Jephthes, sive Votum [lower-alpha 1] (translated into English as Jephtha, or the Vow) is a tragedy by Scottish historian and humanist scholar George Buchanan first published in 1554. Based on the biblical account of Jephthah and the sacrifice of his daughter in the Book of Judges, Buchanan wrote the play while he was a teacher in France.
In the prologue, an angel explains how Israel has incurred the wrath of God and is like "a horse which must suffer the bit and spur it will remember its duty." [2] He announces Israel's victory over Ammon; [3] the Israelites are led by the God-fearing Jephthah, who vows while returning home from the war [3] to "make a burnt offering to Jehovah of whomever comes out first to meet him from his house." [4]
Realising his error after he is first greeted by his daughter, Jephthah has to choose between saving her life and honouring his vow to God. Although Jephthah himself believes that he is obligated to sacrifice his daughter, a priest calls such an action "dreadful" and advises him to change his mind. [5] Jephthah's wife affirms the priest's argument, while adding that sacrificing their daughter would amount to paganism. [6]
Jephthah's daughter is initially anxious to avoid death but she later accepts her fate. At first, she sees it as a matter of filial piety, but she subsequently conceives of her death as Christ-like. [7] Before being sacrificed, she rejects Jephthah's offer to die on her behalf and declares that she will only submit to God's authority. [8] Her throat is slit by the priest and a messenger extols her heroism. [9]
Jephthes, sive Votum was written by George Buchanan between 1539 and 1546, while he was a teacher at the Bordeaux-based College de Guyenne; Buchanan intended for the schoolchildren to perform the play, [10] as part of an annual tradition at the school. [11] Modelled on classical Greek drama, the play largely comprises Latin dialogue written in the iambic trimeter. [12]
The structure of Jephthes takes after that of Iphigenia in Aulis , [11] [13] though its plot is based on the tenth and eleventh chapters of the Book of Judges, which revolve around the head of the Gileadite army, Jephthah, who has to sacrifice his daughter as part of a vow made to God. [4] In Buchanan's play, she is given the name Iphis, an allusion to Iphigenia. [14] Buchanan also invented the character of Storge, Jephthah's wife. [4] Jephthes was first published in Paris in 1554; [15] fourteen editions were published until 1600 in locations like Antwerp (1567), London (1580), and Geneva (1590). [4] [16] An Italian translation by Scipione Bargagli was published in Lucca in 1587. [17]
In Greek mythology, Agamemnon was a king of Mycenae who commanded the Achaeans during the Trojan War. He was the son of King Atreus and Queen Aerope, the brother of Menelaus, the husband of Clytemnestra, and the father of Iphigenia, Iphianassa, Electra, Laodike, Orestes and Chrysothemis. Legends make him the king of Mycenae or Argos, thought to be different names for the same area. Agamemnon was killed upon his return from Troy by Clytemnestra, or in an older version of the story, by Clytemnestra's lover Aegisthus.
John Knox was a Scottish minister, Reformed theologian, and writer who was a leader of the country's Reformation. He was the founder of the Presbyterian Church of Scotland.
Child sacrifice is the ritualistic killing of children in order to please or appease a deity, supernatural beings, or sacred social order, tribal, group or national loyalties in order to achieve a desired result. As such, it is a form of human sacrifice. Child sacrifice is thought to be an extreme extension of the idea that the more important the object of sacrifice, the more devout the person rendering it.
In Greek mythology, Iphigenia was a daughter of King Agamemnon and Queen Clytemnestra, and thus a princess of Mycenae.
Human sacrifice is the act of killing one or more humans as part of a ritual, which is usually intended to please or appease gods, a human ruler, public or jurisdictional demands for justice by capital punishment, an authoritative/priestly figure, spirits of dead ancestors or as a retainer sacrifice, wherein a monarch's servants are killed in order for them to continue to serve their master in the next life. Closely related practices found in some tribal societies are cannibalism and headhunting. Human sacrifice is also known as ritual murder.
In Greek mythology, Atreus was a king of Mycenae in the Peloponnese, the son of Pelops and Hippodamia, and the father of Agamemnon and Menelaus. Collectively, his descendants are known as Atreidai or Atreidae.
A vow is a promise or oath. A vow is used as a promise that is solemn rather than casual.
Jephthah appears in the Book of Judges as a judge who presided over Israel for a period of six years. According to Judges, he lived in Gilead. His father's name is also given as Gilead, and, as his mother is described as a prostitute, this may indicate that his father might have been any of the men of that area. Jephthah led the Israelites in battle against Ammon and, in exchange for defeating the Ammonites, made a vow to sacrifice whatever would come out of the door of his house first. When his daughter was the first to come out of the house, he immediately regretted the vow, which bound him to sacrifice his daughter to God. Jephthah carried out his vow.
