Joanna Priestley | |
---|---|
Born | |
Nationality | American |
Education | Rhode Island School of Design |
Alma mater | University of California at Berkeley (BFA 1975), California Institute of the Arts (MFA 1985) |
Known for | Filmmaking, animation, teaching, Burning Man events |
Spouse | Paul Harrod |
Website | www |
Joanna Priestley (born November 25, 1950 [1] ) is an American contemporary film director, producer, animator and teacher. Her films are in the collections of the Academy Film Archive [2] in Los Angeles and the Museum of Modern Art in New York. Priestley has had retrospectives at the British Film Institute, [3] Museum of Modern Art [4] and Hiroshima International Animation Festival in Japan. [5] Bill Plympton calls her the "Queen of independent animation". Priestley lives and works in Portland, Oregon.
Priestley was born in Portland, Oregon to Mae Irene and Arthur James Priestley. She grew up in a wooded area near the Willamette River with horses, dogs, a cat and a huge collection of comic books.
Priestley began experimenting with animation early in her life. In an interview with Harvey Deneroff, [6] she explained: "One of the first toys I was given was a zoetrope, which worked on a little turntable and had little zoetrope strips with it. I loved it! I'm sure I became an animator because of that toy. Then I started drawing on the corners of my textbooks in grade school, and later studied art in high school and college, where I specializing in painting and printmaking."
Priestley studied painting and animation at Rhode Island School of Design and received a BFA in Art (with a minor in Art History) from the University of California at Berkeley, graduating with honors. [7] During her final year there she produced thousands of posters used in protests against the Vietnam War and she was the Art Department representative to the Ad Hoc Committee to End the War.
Priestley received a Master of Fine Arts in Experimental Animation from the California Institute of the Arts, where she received the Louis B. Mayer Award. For two years she was the teaching assistant for famed abstract animator Jules Engel. Priestley made the first computer-animated film at Cal Arts, Jade Leaf (1985), using the Cubicomp, early animation hardware that was purchased by Cal Arts in the fall of 1984. Priestley and Engel co-directed Times Square (1986), also using the Cubicomp [8] to generate images and recording them on a 16mm Bolex camera on a tripod, positioned in front of the monitor.
In 1977, Priestley co-founded and co-directed (with Martha Kelley) Strictly Cinema in Bend, Oregon. They presented film festivals in Bend and weekly film screenings at Bend and Redmond High Schools. She became the regional coordinator, editor of The Animator and coordinator of the Northwest Film and Video Festival at the Northwest Film Center at the Portland Art Museum from 1978 to 1983. Gene Youngblood, one of the jurors of the Northwest Film and Video Festival, encouraged her to apply to Cal Arts, which she did in 1983. In 1988, Priestley founded ASIFA-Northwest with Marilyn Zornado. This ASIFA chapter included the northwest region of the United States which comprised Portland, Seattle, Vancouver B.C., and the areas in between. Priestley was president of ASIFA-NW for four years. The organization is now known as ASIFA-Portland.
In 1985 she founded her own company, Priestley Motion Pictures, where she has directed, produced and animated 31 short films, [9] the IOS app Clam Bake (2014) and the award winning abstract feature film North of Blue [10] ,. Animated Women: Joanna Priestley, [11] a short documentary with three of Priestley's films, was broadcast on PBS and BBC2 in 1995–96. Priestley has directed animation segments for Sesame Street ("“The Lumps: Rejection Victories” and “The Lumps: Social Skills”, 1990), and directed and animated music video sequences for Tears for Fears (“Sowing the Seeds of Love”, 1988) and Joni Mitchell (“Good Friends”, 1985) and a PBS series title: “Making Peace” (1996). After directing and producing short films from 1979 to 2015, Priestley made an abstract feature film, North of Blue , which premiered at the Annecy International Animation Festival [12] in France in June, 2018. North of Blue has won multiple awards, including Best Experimental Film at the Indie Film Awards (Amsterdam, the Netherlands), Best Animated Film at the Yosemite International Film Festival (CA, USA), [13] Best Feature Film at the Los Angeles Animation Festival (CA, USA) [14] and Best Sound Design Award and Best Feature Original Score Award at the Local Sightings Film Festival, NW Film Forum (Seattle, WA, USA). [15]
Joanna Priestley is featured as one of six interviewees in Martin Cooper's feature documentary History, Mystery & Odyssey: The Lives and Work of Six Portland Animators (2023). The other interviewees are Joan C. Gratz, Jim Blashfield, Chel White, Rose Bond and Zak Margolis. [16] The film premiered at the 2023 Ottawa International Animation Festival. [17]
Priestley has received fellowships from Creative Capital, National Endowment for the Arts (USA), [18] American Film Institute (USA), [19] Fundación Valparaíso (Spain), Millay Colony (USA), Klondike Institute of Art and Culture (Canada) [20] and the Caldera Arts Foundation (USA). She was awarded the 2007-08 Media Arts Fellowship from the Regional Arts and Culture Council [21] and her films are in the permanent collection of the Museum of Modern Art (New York, NY, USA), the Academy Film Archive (Los Angeles, CA, USA) and the Library of Congress (Washington DC, USA).
