Jennifer Alleyn (born 1969) is a Canadian artist, filmmaker, writer and photographer who lives and works in Montreal. [1]
Jennifer Alleyn (born 1969) is a Canadian artist, filmmaker, writer and photographer who lives and works in Montreal. [1]
The daughter of artist Edmund Alleyn, [2] she was born in Switzerland. She studied film at Concordia University. Alleyn worked as a journalist for the newspapers Le Devoir , Montreal Gazette and La Presse and for Elle Québec magazine. She travelled around the world while participating in the Radio-Canada television program La Course destination monde . [1]
Alleyn wrote and directed a segment "Aurore et Crépuscule" of the 1996 film Cosmos ; [3] Cosmos was included in the Directors' Fortnight at Cannes. [4] Her 2003 film Svanok was awarded the prize for best short fiction film by the Association québécoise des critiques de cinéma. [5]
In 2006, she made a film about her father L’atelier de mon père, sur les traces d’Edmund Alleyn; the film was named best Canadian film at the International Festival of Films on Art in Montreal and also received a Prix Gémeaux. She directed the 2010 film Dix fois Dix about painter Otto Dix, which received the Prix Tremplin pour le monde ARTV. [6]
In 2018, she directed and produced Impetus, a hybrid drama feature described by Denis Villeneuve as " Playful like a Godard or Varda film. Brilliant and moving". The film premiered at Slamdance, Utah and Torino, Italy. Alleyn was awarded the 2019 PRIX CREATION, by the Observatoire du Cinéma au Québec for "her outstanding contribution to Quebec cinema".
The history of cinema in Quebec started on June 27, 1896 when the Frenchman Louis Minier inaugurated the first movie projection in North America in a Montreal theatre room. However, it would have to wait until the 1960s before a genuine Quebec cinema industry would emerge. Approximately 620 feature-length films have been produced, or partially produced by the Quebec film industry since 1943.
Micheline Lanctôt is a Canadian actress, film director, screenwriter, and musician.
Marie Lise Monique Émond, better known as Monique Mercure, was a Canadian stage and screen actress. She was one of the country's great actors of the classical and modern repertory. In 1977, Mercure won a Cannes Film Festival Award and a Canadian Film Award for her performance in the drama film J.A. Martin Photographer.
Léa Pool C.M. is a Canadian and Swiss filmmaker who taught film at the Université du Québec à Montréal. She has directed several documentaries and feature films, many of which have won significant awards including the Prize of the Ecumenical Jury, and she was the first woman to win the prize for Best Film at the Quebec Cinema Awards. Pool's films often opposed stereotypes and refused to focus on heterosexual relations, preferring individuality.
Michel Brault, OQ was a Canadian cinematographer, cameraman, film director, screenwriter, and film producer. He was a leading figure of Direct Cinema, characteristic of the French branch of the National Film Board of Canada in the 1960s. Brault was a pioneer of the hand-held camera aesthetic.
The Rendez-vous Québec Cinéma is a festival created in 1982 to celebrate the cinematographic production of Quebec, Canada.
CINEMANIA Film Festival is a French-language film festival with English subtitles that takes place in Montreal. It is the most important event fully dedicated to francophone cinema in North-America.
Gilles Carle, was a French Canadian director, screenwriter and painter.
Pierre Perrault was a Canadian documentary film director with the National Film Board of Canada. Over his 40-year career, he directed 32 films and was one of Canada's most important filmmakers, although he is largely unknown outside of Québec.
Noémie Lvovsky is a French film director, screenwriter, and actress.
Monia Chokri is a Canadian actress and filmmaker.
Cosmos is a Canadian drama film, released in 1996. Written and directed by Jennifer Alleyn, Manon Briand, Marie-Julie Dallaire, Arto Paragamian, André Turpin and Denis Villeneuve, the film is an anthology of six short films, one by each of the credited directors, linked by the common character of Cosmos, a Greek immigrant working as a cab driver in Montreal.
It's Only the End of the World is a 2016 drama film written, directed and edited by Xavier Dolan. The film is based on the 1990 play of the same name by Jean-Luc Lagarce and stars Gaspard Ulliel, Nathalie Baye, Marion Cotillard, Léa Seydoux, and Vincent Cassel. It is about a young playwright who reunites with his family after a 12-year absence to inform them he is going to die.
Quebec City Film Festival is a film festival held annually in September in Quebec City, Quebec, Canada. It screens short and feature films and premieres movies from all over the world.
Nelly is a 2016 Canadian biographical-drama film directed by Anne Émond and starring Mylène Mackay as Nelly Arcan, an award-winning Canadian author and former sex worker who committed suicide in 2009. The film is based on some of Arcan's own writings, including her book Putain.
Laure Calamy is a César Award-winning French film, TV and theatre actress best known for her roles in Call My Agent! and My Donkey, My Lover & I.
Brigitte Poupart is a Canadian actress and filmmaker. She is most noted for her performance in the film Ravenous and for directing the 2012 film Over My Dead Body.
Kuessipan is a Canadian drama film, directed by Myriam Verreault and released in 2019. An adaptation of Naomi Fontaine's eponymous novel, the script was co-written by Fontaine and Verreault. Its plot centres on Mikuan and Shaniss, two young Innu women in Uashat-Maliotenam, whose friendship is strained when Mikuan falls in love with a white man and plans to move away.
Goddess of the Fireflies is a Canadian drama film, directed by Anaïs Barbeau-Lavalette and released in 2020. An adaptation of the novel by Geneviève Pettersen, the film centres on the coming of age of Catherine, a teenage girl living in a small town in Quebec in the early 1990s.
Edmund Alleyn had an art career that underwent many stylistic changes. He explored various styles of painting including abstraction, narrative figuration, technology and pop art, as well as different media. Critics feel that his inability to be categorized marks him as contemporary. Even more important, they say that he helped remove excessive compartmentalization from art practice.
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