George Buchanan was a Scottish historian and humanist scholar. According to historian Keith Brown, Buchanan was "the most profound intellectual sixteenth century Scotland produced." His ideology of resistance to royal usurpation gained widespread acceptance during the Scottish Reformation. Brown says the ease with which King James VII was deposed in 1689 shows the power of Buchananite ideas.
Iphigenia in Aulis or Iphigenia at Aulis is the last of the extant works by the playwright Euripides. Written between 408, after Orestes, and 406 BC, the year of Euripides' death, the play was first produced the following year in a trilogy with The Bacchae and Alcmaeon in Corinth by his son or nephew, Euripides the Younger, and won first place at the City Dionysia in Athens.
"The Physician's Tale" is one of The Canterbury Tales, written by Geoffrey Chaucer in the 14th century.
Iphigenia in Tauris is a reworking by Johann Wolfgang von Goethe of the ancient Greek tragedy Ἰφιγένεια ἐν Ταύροις by Euripides. Euripides' title means "Iphigenia among the Taurians", whereas Goethe's title means "Iphigenia in Taurica", the country of the Tauri.
Scipione, also called Publio Cornelio Scipione, is an opera seria in three acts, with music composed by George Frideric Handel for the Royal Academy of Music in 1726. The librettist was Paolo Antonio Rolli. Handel composed Scipione whilst in the middle of writing Alessandro. It is based on the life of the Roman general Scipio Africanus. Its slow march is the regimental march of the Grenadier Guards and is known for being played at London Metropolitan Police passing out ceremonies.
Jephtha is an oratorio (1751) by George Frideric Handel with an English language libretto by the Rev. Thomas Morell, based on the story of Jephtha in Judges and Jephthes, sive Votum (1554) by George Buchanan. Whilst writing Jephtha, Handel was increasingly troubled by his gradual loss of sight, and this proved to be his last oratorio. In the autograph score, at the end of the chorus "How dark, O Lord, are thy decrees" he wrote "Reached here on 13 February 1751, unable to go on owing to weakening of the sight of my left eye."
Iphigénie is a dramatic tragedy in five acts written in alexandrine verse by the French playwright Jean Racine. It was first performed in the Orangerie in Versailles on August 18, 1674, as part of the fifth of the royal Divertissements de Versailles of Louis XIV to celebrate the conquest of Franche-Comté. Later in December it was triumphantly revived at the Hôtel de Bourgogne, home of the royal troupe of actors in Paris.
Jephté (Jephtha) is an opera by the French composer Michel Pignolet de Montéclair. It takes the form of a tragédie en musique in a prologue and five acts. The libretto, by the Abbé Simon-Joseph Pellegrin, is based on the Biblical story of Jephtha. The oratorio was first performed at the Académie royale de musique, Paris on 28 February 1732. It was the first opera in France using a story from the Bible to appear on a public stage. For this reason, Cardinal de Noailles banned performances of the work for a time. Montéclair made revisions for revivals of the work in March 1732 and April 1737.
In ancient Roman religion and mythology, Mars is the god of war and also an agricultural guardian, a combination characteristic of early Rome. He is the son of Jupiter and Juno, and was pre-eminent among the Roman army's military gods. Most of his festivals were held in March, the month named for him, and in October, the months which traditionally began and ended the season for both military campaigning and farming.
Jephthah's daughter, sometimes later referred to as Seila or as Iphis, is a figure in the Hebrew Bible, whose story is recounted in Judges 11. The judge Jephthah had just won a battle over the Ammonites, and vowed he would give the first thing that came out of his house as a burnt offering to God. However, his only child, an unnamed daughter, came out to meet him dancing and playing a tambourine. She encourages Jephthah to fulfill his vow but asks for two months to weep for her virginity. After this period of time, Jephthah fulfilled his vow and offered his daughter.
The Sacrifice of Iphigenia is a 1968 painting by the Belgian artist Paul Delvaux. Inspired by Iphigenia's sacrifice in Greek mythology, it depicts five people on a boardwalk. In the foreground are three women, two of whom might be the same person who watches herself, and behind them appears to be a scene of human sacrifice where a man overlooks a woman with an exposed breast.
Scipione Bargagli was a Sienese philologist, academician and scholar. He belonged to the Sienese School of philologists.