Joachim Pissarro (born 1959) is an art historian, theoretician, curator, educator, and director of the Hunter College Galleries and Bershad Professor of Art History at Hunter College of the City University of New York. [1] [2] [3] His latest book, authored with art critic David Carrier, is called Wild Art. [4] [5] [6] Pissarro was curator at the Museum of Modern Art's Department of Painting and Sculpture from 2003 to 2007. [7]
Pissarro was born in Caen, Calvados, Normandy. He is the great-grandson of impressionist painter Camille Pissarro. He spent much of his childhood in Suisse Normande with his grandparents surrounded by art and artists. Pissarro studied Philosophy at the Sorbonne and graduated with a M.A. from the Courtauld Institute of Art in London. In 2001, he received his Ph.D from the University of Texas at Austin in History of Art. [8] Pissarro's dissertation was entitled: "Individualism and inter-subjectivity in modernism: two case studies of artistic interchanges. Camille Pissarro (1830–1903) and Paul Cézanne (1839–1906) : Robert Rauschenberg (1925– ) and Jasper Johns (1930– )". [9]
In 1983, Pissarro began working on the Catalogue Raisonné of Camille Pissarro under John Rewald. In 1984, Pissarro was the director of Impressionist modern paintings and sculptures for Phillips Auction House in London. [10] He founded the department of modern Impressionist painting in the department of New York. [10]
Between receiving his Masters and his Ph.D, Pissarro began his teaching career as a visiting lecturer at the University of Texas at Austin. During this time, he also started his career as a curator, being an independent curator at institutions such as the Dallas Museum of Art, the Philadelphia Museum of Art, and the Royal Academy, London. In 1994, Pissarro was named chief curator of the Kimbell Art Museum in Fort Worth, Texas. In 2000, Pissarro began working in New York City as a member of the Advisory Committee on Archives, Library, and Research at the Museum of Modern Art. In 2003, he became curator of the MoMA’s Painting and Sculpture department. He has been an adjunct curator at the MoMA since 2007. Based in New York City for most of his career, Pissarro’s reputation as a highly esteemed art historian has allowed him to work with artists all over the world, contemporary and classical. He continues to work as an independent curator and research consultant. In 2023, Pissarro was named the Cultural Attache of France’s Normandy region.
Pissarro has a teaching career that spans over 35 years, and one that has taken him all over the globe. He has taught History of Art at Yeshiva University; University of Texas (Austin); Queensland Art Gallery in Brisbane, Australia; Melbourne University; and Yale University. He also regularly travels the world to speak and lecture at various Art institutions. Since 2002, Pissarro has been a professor at Hunter College in New York City, where he was a Bershad Professor of Art History, and Director of the Hunter College Art Galleries until 2022. He continues to serve as a thesis advisor.
In 1999 he worked as a visiting lecturer at Sydney University and Melbourne University and ran a seminar on the Asia-Pacific Triennial at the Brisbane Art Gallery. [11]
From 1997 to 2000, Pissarro served as the Seymour H. Knox Jr. Curator of European and Contemporary Art at the Yale University Art Gallery and was adjunct professor in the Department of the History of Art. [12] Exhibits curated while at Yale include Jasper Johns Recent Paintings (with Richard Field and Gary Garrels, 2000); [13] After looking at Chinese Rocks: Brice Marden: Work in Progress (1999); [14] [15] and Post-Modern Transgressions (1999).
Pissarro has had an extensive career as a curator. He has worked for both internationally acclaimed museums and as a self-employed research consultant. He frequently works with contemporary artists, but also draws much inspiration from impressionist artists such as Cezanne, Van Gogh, Monet, and his great-grandfather.
From 1988 to 1993, he was an independent curator with the Dallas Museum of Art, the Philadelphia Museum of Art, and Royal Academy of London. [16] Pissarro served as Chief Curator at the Kimbell Art Museum in Fort Worth, TX from 1994 to 1997. While at the Kimbell, Pissarro curated Matisse and Picasso: A Gentle Rivalry with Yve-Alain Bois. [17]
In 1999 he worked as a visiting lecturer at Sydney University and Melbourne University and ran a seminar on the Asia-Pacific Triennial at the Brisbane Art Gallery. [11]
From 1997 to 2000, Pissarro served as the Seymour H. Knox Jr. Curator of European and Contemporary Art at the Yale University Art Gallery and was adjunct professor in the Department of the History of Art. [16] Exhibits curated while at Yale include Jasper Johns Recent Paintings (with Richard Field and Gary Garrels, 2000); [18] After looking at Chinese Rocks: Brice Marden: Work in Progress (1999); [19] [20] and Post-Modern Transgressions (1999). [21]
Pissarro supervised the first reinstallation of the modern and contemporary collection at the Yale University Art Gallery and focused on the recent history of the Yale School of Art, leading to an exhibition entitled Then and Now and Later (co-curated with Thomas Crow, 1998). The exhibit featured the art of Yale alumni including Dawoud Bey, Gregory Crewdson, John Currin, Ann Hamilton, Roni Horn, Abelardo Morell, Jessica Stockholder, Peter Wegner, and Lisa Yuskavage. [22] [23]
From 2003 to 2007 he served as a curator in painting and sculpture for the Museum of Modern Art in New York City. [24] Notable exhibitions Pissarro curated include Pioneering Modern Painting: Cézanne and Pissarro 1865–1885 (2005) and Out of Time: A Contemporary View (2006, with Eva Respini). [25]
A number of Pissarro's exhibitions have toured nationally and worldwide [25] such as:
Pissarro is the great grandson of Camille Pissarro, [1] [33] [34] a key painter in the Impressionist movement and the only artist to have his work shown at all eight Paris Impressionist exhibitions. Camille Pissarro was a mentor to artists such as Georges Seurat, Paul Cézanne, Vincent van Gogh, and Paul Gauguin. [35]
Pissarro and art critic David Carrier—both with a background in philosophy—co-authored a book called Wild Art (Phaidon Press), which released October 14, 2013. [36] [37] [38]
The book features 10 chapters of about 50 works each showcasing alternative art genres such as street art, food art, minuscule art, ice, and sand sculptures. [4] [39] Carrier and Pissarro explore artwork that has notoriety outside the world of high art and, according to Huck Magazine, argue "for recognition of artwork that is made and displayed far from the beaten track." [40]
Pissarro and Carrier were partly inspired by the exhibition Art in the Streets (2011) at Museum of Contemporary Art, Los Angeles, which was the first time a major art museum in America curated street art and graffiti. [2] [41] [42] They coined the term "wild art" to mean the world of art beyond the established art world. [2] Wild art is the equivalent of what we call wild versus domesticated animals or plants. [2]
Oscar-Claude Monet was a French painter and founder of impressionism painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions of nature, especially as applied to plein air (outdoor) landscape painting. The term "impressionism" is derived from the title of his painting Impression, soleil levant, which was first exhibited in the so-called "exhibition of rejects" of 1874–an exhibition initiated by Monet and like-minded artists as an alternative to the Salon.
