challenge colonial systems of value and measurement of land and resources.
Zadie Xa is a Korean-Canadian visual artist who combines sculpture, painting, light, sound, video, and performance to create immersive multi-media experiences. Drawing inspiration from fields such as ecology, science fiction, and ancient religions, her work explores how beings imagine and inhabit their worlds. Her work is centered on otherness and is informed by personal experience within the Korean diaspora, as well as by environmental and cultural contexts of the Pacific Northwest.
Gabrielle L'Hirondelle Hill is a Cree and Métis multimedia artist and writer, living and working in Vancouver, British Columbia, Canada. Through creating sculptures, collage, and installation works with found objects, she explores and questions the capitalistic treatment of land as an economic capital, which leads the land contamination and violence against people living on the land. As a member of BUSH Gallery, Hill is also involved in group art projects, through which artists embody the indigenous way of knowing and art practice, as a means of decentralizing Eurocentric theorization of art. Hill was longlisted for the 2019 Sobey Art Award.
Raymond Boisjoly, is an Aboriginal artist of Haida and Québécois origin based in Vancouver, British Columbia, Canada. His practice combines technological processes together with discourse focused on cultural propriety, satire, and poetic texts of mystifying origins. Boisjoly recognizes, emulates, and adapts the ideas and processes of other artists. His artwork leads the viewer to consider or even focus our thinking on how we perceive and accept culture into our lives. He is an assistant professor at the school for the contemporary arts at Simon Fraser University.
Olivia Whetung is a contemporary artist, printmaker, writer, and member of the Curve Lake First Nation and citizen of the Nishnaabeg Nation.
Scott Watson is a Canadian curator, writer, and researcher based in Vancouver, British Columbia. Watson was the Director/Curator of the Morris and Helen Belkin Art Gallery at the University of British Columbia from 1995 to 2021. As faculty in the Department of Art History, Visual Art and Theory at the University of British Columbia, he helped initiate the Critical Curatorial Studies program at UBC in September 2002. Through his research and publications, he has acted as a champion of contemporary Vancouver artists.
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