Joan Boada | |
---|---|
Born | 1974or1975(age 49–50) Havana, Cuba |
Education | Cuban National Ballet School |
Occupation | ballet dancer |
Career | |
Current group | Boston Ballet II |
Former groups | San Francisco Ballet Cuban National Ballet |
Joan Boada (born 1974or1975 [1] ) is a Cuban retired ballet dancer, teacher and ballet master. His career started at the Cuban National Ballet, where he was promoted to principal dancer at age 16. He defected to France in 1994, then performed with several companies and as a guest, before joining the San Francisco Ballet as a principal dancer in 1999. After he retired from performing in 2016, he worked as a guest teacher and répétiteur. In 2019, he joined the Spanish National Dance Company as ballet master and choreographic assistant. In 2021, he became the artistic director of both Conservatory Ballet and Kirov Academy of Ballet. In 2022, Boada became the associate director of Boston Ballet II.
Boada was born in Havana. [2] He was sent to ballet classes at age nine by his mother, in order to keep him away from the streets. [3] He trained at Cuban National Ballet School under Alicia Alonso. [4] [5]
Boada was chosen to join the Cuban National Ballet by Alonso, who promoted him to principal dancer when he was 16. He was soon cast as Franz in her production of Coppélia , [4] and had also dance with Alonso. [5] In 1994, while the company was touring in Mexico City, Boada defected to France. [5] [6] Following his defection, he joined Jeune Ballet de France, a touring company. He also performed with Roland Petit's Ballet National de Marseille, the Royal Ballet of Flanders and the Australian Ballet, and as a guest artist. [4] [5] He later recalled that he had requested Alonso to let him dance at Jeune Ballet de France, but Alonso refused and said he would not learn anything abroad. [6] Though he could return to Cuba via his French passport, [6] he has not performed in his home country since he was 18. [1]
In 1999, [7] Boada joined the San Francisco Ballet, despite also receiving offers from Paris Opera Ballet and American Ballet Theatre. He had previously performed with the San Francisco Ballet in two galas and in Landar's Études . [5] In early March 2003, it was announced that Boada would be one of four dancers whose contracts would not be renewed, due to budget deficit, though he was expected to continue to perform until the season's conclusion. [8] However, by the end of the month, the decision to dismiss Boada was reversed. [9] The following year, he and Lorena Feijóo won the Isadora Duncan Dance Award for Ensemble Performance, for their performances in Don Quixote . [10]
His repertory in San Francisco include lead roles in full-length classics and works by George Balanchine, Jerome Robbins, Mark Morris, Helgi Tómasson, Christopher Wheeldon and Yuri Possokhov. [4] His role creations include Wheeldon's Within the Golden Hour , [11] Tómasson's 7 for Eight. [7] and On a Theme of Paganini, [12] Possokhov's Magrittomania, [13] Fusion, [14] and Diving into the Lilacs. [15]
In 2016, the 40-year-old Boada retired from the San Francisco Ballet, and stated he wanted to focus on being a ballet master and teacher. In April, a one-night-only program was held to celebrate him, Pascal Molat and Gennadi Nedvigin, two other retiring principal dancers. [1] [13] Though the program was initially reported to be his last performance with the company, [13] he later appeared as Prince Gremin in Cranko's Onegin . [16] In 2017, Boada was one of the Sustained Achievement Honorees at the Isadora Duncan Dance Awards. [17]
After Boada retired from performing, he worked as a guest teacher at various schools, as well as répétiteur at the San Francisco Ballet and Boston Ballet. In 2019, he joined the Spanish National Dance Company as ballet master and choreographic assistant. [18] After a two year stint, [19] he returned to the United States in 2021 to serve as the artistic director of the Reston, Virginia-based Conservatory Ballet. [18] [20] In September that year, he was appointed the artistic director of the Kirov Academy of Ballet in Washington D.C., amid leadership changes and an embezzlement scandal. [18] [21] In November, Kirov announced to parents that it will close in May 2022 for financial reasons. [21] In June 2022, Boada became the associate director of Boston Ballet II, Boston Ballet's second company. [19]
San Francisco Ballet is the oldest ballet company in the United States, founded in 1933 as the San Francisco Opera Ballet under the leadership of ballet master Adolph Bolm. The company is currently based in the War Memorial Opera House, San Francisco, and effective December 2022 under the direction of Tamara Rojo. It is among the world's leading dance companies, presenting more than 100 performances annually, with a repertoire that spans both classical and contemporary ballet. Along with American Ballet Theatre and the New York City Ballet, San Francisco Ballet has been described as part of the "triumvirate of great classical companies defining the American style on the world stage today."
