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Studio glass is the modern use of glass as an artistic medium to produce sculptures or three-dimensional artworks in the fine arts. The glass objects created are intended to make a sculptural or decorative statement, and typically serve no useful function. Though usage varies, the term is properly restricted to glass made as art in small workshops, typically with the personal involvement of the artist who designed the piece. This is in contrast to art glass, made by craftsmen in factories, and glass art, covering the whole range of glass with artistic interest made throughout history. Both art glass and studio glass originate in the 19th century, and the terms compare with studio pottery and art pottery, but in glass the term "studio glass" is mostly used for work made in the period beginning in the 1960s with a major revival in interest in artistic glassmaking.
Susan Charna Rothenberg was an American contemporary painter, printmaker, sculptor, and draughtswoman. She became known as an artist through her iconic images of the horse, which synthesized the opposing forces of abstraction and representation.
Carrie Moyer is an American painter and writer living in Brooklyn, New York. Moyer's paintings and public art projects have been exhibited both in the US and Europe since the early 1990s, and she is best known for her 17-year agitprop project, Dyke Action Machine! with photographer Sue Schaffner. Moyer's work has been shown at the Whitney Biennial, the Museum of Arts and Design, and the Tang Museum, and is held in the permanent collections of the Metropolitan Museum of Art. She serves as the director of the graduate MFA program at Hunter College, and has contributed writing to anthologies and publications like The Brooklyn Rail and Artforum.
Claire Falkenstein was an American sculptor, painter, printmaker, jewelry designer, and teacher, most renowned for her often large-scale abstract metal and glass public sculptures. Falkenstein was one of America's most experimental and productive 20th-century artists.
Karen LaMonte is an American artist known for her life-size sculptures in ceramic, bronze, marble, and cast glass.
Martha Jackson Jarvis is an American artist known for her mixed-media installations that explore aspects of African, African American, and Native American spirituality, ecological concerns, and the role of women in preserving indigenous cultures. Her installations are composed using a variety of natural materials including terracotta, sand, copper, recycled stone, glass, wood and coal. Her sculptures and installations are often site-specific, designed to interact with their surroundings and create a sense of place. Her works often focus on the history and culture of African Americans in the southern United States. In her exhibition at the Corcoran, Jarvis featured over 100 big collard green leaves, numerous carp and a live Potomac catfish.
Joyce J. Scott is an African-American artist, sculptor, quilter, performance artist, installation artist, print-maker, lecturer and educator. Named a MacArthur Fellow in 2016, and a Smithsonian Visionary Artist in 2019, Scott is best known for her figurative sculptures and jewelry using free form, off-loom beadweaving techniques, similar to a peyote stitch. Each piece is often constructed using thousands of glass seed beads or pony beads, and sometimes other found objects or materials such as glass, quilting and leather. In 2018, she was hailed for working in new medium — a mixture of soil, clay, straw, and cement — for a sculpture meant to disintegrate and return to the earth. Scott is influenced by a variety of diverse cultures, including Native American and African traditions, Mexican, Czech, and Russian beadwork, illustration and comic books, and pop culture.
Laylah Ali (born 1968) is a contemporary visual artist known for paintings in which ambiguous race relations are depicted with a graphic clarity and cartoon strip format.
Analia Saban is a contemporary conceptual artist who was born in Buenos Aires, Argentina, but is currently living in Los Angeles, California, United States. Her work takes traditional artistic media such as drawing, painting and sculpture and pushes their limits as a scientific experimentation with art making. Because of her pushing the limits with different forms of art, Saban has taken the line that separated the different art forms and merged them together.
Ann Robinson is a New Zealand studio glass artist who is internationally renowned for her glass casting work. Robinson is a recipient of the ONZM (2001) and a Lifetime Achievement Award by the American Glass Art Society (2006), and is a Laureate of the Arts Foundation of New Zealand (2006).
Anne Arnold, was a sculptor best known for her whimsical life-size and sometimes larger than life-size sculptures of animals and people rendered in wood, ceramic, or softer materials such as canvas and Dynel, and resins.
Gilda Snowden was an African-American artist, educator and mentor from Detroit, Michigan.
Bella Tabak Feldman was an American sculptor. Her work addressed the themes of sexuality, war, and the persistent anxiety of the industrial age. Feldman was known for pioneering the use of glass with steel. Her work has affinities with Surrealism, Post-Minimalism, and the Feminist art movement, although she has no formal affiliation with these. She was a Professor Emeritus at the California College of the Arts. Feldman lived and worked in Oakland, California and in London, England.
