Joanna Merwood-Salisbury | |
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Academic background | |
Alma mater | Princeton University , Victoria University of Wellington |
Theses |
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Doctoral advisor | Beatriz Colomina |
Other advisors | Alberto Pérez-Gómez |
Academic work | |
Institutions | Victoria University of Wellington |
Joanna Merwood-Salisbury is a New Zealand academic,and is a full professor at the Victoria University of Wellington,specialising in urban American architectural history and the history of interior design.
Merwood-Salisbury was born in Wellington,when her parents were both students at Victoria University of Wellington. [1] Her grandfather was a building contractor and her father worked in the concrete industry,and Merwood-Salisbury wanted to be an architect from childhood. [2] Merwood-Salisbury completed a Bachelor of Architecture at Victoria University of Wellington,at a time when there was less focus on building design and more on the science,performance and construction of buildings. [3] Prompted by the 1992 recesison and encouraged by the newly-arrived Canadian professor Clarence Aasen,who had more of a design focus,Merwood-Salisbury headed overseas to continue her training. [3] [2] She completed a master's of architecture degree at McGill University,with a thesis on French architectural theorist and critic César Daly,supervised by Alberto Pérez-Gómez. [4] This was followed by a PhD from Princeton University under the supervision of Beatriz Colomina,focusing on Chicago skyscrapers and how they changed to public space. [5] [6] Merwood-Salisbury then turned her dissertation into the book Chicago 1890:The Skyscraper and the Modern City. [3]
Although she had originally intended to become a professional architect,Merwood-Salisbury enjoyed academia,and joined the Parsons School of Design in New York in 2003 as an architectural historian. [2] She then became interested in interior design,and its relationship to architecture. [7] [3] [8] Merwood-Salisbury returned to New Zealand to join the faculty of Victoria University of Wellington as Head of the School of Architecture,rising to full professor in 2018. [1]
Merwood-Salisbury's research focuses on the social aspects of building design. She says she is driven by the questions "Why do we design buildings a certain way? Why do we design rooms a certain way? What does it mean socially?”. [3] She has published on 19th and 20th century American urban design but is also interested in the ways in which interior design,personal brands,and modern workplace needs influence architecture,and how material science can influence the materials chosen by building designers. [3] [2]
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: CS1 maint: unflagged free DOI (link)A skyscraper is a tall, continuously habitable building having multiple floors. Modern sources currently define skyscrapers as being at least 100 meters (330 ft) or 150 meters (490 ft) in height, though there is no universally accepted definition, other than being very tall high-rise buildings. Historically, the term first referred to buildings with between 10 and 20 stories when these types of buildings began to be constructed in the 1880s. Skyscrapers may host offices, hotels, residential spaces, and retail spaces.
Philip Cortelyou Johnson was an American architect best known for his works of modern and postmodern architecture. Among his best-known designs are his modernist Glass House in New Canaan, Connecticut; the postmodern 550 Madison Avenue in New York City, designed for AT&T; 190 South La Salle Street in Chicago; the Sculpture Garden of the Museum of Modern Art; and the Pre-Columbian Pavilion at Dumbarton Oaks. In his obituary, The New York Times wrote in January 2005 that his works "were widely considered among the architectural masterpieces of the 20th century."
Fazlur Rahman Khan was a Bangladeshi-American structural engineer and architect, who initiated important structural systems for skyscrapers. Considered the "father of tubular designs" for high-rises, Khan was also a pioneer in computer-aided design (CAD). He was the designer of the Sears Tower, since renamed Willis Tower, the tallest building in the world from 1973 until 1998, and the 100-story John Hancock Center.
In architecture, an atrium is a large open-air or skylight-covered space surrounded by a building. Atria were a common feature in Ancient Roman dwellings, providing light and ventilation to the interior. Modern atria, as developed in the late 19th and 20th centuries, are often several stories high, with a glazed roof or large windows, and often located immediately beyond a building's main entrance doors.
The Wainwright Building is a 10-story, 41 m (135 ft) terra cotta office building at 709 Chestnut Street in downtown St. Louis, Missouri. The Wainwright Building is considered to be one of the first aesthetically fully expressed early skyscrapers. It was designed by Dankmar Adler and Louis Sullivan and built between 1890 and 1891. It was named for local brewer, building contractor, and financier Ellis Wainwright.
The Monadnock Building is a 16-story skyscraper located at 53 West Jackson Boulevard in the south Loop area of Chicago. The north half of the building was designed by the firm of Burnham & Root and built starting in 1891. At 215 feet, it is the tallest load-bearing brick building ever constructed. It employed the first portal system of wind bracing in the United States. Its decorative staircases represent the first structural use of aluminum in building construction. The later south half, constructed in 1893, was designed by Holabird & Roche and is similar in color and profile to the original, but the design is more traditionally ornate. When completed, it was the largest office building in the world. The success of the building was the catalyst for an important new business center at the southern end of the Loop.
