Jillana (born 1934) is an American ballet dancer and instructor, and a former principal dancer with New York City Ballet.
Jillana was born Jill Zimmerman [1] in Hackensack, New Jersey. She took lessons in tap and ballet dancing as a small child. [2] Jillana attended the School of American Ballet, beginning at age 11, after earning a scholarship. [3] She trained there under George Balanchine. [4] She was recruited by the New York City Ballet (then known as Ballet Society) one year later; when she was thirteen she made her first appearance with the company. [5] At age 17, she was featured in Seventeen magazine, in the January 1952 [6] issue. [7]
After six years of experience with the New York City Ballet company, she was promoted to principal dancer; she continued in this capacity for twenty years. [8] Balanchine created roles for her in many ballets, including Liebeslieder Walzer. [9] [10] [11] [12]
Jillana has danced with a number of partners, including Jacques d'Amboise, [13] Arthur Mitchell, and Edward Villella. Jillana has also performed with other ballet companies including American Ballet Theatre and National Ballet of Washington, D.C. She has appeared on Broadway, in the musical Destry Rides Again, [14] [15] and in a number of television shows, including Noah and the Flood (with choreography by George Balanchine).
Jillana has worked as an instructor at The New York City Ballet, the School of American Ballet and Joffrey School, Paris Opera Ballet and Ballet West. [16] She also taught at the University of California at Irvine and was the director of DanceAspen.
Jillana now runs her own summer dance program, The Jillana School. [17] She sets ballets on companies worldwide for the George Balanchine Trust.
George Balanchine was a Georgian-American ballet choreographer, recognized as one of the most influential choreographers of the 20th-century. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music.
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.
Maria Tallchief (born Elizabeth Marie Tall Chief was a Plains Indian ballerina. She was America's first major prima ballerina and the first Osage Tribe member to hold the rank. Together with choreographer George Balanchine, she is widely considered to have revolutionized ballet.
Suzanne Farrell is an American ballerina and the founder of the Suzanne Farrell Ballet at the Kennedy Center in Washington, D.C.
The School of American Ballet (SAB) is the associate school of the New York City Ballet, a ballet company based at the Lincoln Center for the Performing Arts in New York City. The school trains students from the age of six, with professional vocational ballet training for students aged 11–18. Graduates of the school achieve employment with leading ballet companies worldwide, and in the United States with New York City Ballet, American Ballet Theatre, Boston Ballet, San Francisco Ballet, Miami City Ballet, Pacific Northwest Ballet and Houston Ballet.
Tanaquil Le Clercq was an American ballet dancer, born in Paris, France, who became a principal dancer with the New York City Ballet at the age of nineteen. Her dancing career ended abruptly when she was stricken with polio in Copenhagen during the company's European tour in 1956. Eventually regaining most of the use of her arms and torso, she remained paralyzed from the waist down for the rest of her life.
Melissa Hayden was a Canadian ballerina at the New York City Ballet.
Carolyn George was an American ballerina, photographer, and dance instructor.
Stars and Stripes is a neoclassical ballet choreographed by George Balanchine to music by John Philip Sousa, orchestrated by Hershy Kay. The ballet was made as a tribute to the United States, Balanchine's adopted country. It premiered on January 17, 1958, at the City Center of Music and Drama, danced by the New York City Ballet. It is dedicated to Fiorello La Guardia, former mayor of New York City. The ballet had been revived by multiple ballet companies, and at different special occasions.
Kyra Nichols is an American retired ballet dancer and teacher. She joined the New York City Ballet in 1974 and was promoted to principal dancer in 1979. She is one of the last dancers to have worked with George Balanchine, although he did not create any new work on her. However, she originated roles in several ballets by Jerome Robbins. Nichols retired from performing in 2007, after a 33-year career.
Mozartiana is a ballet choreographed by George Balanchine to Tchaikovsky's Orchestral Suite No. 4, Mozartiana. The current version of the ballet was made for New York City Ballet's Tchaikovsky Festival, and premiered on June 4, 1981, at the New York State Theater. It is considered Balanchine's last major work.
The Four Temperaments or Theme and Four Variations is an orchestral work and ballet by Paul Hindemith. Although it was originally conceived as a ballet for Léonide Massine, the score was ultimately completed as a commission for George Balanchine, who subsequently choreographed it as a neoclassical ballet based on the theory of the four temperaments.
Liebeslieder Walzer is a two-part neoclassical ballet choreographed by George Balanchine to Johannes Brahms' Liebeslieder Waltzes, Op. 52 and Neue Liebeslieder, Op. 65, with original sets and lighting designed by David Hays, and costumes designed by Barbara Karinska. The ballet premiered on 12 November 1960 at the New York City Center, performed by the New York City Ballet.
Who Cares? is a ballet choreographed by George Balanchine to songs by George Gershwin that were orchestrated by Hershy Kay. The ballet is split in two parts, the first danced by an ensemble, and the second focuses on four principal dancers. Who Cares? premiered on February 5, 1970, at the New York State Theater, danced by the New York City Ballet.
Bettijane Sills is an American ballerina. Sills has had a long career in theater and as a soloist in the New York City Ballet. During her career, she danced for both George Balanchine and Jerome Robbins.
Yvonne Mounsey was a South African-American ballet dancer and teacher. Described as "a dancer of glamour, wit, and striking presence," she spent ten years with the New York City Ballet (1949–1959), where she created important roles in the works of George Balanchine and Jerome Robbins.
Patricia Wilde was a Canadian-born ballerina and dance instructor. She was a principal ballerina of New York City Ballet, where she danced every major role in the repertoire, many of them created especially for her by George Balanchine. Following her retirement from NYCB, she became a famed ballet mistress and teacher. In 1982, she was appointed artistic director of Pittsburgh Ballet Theatre where she served until 1997. She is a recipient of the Dance Magazine Award and the 56th Inductee into the National Museum of Dance Hall of Fame. Her biography Wilde Times: Patricia Wilde, George Balanchine and the Rise of New York City Ballet, by Joel Lobenthal was published in 2015 by the University Press of New England.
Gisella Caccialanza was an American prima ballerina and teacher who danced in theater, opera and film productions. She studied ballet under Italian teacher Giovanni Rosi, and then with ballet dancer Enrico Cecchetti at La Scala in Milan, Italy. Caccialanza danced with Viennese choreographer Albertina Rasch, the School of American Ballet, the New Opera Company, and the San Francisco Ballet, with which she later taught and coached.
Francia Russell is the former co-artistic director of Pacific Northwest Ballet and former director of Pacific Northwest Ballet School, from 1977 to 2005. She was a soloist with the New York City Ballet, where she later became ballet master. In 1975, Russell became co-artistic director of Frankfurt Ballet with her husband, Kent Stowell, and in 1977, they accepted the position of artistic directors of Pacific Northwest Ballet in Seattle, Washington. With Stowell, Russell built Pacific Northwest Ballet from a local organization to one of national and international prominence.
Lois Bewley (1934–2012) was an American dancer, choreographer and designer. She studied at the School of American Ballet before joining the Ballet Russe de Monte-Carlo. After touring with the American Ballet Theatre and the dance companies of Alicia Markova and Jerome Robbins, she joined the New York City Ballet in 1960. Regarded as the "clown princess of dance", she co-founded the First Chamber Dance Quartet and choreographed original ballets and dance pieces. She also worked as an opera director, costume designer and set designer.