JoAnne Carson is an American artist who is known for over-the-top, hybrid works in painting, sculpture and assemblage that freely mix fantasy, illusion and narrative, high and low cultural allusions, and seriocomic intent. She first gained widespread attention in the 1980s for what ARTnews critic Dan Cameron described as "extraordinary painted constructions—kaleidoscopic assemblages chock full of trompe-l’oeil painting, art-history quips, found objects and nostalgic echoes of early modernism." New York Times critic Roberta Smith wrote that Carson's subsequent work progressed methodically into three dimensions, culminating in freestanding botanical sculpture that exuded "giddy beauty" and "unapologetic decorativeness"; her later imaginary landscapes have been described as whimsical spectacles of "Disneyesque horror." Carson has been recognized with a Guggenheim Fellowship, awards from the American Academy of Arts and Letters, American Academy in Rome and National Endowment for the Arts, and Yaddo artist residencies. Her work has been exhibited at institutions including the Whitney Museum of American Art, Museum of Contemporary Art Chicago (MCA), Albright-Knox Gallery, New Orleans Museum of Art, and Institute of Contemporary Art, Philadelphia; it belongs to the public art collections of the Brooklyn Museum of Art, MCA Chicago, Frederick R. Weisman Art Foundation, and Modern Art Museum of Fort Worth, among others.
Amber Cowan is an American artist and educator living and working in Philadelphia. Cowan creates fused and flameworked glass sculptures from cullet and recycled industrial glass.
Elizabeth Bradford is an American artist living in Davidson, North Carolina, best known for her large-scale paintings of landscapes. Her works have been widely exhibited throughout the southeastern United States and are collected in museums and collections, both private and corporate, across the country.
Barbara Noah is an artist who currently works with digital prints and mixed media, with past work in public art, photography, painting, print, and sculpture.
James T. Hubbell was an American visual artist, architect, sculptor, stained-glass designer and founder of the Ilan-Lael Foundation who lived in Santa Ysabel, California. He was best known for designing and building organic-style structures that have been referred to as "hobbit houses", with one such example being his collaboration with Kendrick Bangs Kellogg on the Onion House in Holualoa, Hawaii.
Marlene Rose is an American glass sculptor. She specializes in sandcast glass work, a method inspired by bronze casting, and is a pioneer of the glass art equivalent.
Rox De Luca is an Australian visual artist whose work examines environmental issues and sustainability through sculpture and public art, predominantly made from found plastics. Her work is held by multiple national and regional collections including Artbank, Deakin University Art Collection (Victoria), New England Regional Art Museum, and Edith Cowan University, and at Royal Perth Hospital and University of Sydney Union.
References
- 1 2 Laura Hampson, "Trendsetters: Gallery owner's move to commerce park cuts costs, boosts traffic". palmbeachpost.com. 19 June 2010. Retrieved 10 June 2024.
- 1 2 Jan Tuckwood, "For glass blowing and bronze sculptures,it's the hottest place in town". palmbeachpost.com. 25 March 2017. Retrieved 10 June 2024.
- 1 2 3 Mary Thurwachter, "Moving up: Sculptor and painter JoAnne Berkow". palmbeachpost.com. 27 March 2010. Retrieved 10 June 2021.
- ↑ "Artist blowout, Benzaiten Center for the Arts, Lake Worth Beach". palmbeach.floridaweekly.com. 2 February 2023. Retrieved 10 June 2024.
- ↑ Lona O'Connor, "Glassworks, foundry would anchor Lake Worth's art district". eu.palmbeachpost.com. Retrieved 10 June 2024.
- ↑ Steven J. Smit, "Classical glass". palmbeach.floridaweekly.com. 10 January 2019. Retrieved 10 June 2021.
- ↑ Abramson, Andrew (17 May 2012). "Arts Mecca proposed for West Palm's north end". palmbeachpost.com. Retrieved 10 June 2024.
- ↑ "Artists To Demonstrate Glass Blowing". sun-sentinel.com. 24 February 2016. Retrieved 10 June 2024.
- ↑ Jan Sjostrom, "Benzaiten Center: Artist hub in the making". palmbeachdailynews.com. 25 May 2014. Retrieved 10 June 2024.
- ↑ "JoAnne Berkow to lecture at the Vero Beach Museum of Art Nov. 5". veronews.com. 13 October 2009. Retrieved 10 June 2024.
- ↑ Jane Fetterly, "Authors to discuss reinventing cultural scene, overcoming obstacles". palmbeachdailynews.com. 13 April 2014. Retrieved 10 June 2024.