Burnham and Root was one of Chicago's most famous architectural companies of the nineteenth century. It was established by Daniel Hudson Burnham and John Wellborn Root.
The Museum of Contemporary Art Cleveland is a contemporary art museum in Cleveland, Ohio, United States. It is the only contemporary art venue of its kind in Metropolitan Cleveland. The organisation was founded by Marjorie Talalay, Agnes Gund, and Nina Castelli Sundell in 1968 and has undergone several name and venue changes in the years following its 1968 founding. Originally known as The New Gallery, the museum was rebranded as the Cleveland Centre for Contemporary Art in 1984. The gallery has operated under its current branding as the Museum of Contemporary Art Cleveland (moCa) since 2002.
Beatriz Colomina is an architecture historian, theorist and curator. She is the founding director of the Program in Media and Modernity at Princeton University, the Howard Crosby Butler Professor of the History of Architecture and director of graduate studies in the School of Architecture.
Carl Wilbur Condit was an American historian of urban and architectural history, a writer, professor, and teacher. He was professor at Northwestern University 1945–82. He wrote numerous books and articles on the history of American building, especially Chicago, Cincinnati, and the Port of New York. He founded the History of Science Department at Northwestern University, where he taught for over 30 years. His research specialty was the architecture of Chicago, Illinois, and he lived in Chicago most of his life, having moved there in 1945 in order to study its urban and technological development.
Jack Lenor Larsen was an American textile designer, author, collector and promoter of traditional and contemporary craftsmanship. Through his career he was noted for bringing fabric patterns and textiles to go with modernist architecture and furnishings. Some of his works are part of permanent collections at prominent museums including Museum of Modern Art, Victoria and Albert Museum, Art Institute of Chicago,Musée des Arts Décoratifs at the Louvre, and the Minneapolis Institute of Art which has his most significant archive.
The Hannah Playhouse is a theatre venue situated on the corner of Courtenay Place and Cambridge Terrace in central Wellington, New Zealand. The Hannah Playhouse was given by Sheilah Winn and named after her grandfather, Robert Hannah, a very successful businessman. It was carefully designed and built to house Downstage Theatre.
Urban planning, also known as town planning, city planning, regional planning, or rural planning in specific contexts, is a technical and political process that is focused on the development and design of land use and the built environment, including air, water, and the infrastructure passing into and out of urban areas, such as transportation, communications, and distribution networks and their accessibility. Traditionally, urban planning followed a top-down approach in master planning the physical layout of human settlements. The primary concern was the public welfare, which included considerations of efficiency, sanitation, protection and use of the environment, as well as effects of the master plans on the social and economic activities. Over time, urban planning has adopted a focus on the social and environmental bottom lines that focus on planning as a tool to improve the health and well-being of people while maintaining sustainability standards. Sustainable development was added as one of the main goals of all planning endeavors in the late 20th century when the detrimental economic and the environmental impacts of the previous models of planning had become apparent. Similarly, in the early 21st century, Jane Jacobs's writings on legal and political perspectives to emphasize the interests of residents, businesses and communities effectively influenced urban planners to take into broader consideration of resident experiences and needs while planning.
Susan Yelavich is a design scholar, critic, curator and professor emerita of design studies at Parsons School of Design, The New School, New York City.
Julieanna Preston is a Professor of Spatial Practice at Massey University's College of Creative Arts in Wellington, New Zealand. Her practice draws from the disciplines of architecture, art and philosophy, and her background in interior design, building construction, landscape gardening and performance writing.
Sarah Treadwell is an artist, architect and academic in New Zealand. She was the first female full-time academic staff member in the School of Architecture and Planning at the Waipapa Taumata Rau the University of Auckland in New Zealand. Her academic career spanned from 1981 to 2017, her year of retirement. Treadwell was Head of School at the School of Architecture and Planning from 2009 to 2012.
Min Hall is a New Zealand architect and academic. She was the first female graduate in architecture at Victoria University of Wellington, in 1979. After practising in Nelson, she moved to lecturing at Unitec Institute of Technology in Auckland. She specialises in sustainable building materials such as earth and straw bales, and environmental issues in architecture. Hall is a Fellow of the New Zealand Institute of Architects.
Sarah Catherine Elizabeth Ross is a New Zealand academic, and is a full professor in the School of English, Film, Theatre, Media and Communication, and Art History at Victoria University of Wellington. Ross is a scholar of Renaissance literature, particularly women's complaint poetry.
Bing Xue is a New Zealand computer scientist, and is a full professor at Victoria University of Wellington, specialising in machine learning, artificial intelligence and data visualisation.
Bethan Kirstie Greener, also known as Beth Greener-Barcham, is a New Zealand academic, and is a full professor at Massey University, specialising in international security. As of 2024 she is the head of the School of People, Environment and Planning.