Jacob Abraham Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities, ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.
Paul Cézanne was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century, whose work formed the bridge between late 19th-century Impressionism and early 20th century Cubism.
The Ashmolean Museum of Art and Archaeology on Beaumont Street, Oxford, England, is Britain's first public museum. Its first building was erected in 1678–1683 to house the cabinet of curiosities that Elias Ashmole gave to the University of Oxford in 1677. It is also the world's second university museum, after the establishment of the Kunstmuseum Basel in 1661 by the University of Basel.
Post-Impressionism was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne, Paul Gauguin, Vincent van Gogh and Georges Seurat.
Events from the year 1877 in art.
Musée Marmottan Monet is an art museum in Paris, France, dedicated to artist Claude Monet. The collection features over three hundred Impressionist and Post-Impressionist paintings by Claude Monet, including his 1872 Impression, Sunrise. The museum's fame is the result of a donation in 1966 by Michel Monet, Claude's second son and only heir.
John Rewald was an American academic, author and art historian. He was known as a scholar of Impressionism, Post-Impressionism, Cézanne, Renoir, Pissarro, Seurat, and other French painters of the late 19th century. He was recognized as a foremost authority on late 19th-century art. His History of Impressionism is a standard work.
Paul Durand-Ruel was a French art dealer associated with the Impressionists and the Barbizon School. Being the first to support artists such as Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir, he is known for his innovations in modernizing art markets, and is generally considered to be the most important art dealer of the 19th century. An ambitious entrepreneur, Durand-Ruel cultivated international interest in French artists by establishing art galleries and exhibitions in London, New York, Berlin, Brussels, among other places. Additionally, he played a role in the decentralization of art markets in France, which prior to the mid-19th century was monopolized by the Salon system.
The Rouen Cathedral series was painted in the 1890s by French impressionist Claude Monet. The paintings in the series each capture the façade of Rouen Cathedral at different times of the day and year and reflect changes in its appearance under different lighting conditions.
The Impressionists is a 2006 three-part factual docudrama from the BBC, which reconstructs the origins of the Impressionist art movement. Based on archive letters, records and interviews from the time, the series records the lives of the artists who were to transform the art world.
The Fred Jones Jr. Museum of Art is an art museum on the University of Oklahoma campus in Norman, Oklahoma.
Côte des Bœufs at L'Hermitage is an oil-on-canvas landscape painting by the French Impressionist artist Camille Pissarro. It was painted in 1877, and displayed the same year at an exhibition now generally referred to as the third Impressionist exhibition. The picture is large by Pissarro's measure, and he described the effort of painting it as the 'work of a benedictine'. Pissarro was proud of the painting, and it remained in his family's possession until 1913. It presently hangs in the National Gallery, London.
Blanche Hoschedé Monet was a French painter who was both the stepdaughter and the daughter-in-law of Claude Monet.
The Magpie is an oil-on-canvas landscape painting by the French Impressionist Claude Monet, created during the winter of 1868–1869 near the commune of Étretat in Normandy. Monet's patron, Louis Joachim Gaudibert, helped arrange a house in Étretat for Monet's girlfriend Camille Doncieux and their newborn son, allowing Monet to paint in relative comfort, surrounded by his family.
Janice H. Levin (1913–2001) was an American businesswoman and philanthropist and art collector from New York City. She was a patron of the ballet and collected mostly French impressionist paintings. She was a supporter of higher education as well as charities in Israel. She donated many of her paintings to museums.
Skaters in the Bois de Boulogne is an oil-on-canvas landscape painting by the French artist Pierre-Auguste Renoir, created during the winter of 1868. The painting depicts a snowscape with many Parisians, young and old, spending leisure time on a frozen park lake. Due to Renoir's strong dislike of cold temperatures and snow, the piece is one of his few winter landscapes.
Paul-Émile Pissarro, also Paulémile Pissarro or Paul Émile Pissarro was a French impressionist and neo-impressionist painter. He came from the Pissarro family of artists.
The Batignolles group was a group of young avant-garde painters from the end of the 19th century who gathered around Édouard Manet. The group bears its name in reference to the Batignolles district, where the artists used to meet between 1869 and 1875. Many of the artists in the group later became known for the Impressionism movement.
{{cite web}}
: Missing or empty |url=
(help)