Jimmy Oliver | |
---|---|
Birth name | James Henry Oliver |
Born | April 28, 1920 Philadelphia, Pennsylvania |
Died | February 4, 2005 84–85) [1] | (aged
Genres | Jazz |
Occupation | Musician |
Instrument | Saxophones |
Years active | 1946-2005 |
James Henry Oliver (1920-2005) was a tenor saxophonist and bandleader based in Philadelphia. Active from the mid-1940s, [2] his bands, including the house band at local venues, featured, among other musicians, Philly Joe Jones, Steve Davis, Red Garland, Johnny Coles [3] Charlie Rice, [4] Sam Reed [5] and Mickey Roker. [6] He has been cited as one of several sax players who influenced John Coltrane. [7]
Turning down the temptation to work in New York, he preferred to play locally in Philadelphia, alongside local jazz stars such as Bootsie Barnes, the Heath Brothers and Philly Joe Jones as well as visiting stars Charlie Parker, Pearl Bailey and Max Roach, [8] and, especially around 1946-47, while in residence at the Zanzibar Café, he was noted for playing "against" visitors Lester Young, Coleman Hawkins, Ben Webster, Dexter Gordon, Illinois Jacquet, Arnett Cobb, George Auld and Charlie Ventura. [9]
On one of his very few known recordings, on September 16, 1950, Oliver sat in for John Coltrane, who was ill, and recorded with the Dizzy Gillespie sextet for Prestige. The album, Prestige 1st Sessions, Vol. 3, released in 1994, features a solo by Oliver on the track "She's Gone Again". [3]
He also appears on Papa Jo Jones' last recording, Our Man, Papa Jo! (1982), with Hank Jones, Major Holley. [10]
John William Coltrane was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.
Paul Laurence Dunbar Chambers Jr. was an American jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, he has become one of the most widely-known jazz bassists of the hard bop era. He was also known for his bowed solos. Chambers recorded about a dozen albums as a leader or co-leader, and over 100 more as a sideman, especially as the anchor of trumpeter Miles Davis's "first great quintet" (1955–63) and with pianist Wynton Kelly (1963–68).
William McKinley "Red" Garland Jr. was an American modern jazz pianist. Known for his work as a bandleader and during the 1950s with Miles Davis, Garland helped popularize the block chord style of playing in jazz piano.
James Edward Heath, nicknamed Little Bird, was an American jazz saxophonist, composer, arranger, and big band leader. He was the brother of bassist Percy Heath and drummer Albert Heath.
Coltrane changes are a harmonic progression variation using substitute chords over common jazz chord progressions. These substitution patterns were first demonstrated by jazz musician John Coltrane on the albums Bags & Trane and Cannonball Adderley Quintet in Chicago. Coltrane continued his explorations on the 1960 album Giant Steps and expanded on the substitution cycle in his compositions "Giant Steps" and "Countdown", the latter of which is a reharmonized version of Eddie Vinson's "Tune Up". The Coltrane changes are a standard advanced harmonic substitution used in jazz improvisation.
Blue Train is a studio album by the jazz saxophonist and composer John Coltrane. It was released through Blue Note Records in January 1958. It is Coltrane's only session as leader for Blue Note. The recording took place at Rudy Van Gelder's studio on September 15, 1957.
Workin' with the Miles Davis Quintet is an album by the Miles Davis Quintet which was released c. January 1960 through Prestige Records. It was recorded in two sessions on May 11 and October 26, 1956 that produced four albums — this one, Relaxin' with the Miles Davis Quintet, Steamin' with the Miles Davis Quintet and Cookin' with the Miles Davis Quintet.
Someday My Prince Will Come is the seventh studio album by Miles Davis for Columbia Records, catalogue CL 1656 and CS 8456 in stereo, released in 1961. Recorded at Columbia's 30th Street Studio in Manhattan, New York City, it marked the only Miles Davis Quintet studio recording session to feature saxophonist Hank Mobley.
Interstellar Space is a studio album by American jazz saxophonist John Coltrane, featuring drummer Rashied Ali. It was recorded in 1967, the year of his death, and released by Impulse! Records in September 1974.
This article presents the discography of the American jazz saxophonist and bandleader John Coltrane (1926–1967).
First Meditations (for quartet) is an album by John Coltrane recorded on September 2, 1965, and posthumously released in 1977. It is a quartet version of a suite Coltrane would record as Meditations two months later with an expanded group. Along with Sun Ship, recorded a week earlier, First Meditations represents the final recordings of Coltrane's classic quartet featuring pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones.
Cattin' with Coltrane and Quinichette is a studio album by jazz musicians John Coltrane and Paul Quinichette released in October 1959 on Prestige Records. It was recorded at the studio of Rudy Van Gelder in Hackensack, New Jersey, and issued two years after the recording sessions took place, and after Coltrane's Prestige contract had ended.
The John Coltrane Quartet Plays is an album by the jazz musician John Coltrane, recorded in February and May 1965, shortly after the release of A Love Supreme.
Live in Seattle is a live double album by jazz saxophonist John Coltrane, recorded in 1965 and released posthumously in 1971 on the Impulse! label. The album consists of a set played by Coltrane's quartet at The Penthouse on September 30, 1965. Along with the later-released A Love Supreme: Live in Seattle, recorded two days later at the same club, they are the only officially released live recordings of Coltrane's six-piece lineup from late 1965. The original double LP issue was expanded to 2 CDs for the reissue.
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1958, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout.
Calvin "Cal" Massey was an American jazz trumpeter and composer.
This is a timeline documenting events of Jazz in the year 1926.
Vance E. Wilson was an American jazz alto and tenor sax player based in Philadelphia most known for playing lead tenor and alto sax on Clifford Brown's first recording in 1952, The Beginning and the End, as a member of Chris Powell's Five Blue Flames, together with Osie Johnson at a double recording session in Chicago.
Charles R. Rice, better known as Charlie Rice, was an American jazz drummer.
Dewey Bernard Johnson was an American free jazz trumpeter best known for his appearance on John Coltrane's historic recording Ascension.