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Jennifer Nehrbass (born 1970) is an Albuquerque-based mixed media artist, with a focus on collage and painting.
Born in West Bend, Wisconsin, Neherbass received a BS in art and textile design from the University of Wisconsin, an MA in painting from New York University and an MFA from the University of New Mexico. [1] Before committing to her art career, she worked at Ralph Lauren as a Design Director for a decade, which has influenced her practice. Her work lives in numerous private collections throughout the United States and Europe. Her work is included in the Elizabeth A. Sakler Center for Feminist Art: Feminist Art Base at the Brooklyn Museum. [2]
West Bend is the county seat of Washington County, Wisconsin, United States, in southeastern Wisconsin. As of the 2010 census, the population was 31,078.
A Bachelor of Science is an undergraduate academic degree awarded for completed courses that generally last three to five years, or a person holding such a degree.
A Master of Arts is a person who was admitted to a type of master's degree awarded by universities in many countries, and the degree is also named Master of Arts in colloquial speech. The degree is usually contrasted with the Master of Science. Those admitted to the degree typically study linguistics, history, communication studies, diplomacy, public administration, political science, or other subjects within the scope of the humanities and social sciences; however, different universities have different conventions and may also offer the degree for fields typically considered within the natural sciences and mathematics. The degree can be conferred in respect of completing courses and passing examinations, research, or a combination of the two.
Nehrbass is currently represented by Central Features Contemporary Art in Albuquerque, NM, Goodwin Fine Art in Denver, CO, and Brunnhofer Galerie in Linz, Austria.
Founded in 2014 by Nancy Zastudil, Central Features Contemporary Art is a contemporary art gallery located in downtown Albuquerque, New Mexico. The gallery exhibits a range of visual media but its focus is on the importance of art-making and the roles artists play in environmental and social issues. The gallery participates in Albuquerque’s creative economy by partnering with local artists and businesses to present events and programs that highlight collaboration including an artist-led dinner with Dig & Serve, On the Map: Unfolding Albuquerque Art + Design, and PhotoSummer. Included in the Central Features exhibition program is Pacific Exhibits, a downtown Albuquerque window exhibition space dedicated to showcasing local artists.
Her work is in many private collections in the United States as well as Europe. Recently her work was included into the Elizabeth A. Sackler Center for Feminist Art :Feminist Art Base at the Brooklyn Museum.
Her art work functions somewhere between reality and fantasy, and is often referred to as surrealism. She makes collages, oil paintings and cameos, which are also oil on canvas but their distinct shape references the Victorian era. In addition to making collages, her figurative oil paintings emulate collage because the subjects appear to be cut from the surface. [3] The independent, yet sensual, female figure is often the central focus in Nehrbass' work. [4] Her Cameos are inspired by Margaret Atwood's book, The Penelopiad , and a Victorian obsession with sex and death. [5]
Margaret Eleanor Atwood is a Canadian poet, novelist, literary critic, essayist, inventor, teacher and environmental activist. She has published seventeen books of poetry, sixteen novels, ten books of non-fiction, eight collections of short fiction, eight children's books, and one graphic novel, as well as a number of small press editions in poetry and fiction. Atwood and her writing have won numerous awards and honors including the Man Booker Prize, Arthur C. Clarke Award, Governor General's Award, Franz Kafka Prize, and the National Book Critics and PEN Center USA Lifetime Achievement Awards. Atwood is also the inventor and developer of the LongPen and associated technologies that facilitate the remote robotic writing of documents.
The Penelopiad is a novella by Margaret Atwood. It was published in 2005 as part of the first set of books in the Canongate Myth Series where contemporary authors rewrite ancient myths. In The Penelopiad, Penelope reminisces on the events of the Odyssey, life in Hades, Odysseus, Helen of Troy, and her relationships with her parents. A Greek chorus of the twelve maids, whom Odysseus believed were disloyal and whom Telemachus hanged, interrupt Penelope's narrative to express their view on events. The maids' interludes use a new genre each time, including a jump-rope rhyme, a lament, an idyll, a ballad, a lecture, a court trial and several types of songs.
Georgia Totto O'Keeffe was an American artist. She was best known for her paintings of enlarged flowers, New York skyscrapers, and New Mexico landscapes. O'Keeffe has been recognized as the "Mother of American modernism".
The Dinner Party is an installation artwork by feminist artist Judy Chicago. Widely regarded as the first epic feminist artwork, it functions as a symbolic history of women in civilization. There are 39 elaborate place settings arranged along a triangular table for 39 mythical and historical famous women. Sacajawea, Sojourner Truth, Eleanor of Aquitaine, Empress Theodora of Byzantium, Virginia Woolf, Susan B. Anthony, and Georgia O'Keeffe are among the symbolic guests.
Wangechi Mutu is a prominent international contemporary visual artist known primarily for her painting, sculpture, film and performance work. Born in Kenya, she has lived and established her career in New York for over twenty years. Mutu's work has directed the female body as subject through collage painting, immersive installation, and live and video performance all the while exploring questions of self-image, gender constructs, cultural trauma and environmental destruction.
Amy Sillman is an American painter. Her artistic practice also includes drawings, cartoons, collage, iPhone video, and zines. She lives with her dog Omar in Brooklyn, where she also maintains a studio. Sillman is Co-chair, Painting at the Milton Avery Graduate School of the Arts at Bard College.