Mansur Kamaletdinov was a Soviet-born ballet dancer, teacher, ballet master and choreographer of classical ballet and classical character dance.
The Isadora Duncan Dance Awards or Izzies honor San Francisco Bay Area dance artists for outstanding achievements in a range of categories including: choreography, sustained achievement, individual performance, company performance, costume design, and set design. The awards are presented annually and named in honor of Isadora Duncan. The awards began in 1986 and were revitalized in 2004 via a partnership with Bay Area National Dance Week after a slump due, in part, to a perceived lack of credibility.
Helgi Tomasson is an Icelandic choreographer, and a former professional ballet dancer. He served as artistic director and principal choreographer for San Francisco Ballet.
Sarah Van Patten is an American ballet dancer. She began an apprenticeship at the Royal Danish Ballet at age 15. In 2001, at age 17, she became the youngest ever dancer to receive a contract at the company. Later that year, she joined the San Francisco Ballet as a soloist, and was promoted to principal dancer in 2007. She retired from ballet in 2022.
Maria Olegovna Kochetkova is a Russian ballet dancer. She was a principal dancer with the San Francisco Ballet between 2007 and 2018, and with the American Ballet Theatre between 2015 and 2017. After that, she became a freelance dancer for several years, before joining the Finnish National Ballet in the 2020/21 season.
Yuan Yuan Tan is a Chinese ballet dancer who was principal dancer with the San Francisco Ballet.
Vanessa Andrea Zahorian is an American retired ballet dancer. She was a principal dancer at the San Francisco Ballet. She is currently one of the artistic directors of Pennsylvania Ballet Academy.
Katita Waldo is a Spanish ballet dancer and ballet master. She joined the San Francisco Ballet in 1988, was promoted to principal dancer in 1994, and retired from performing in 2010, but remains in the company as a ballet master.
Tina LeBlanc is an American ballet dancer, teacher and ballet master. She joined the Joffrey Ballet in 1988. In 1992, she joined the San Francisco Ballet as a principal dancer. She retired in 2009, then joined the faculty of the San Francisco Ballet School, before returning to the San Francisco Ballet as a ballet master in 2019.
Damian Smith is an Australian retired ballet dancer who was a principal dancer at the San Francisco Ballet. He is now the artistic director of The National Ballet school in Melbourne.
Lorena Feijóo is a Cuban former ballet dancer. Her dance career started in 1988 at the Cuban National Ballet, but left Cuba two years later for more opportunities. After stints at Ballet de Monterrey, Royal Ballet of Flanders and Joffrey Ballet, she joined the San Francisco Ballet in 1999 as a principal dancer, and retired in 2017. She then became an associate artistic director of Bay Area Houston Ballet & Theatre. Her sister, Lorna Feijóo, was also a ballet dancer.
Lorna Feijóo is a Cuban former ballet dancer. Her career started at the Cuban National Ballet, where she rose through the ranks. She left Cuba in 2001, then spent two years with the Cincinnati Ballet, before joining the Boston Ballet in 2003, where she remained as a principal dancer until she retired. Her sister, Lorena Feijóo, was also a ballet dancer.
Polyphonia is a one-act ballet choreographed by Christopher Wheeldon to music by György Ligeti, costumes designed by Holly Hynes, and was created for the New York City Ballet. It premiered on January 4, 2001 at the New York State Theater. It is regarded as Wheeldon's breakthrough, and won the Laurence Olivier Award for Best New Dance Production in 2003.
Mathilde Froustey is a French ballet dancer.
Within the Golden Hour is a one-act contemporary ballet choreographed by Christopher Wheeldon, composed by Ezio Bosso and featured music by Antonio Vivaldi. The ballet premiered in 2008 at the War Memorial Opera House, danced by the San Francisco Ballet.
Sandpaper Ballet is a ballet choreographed by Mark Morris to music by Leroy Anderson. It was created for the San Francisco Ballet, and premiered on April 27, 1999, at the War Memorial Opera House.
Julie Diana Hench is an American ballet dancer, teacher, writer and arts administrator. She joined the San Francisco Ballet in 1993, and was promoted to principal dancer in 2000. In 2004, she joined the Pennsylvania Ballet, where she remained until her retirement from performing in 2014, though she remained in the company for another year as a ballet master. In 2015, she became the executive director at Juneau Dance Theatre. In 2017, she was named executive director of the American Repertory Ballet and Princeton Ballet School. She has written for various dance publications.