Jennifer Sakai is an artist, fine art photographer, [1] [2] [3] MFA professor at American University, [4] [5] and independent curator [6] based in Washington, D.C.
In 2025, her project "When We Return Home" detailed her Japanese family's incarceration in Poston War Relocation Center during World War II and their post war life, along with her own photography. Her project was featured in Le Monde’s M Magazine, which included an interview interview by Claire Guillot. [7] [8] Her work has also appeared in W [9] and Vogue. [10] Jennifer is featured in the inaugural issue of The Photographer [11] to debut November 2025 at Paris Photo in Paris France. [12] She is the curator and designer of The Road, a book of photographs by punk musician Brian Baker (musician). [13] published by Akashic Books. [14]
Sakai’s work has been exhibited at: Addison/Ripley Fine Art (2025), Artsy [15] (2023), Glen Echo Park (Maryland) (2022), Corcoran Gallery of Art (2017), and Photo London at Somerset House in May 2023. [16]
In 2024, Sakai received the Prix Virginia, the Biennial International Prize for Photography for women, for When We Return Home. [17] [18] She also received an Aperture Foundation Creator Lab Prize for her photography practice. [19] [20] She is a member of Women Photograph, an international US-based non-profit supporting women and nonbinary visual journalists. [21] In 2025 she was.a selected artist for Women Artists of the DMV, a multi-venue exhibition featuring the work of over 400 women artists from the District, Maryland and Virginia area curated by Florencio Campello. [22] [23]
She was a selected artist for the Charcoal Chico review in 2020 and 2021 [24] and in 2003 was a prize winner in the LensCulture New Discoveries in ArtPhotography. [25]
Sakai has received grants from the DC Commission on the Arts and Humanities for her photographic practice. [26] [27] [28] She received her MFA from VCUarts, Virginia Commonwealth University [29] and studied chromogenic printing with George Nan. [30]
As an independent museum curator, she curated The Gifts of Tony Podesta (2019), [31] Border Wall (2020), [32] and Vertiginous Matter (2022) at American University Katzen Arts Center. [33] [34] The latter named one of the year's top eight local photography exhibits by Washington City Paper . [35]