Priestley's influences include Hilma af Klint, Mary Ellen Bute, Jane Aaron, David Hockney, Evelyn Lambart, Norman McLaren, Jules Engel, Len Lye and Antoni Gaudi. She has taught animation, portfolio design and cinema history at the Northwest Film Center/Portland Art Museum, Pacific Northwest College of Art, Art Institute of Portland and Volda University College (Volda Norway) as well as teaching animation workshops throughout the US and in Canada, Germany and Norway. She is an active proponent of animation as an art form and has worked throughout her career to improve the status and exposure of animation in academia, museums, galleries and the media worldwide. Priestley has presented two papers at the Society for Animation Studies Conference, including "Creating a Healing Mythology: The Art of Faith Hubley" in 1992, which was published in the Spring 1994 issue of Animation Journal. [22]
Priestley has been an active member of the Academy of Motion Picture Arts and Sciences since 1992 and the Short Films and Feature Animation Executive Committee (2018 to 2022). She has served on the board of the Regional Arts and Culture Council and been a member of the Public Art Committee in Portland, Oregon.
Priestley's interests include hiking, medicinal herbalism and designing and producing performative events for Burning Man [61] and All Hallows Eve. [62] She is married to award winning animation director and production designer Paul Harrod ( Isle of Dogs , [63] Wendell & Wild , [64] and The PJs [65] ).
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Candyjam is a 1988 7 minute 35mm short animated film animated collaboration by ten animators from four countries produced and directed by Joanna Priestley and Joan C. Gratz. The animation was made with clay painting, drawings, puppets and object animation.
Pro and Con is a 1993 9-minute 16mm short animated film produced, directed and animated by Joanna Priestley and Joan C. Gratz using drawings on paper, pixillated hands and object animation. The "Pro" section of the film was written by Barbara Carnegie and Joanna Priestley and narrated by Lt. Janice Inman. The "Con" section was written by Jeff Green and narrated by Allen Nause. The sound was designed and produced by Lance Limbocker and Chel White with music by Chel White. Pro and Con was commissioned through the Metropolitan Arts Commission's Percent for Art Program in Multnomah County, Oregon.
Grown Up is a 1993 7 minute 16mm short animated film by Joanna Priestley, using drawings on paper, pixellated hands and object animation. The film was written by Barbara Carnegie and Joanna Priestley, and directed, produced, and animated by Priestley.
Cristóbal León and Joaquín Cociña are Chilean stop-motion animators and filmmaker duo. They live and work in Santiago de Chile, and have been working together since 2007. Independent of each other, they make drawings, animations, installations as well as backdrops and they also write texts. Their work often finds direct or indirect inspiration in children's literature, using and resituating their narratives and visual aesthetics. In 2018, they premiered their first feature fiction film, The Wolf House.
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The Rubber Stamp Film is a 1983 7 minute 16mm short animated film by Joanna Priestley, using rubber stamped images and drawings on paper. The film was directed, produced, and animated by Priestley with sound designed and produced by R. Dennis Wiancko.
The Dancing Bulrushes is a 1985 5-minute 16mm short animated film by Joanna Priestley, and Steven Subotnick using sand on top glass, directly under the camera.
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North of Blue is a 2018 American animated feature film directed, produced and animated by Joanna Priestley with a score by Jamie Haggerty. It is an abstract, experimental film that was inspired by the winter landscapes of the far north.
Voices is a 1985 four-minute 16 mm short animated film directed produced and animated by Joanna Priestley with sound design and production by R. Dennis Wiancko. It was made with ink, watercolor, and pastel drawings/paintings on paper.
Missed Aches is a 2009 16mm short 2D animated film directed, produced and animated by Joanna Priestley. It was narrated by Taylor Mali and is based on his poem “The Impotence of Proofreading”, with sound design by Normand Roger and Pierre Yves Drapeau, music by Pierre Yves Drapeau with Denis Chartrand and Normand Roger, text animation by Brian Kinkley, character design and animation by Don Flores and storyboards by Dan Schaeffer.