Jaune Quick–to–See Smith, a self-described cultural arts worker, is a Native American visual artist and curator. An enrolled member of the Confederated Salish and Kootenai Tribes, Smith is also of Métis and Shoshone descent. She is also an art educator, art advocate, and political activist. Prolific in her long career, her work draws from a Native worldview and comments on American Indian identity, histories of oppression, and environmental issues.
Jennifer Losch Bartlett is an American artist. She is known for paintings and prints that combine the system-based aesthetic of Conceptual art with the painterly approach of Neo-expressionism. Many of her pieces are executed on small, square, enamel-coated steel plates that are combined in grid formations to create very large works.
Anne Ryan (1889–1954) belonged to the early generation of New York School Abstract Expressionist artists. Her first contact with the New York Avant-garde came in 1941 when she joined the Atelier 17, a famous printmaking workshop that the British artist Stanley William Hayter had established in Paris in the 1930s and then brought to New York when France fell to the Nazis. The great turning point in Anne Ryan's development occurred after the war, in 1948. She was 57 years old when she saw the collages of Kurt Schwitters at the Rose Fried Gallery, in New York City, in 1948. She right away dedicated herself to this newly discovered medium. Since Anne Ryan was a poet, according to Deborah Solomon, in Kurt Schwitters’s collages “she recognized the visual equivalent of her sonnets – discrete images packed together in an extremely compressed space.” When six years later Anne Ryan died, her work in this medium numbered over 400 pieces.
Miriam Schapiro was a Canadian-born artist based in the United States. She was a painter, sculptor, printmaker, and a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. She incorporated craft elements into her paintings due to their association with women and femininity. Schapiro’s work touches on the issue of feminism and art: especially in the aspect of feminism in relation to abstract art. Schapiro honed in her domesticated craft work and was able to create work that stood amongst the rest of the high art. These works represent Schapiro’s identity as an artist working in the center of contemporary abstraction and simultaneously as a feminist being challenged to represent women’s "consciousness" through imagery. She often used icons that are associated with women, such as hearts, floral decorations, geometric patterns, and the color pink. In the 1970s she made the hand fan, a typically small woman's object, heroic by painting it six feet by twelve feet. "The fan-shaped canvas, a powerful icon, gave Schapiro the opportunity to experiment... Out of this emerged a surface of textured coloristic complexity and opulence that formed the basis of her new personal style. The kimonos, fans, houses, and hearts were the form into which she repeatedly poured her feelings and desires, her anxieties, and hopes". Miriam Schapiro's estate is exclusively represented by the Eric Firestone Gallery in New York.
Joan Snyder,, is an American painter from New York. She is a MacArthur Fellow, a Guggenheim Fellow, and a National Endowment for the Arts Fellow.
Nancy Grossman is an American artist. Grossman is best known for her wood and leather sculptures of heads.
Frances Kornbluth was an American abstract expressionist painter.
Judith Bernstein is a New York artist best known for her phallic drawings and paintings. Bernstein uses her art as a vehicle for her outspoken feminist and anti-war activism, provocatively drawing psychological links between the two. Her best-known work features her iconic motif of an anthropomorphized screw, which has become the basis for a number of allegories and visual puns. During the beginning of the Feminist Art Movement, Bernstein was a founding member of the all-women's cooperative A.I.R. Gallery in New York.
Miriam Schaer is an artist working in the media of artists' books, installation, printmaking, collage, photography, and video.
Elizabeth Ann Sackler is an American public historian and arts activist. She is the founder of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.
Karen Heagle is an American artist, known for autobiographical and art historical subject matter. Her work comments on contemporary culture through a queer perspective with a focus on feminist agendas. She received a BFA from the University of Wisconsin–Stout, and an MFA in Painting from Pratt Institute. She also attended Skowhegan School of Painting and Sculpture. Past notable solo exhibitions include, Let Nature Take Its Course and Hope It Passes at I-20 in 2011, and Battle Armor at Churner and Churner in 2013. Recent group exhibitions include, Interior Dialogue at Sargent's Daughters, and Paper at the Saatchi Gallery in 2013.
Julia Kunin is an American sculpture and video artist. She was born in Vermont, and lives and works in Brooklyn, New York. Her work is inspired by organic forms, undersea creatures, and interior spaces, with a focus on the female body. She graduated from Rutgers University (M.F.A.) in 1993 and Wellesley College (B.A.) in 1984, and attended the Skowhegan School of Painting and Sculpture. Her work has been featured in ARTnews, House and Garden, The Brooklyn Rail, and in Harmony Hammond's book Lesbian Art in America.
Katie Vida is an American interdisciplinary artist, curator and arts educator based in Brooklyn, New York. She is best known for her performance art, installation art and sound art but also known to create paintings and sculptures.
Helen Gorrill is a British artist, curator, feminist and art historian. She was awarded a Doctorate in contemporary British Painting in 2017, co-supervised by the Royal College of Art. Her PhD thesis "The Gendered Economic and Symbolic Values in Contemporary British Painting" was subsequently acquired by the prestigious publishers I.B. Tauris/Bloomsbury.
Clarity Haynes is an American artist and writer. She was born in 1971 in McAllen, TX, and currently lives and works in New York, NY. Haynes is best known for her paintings of torsos.