Joanne McNeil is an American writer, [1] [2] editor, and art critic known for her personal essays on technology. She has written a non-fiction book on internet culture and a fiction novel. [3] [4]
McNeil founded and edited the now-defunct blog, The Tomorrow Museum, before becoming the editor of Rhizome at the New Museum, in 2011. [5] She held the position through 2012, when she edited The Best of Rhizome 2012, published through LINK Editions/LINK Center for the Arts. [6] [7] She has contributed to Frieze, Los Angeles Times, Wired, and the Boston Globe. She currently maintains a column called Speculations for Filmmaker Magazine. [8]
McNeil was part of two panels on the New Aesthetic: one called "The New Aesthetic" at SXSW 2012 and a follow-up called "Stories from the New Aesthetic" at the New Museum. [9] [ citation needed ] McNeil was an Eyebeam resident. [10] [11] In 2015, McNeil was the inaugural recipient of the Thoma Foundation Digital Arts Writing Award for an emerging arts writer who has made significant contributions to the intersection of art and technology. [12]
In 2020, McNeil published the non-fiction book Lurking: How a Person Became a User. The book provides a critical history of the Internet from the perspective of its users. [13] In 2023, she published her first fiction novel, Wrong Way, which centers around a gig worker employed by a company deploying a fleet of autonomous vehicles. [14]
Yael Kanarek is an Israeli American artist based in New York City that is known for pioneering use of the Internet and of multilingualism in work of art.
Marisa Olson is an artist, writer, curator, and former punk singer. In 2004 she auditioned for popular American television show American Idol as an artistic project. Over the course of three months of daily "training exercises," it is revealed that she is critiquing gender norms entrenched by the show, while also using the popularity of her site to speak to readers about using their voice to vote in elections as well as on the show.
Steve Lambert is an American artist who works with issues of advertising and the use of public space. He is a founder of the Anti-Advertising Agency, an artist-run initiative which critiques advertising through artistic interventions, and of the Budget Gallery which creates exhibitions by painting over outdoor advertisements and hanging submitted art in its place. Lambert's artistic practice includes drawing, performance, intervention, culture jamming, public art, video, and internet art. He has worked with the Graffiti Research Lab, Glowlab, and as a senior fellow at Eyebeam.
Rhizome is an American not-for-profit arts organization that supports and provides a platform for new media art.
Margot Lovejoy was a digital artist and historian of art and technology. She was Professor Emerita of Visual Arts at the State University of New York at Purchase. She was the author of Digital Currents: Art in the Electronic Age. Lovejoy was the recipient of a 1987 Guggenheim Fellowship and a 1994 Arts International Grant in India.
The Free Art and Technology Lab a.k.a. F.A.T. Lab was a collective of artists, engineers, scientists, lawyers, and musicians, dedicated to the merging of popular culture with open source technology. F.A.T. Lab was known for producing artwork critical of traditional Intellectual Property Law in the realm of new media art and technology. F.A.T. Lab has historically created work intended for the public domain, but has also released work under various open licenses. Their commitment is to support "open values and the public domain through the use of emerging open licenses, support for open entrepreneurship and the admonishment of secrecy, copyright monopolies and patents. F.A.T. Lab's mission has been approached through various methods of placing open ideals into the mainstream popular culture, including work with the New York Times, MTV, the front page of YouTube and in the Museum of Modern Art permanent collection."
Christiane Paul is Curator of Digital Art at the Whitney Museum of American Art and Professor Emerita in the School of Media Studies at The New School. She is the author of the book Digital Art, which is part of the 'World of Art' series published by Thames & Hudson.
Internet art is a form of new media art distributed via the Internet. This form of art circumvents the traditional dominance of the physical gallery and museum system. In many cases, the viewer is drawn into some kind of interaction with the work of art. Artists working in this manner are sometimes referred to as net artists.
Jamie Wilkinson is an internet culture researcher and software engineer. Wilkinson started Know Your Meme, a database of viral internet memes whilst working at Rocketboom in New York City. Wilkinson also co-founded VHX, a digital distribution platform targeting independent filmmakers, which was acquired by Vimeo in May 2016.
Amanda McDonald Crowley is a New York-based Australian curator and arts administrator who has created exhibitions and events focused on new media art, contemporary art, and transdisciplinary work. She has served as the executive director of Eyebeam Art + Technology Center in New York City and as the artistic director at the Bemis Center for Contemporary Arts in Omaha, Nebraska.
Benton C Bainbridge is an American artist known for new media art including single channel video, interactive artworks, immersive installations and live visual performances with custom digital, analog and optical systems of his own design.
Post-Internet is a 21st-century art movement involving works that are derived from the Internet or its effects on aesthetics, culture and society.
Lindsay Howard is an American curator, writer, and new media scholar based in New York City whose work explores how the internet is shaping art and culture.
Kristin Lucas is a media artist who works in video, performance, installation and on the Internet. Her work explores the impacts of technology on humanity, blurring the boundary between the technological and corporeal. In her work she frequently casts herself as the protagonist in videos and performances where her interactions with technology lead to isolation, and physical and mental contamination.
Morehshin Allahyari is an Iranian media artist, activist, and writer based in New York. Her work questions current political, socio-cultural, and gender norms, particularly exploring the relationship between technology, history, and art activism. Allahyari’s artworks include 3D-printed objects, videos, experimental animation, web art, and publications. As a 2017 Research Resident at Eyebeam, Allahyari also worked on the concept of "Digital Colonialism"; a term she has coined since 2015.
Paul Soulellis is an American graphic designer, artist, and educator. His writings and work in the field of experimental publishing and network culture are cited in influential scholarly research. His publications are collected and exhibited worldwide and on the internet. He works in New York City and Providence, Rhode Island.
Nora Nahid Khan is a Warwick, Rhode Island-born American writer of fiction, non-fiction, and literary criticism. She was previously on the Faculty at the Rhode Island School of Design in Digital and Media. In 2022, she was appointed the executive director of Project X Foundation for Art & Criticism.
RaFia Santana is a non-binary American artist, musician, and performer based in Brooklyn, NY. Her work ranges from animated gifs to self-portraiture, videos, and performance to editioned clothing and electronic music exploring gentrification, the millennial mindset, mental health, and the lived black experience. They use the internet as a medium to share their artwork, empower black and brown communities, and challenge ideas of solidarity and alliance. She had exhibitions and/or performances at the Eyebeam, AdVerse Fest, SleepCenter, Times Square Arts, International Center of Photography, Schomburg Center for Research in Black Culture, Babycastles, Museum of the Moving Image and Museum of Contemporary African Disaporan Arts, Roots & Culture amongst many notable venues. Her work has been featured in publications such as Huffington Post, HyperAllergic, Rhizome, ArtFCity, Vogue, Teen Vogue and Salon. They have participated in panels, performances and discussions such as Cultured Magazine, "Late at Tate Britain", Creative Tech Week NYC, Afrotectopia at Google NYC, NYU, "Black Portraitures IV: The Color of Silence" at Harvard University and International Center for Photography. Their music is released through Never Normal Records.
Shawné Michaelain Holloway is a Chicago-based American new media artist and digital feminist whose practice incorporates sound, performance, poetry, and installation with focuses in new media art, feminist art, net art, digital art. Holloway engages with the rhetoric of technology and sexuality to excavate the hidden architectures of power structures and gender norms.