New York Dolls is the debut album by the American hard rock band New York Dolls. It was released on July 27, 1973, by Mercury Records. In the years leading up to the album, the Dolls had developed a local fanbase by playing regularly in lower Manhattan after forming in 1971. However, most music producers and record companies were reluctant to work with them because of their vulgarity and onstage fashion as well as homophobia in New York; the group later appeared in exaggerated drag on the album cover for shock value.
Acid Eaters is the thirteenth studio album by the American punk rock band Ramones.
David Roger Johansen is an American singer, songwriter and actor. He is best known as a member of the seminal proto-punk band the New York Dolls. He is also known for his work under the pseudonym Buster Poindexter, and for playing the Ghost of Christmas Past in Scrooged.
XXX is the thirteenth studio album by the American rock band ZZ Top, released in September 1999. The album's title commemorates the band's 30th anniversary.
Done with Mirrors is the eighth studio album by American rock band Aerosmith, released on November 4, 1985. It marked the return to the band of guitarists Joe Perry, who left in 1979 and Brad Whitford, who departed in 1981. The band's first album on Geffen Records, it was intended as their ‘comeback’. However, the record failed to live up to commercial expectations despite positive reviews.
L.A.M.F. is the only studio album by the American punk rock band The Heartbreakers, which included Johnny Thunders, Jerry Nolan, Walter Lure and Billy Rath. It was released on October 3, 1977 by the British independent record label Track Records, and the music of the album is a mixture of punk and rock and roll.
So Alone is the debut solo studio album by Johnny Thunders, then leader of the Heartbreakers and formerly lead guitarist for New York Dolls. The album was released on 6 October 1978 and was produced by Thunders and Steve Lillywhite. So Alone was preceded by the singles "Dead or Alive" and "You Can't Put Your Arms Round A Memory", the former originally being omitted from the album and later included as a bonus track on the 1992 reissue. The album featured Heartbreakers-members Walter Lure and Billy Rath, as well as several guest musicians, including Phil Lynott, Steve Marriott, Paul Gray, Peter Perrett, Steve Jones, Paul Cook, Mike Kellie, Patti Palladin, and Chrissie Hynde.
Sorry Ma, Forgot to Take Out the Trash is the first studio album by the American band The Replacements. It was released on August 25, 1981 by Twin/Tone Records. Squarely inspired by punk rock, the album stands in contrast to the more creatively diverse power pop and indie rock styles on later albums.
Too Much Too Soon is the second album by the American hard rock band New York Dolls. It was released by Mercury Records on May 10, 1974, and recorded earlier that year at A&R Studios in New York City. Dissatisfied with the recording of their 1973 self-titled debut album, the Dolls' lead singer David Johansen enlisted veteran producer Shadow Morton to produce the sessions. Morton, who had been disenchanted by the music industry, found renewed motivation in the band's energy and undertook the project as a challenge.
Live at Max's Kansas City is a live album by The Heartbreakers. Recorded at a "reunion"/"farewell" show on September 16, 1978 at the famous Max's Kansas City nightclub, the album's performance — loud, sloppy, and laden with bawdy introductions and/or lyric changes to many of the familiar songs from their only studio album, L.A.M.F. — further cemented the band's live reputation. A classic of early punk rock, the album has been called "probably the best official document of any New York band of the era."
Happy Hour is an album by Ted Hawkins. It was released in 1986.
Joe "King" Carrasco is a Tex-Mex new wave guitarist, vocalist and songwriter currently based in Puerto Vallarta, Mexico.
Yachts were a British power pop/new wave band, best remembered for their 1977 single "Suffice to Say" and the minor new wave classic "Love You, Love You".
Chuck Berry's Golden Decade is a compilation of music by Chuck Berry, released in three volumes in 1967, 1973, and 1974. Covering the decade from 1955 to 1964, each volume consists of a two-LP set of 24 songs recorded by Berry. The first volume reached number 72 on Billboard's Pop Albums chart. The second volume peaked at number 110. The third volume, which included only two hit singles among its tracks, did not chart.
Big Smash! is the third album by the British musician Wreckless Eric. It was released as a double LP and as a cassette on 29 February 1980.
The Rhythms and Ballads of Broadway is a double album by American pop singer Johnny Mathis that was released in September 1960 by Columbia Records. Despite the order of the words in the title, the ballads actually make up sides one and two while the uptempo numbers fill sides three and four.
The Nervous Eaters, one of Boston's first punk rock / rock and roll bands with Steve Cataldo on vocals and guitar, Robb Skeen on bass, and Jeff Wilkinson on drums. Forming in 1973 they had used the name some years earlier, but had not performed live under it. As the Rhythm Assholes, they had backed local rock legend Willie Alexander on his single "Kerouac" and in concert. After a name change, they made their debut at the hub of the city's alternative music scene, the Rathskeller—known as the Rat—in March 1976. Their first single, "Loretta", appeared later that year on the club's Rat label.
Infliction is the debut studio album by Northern Irish rock band Scheer. It was released on 28 May 1996 through 4AD record label. The album became a minor alternative hit following the release of the singles "Shéa" and "Wish You Were Dead".
Charlie Pickett is an American singer and guitarist, known as frontman for rock bands from Florida, most notably in the 1980s. In Rolling Stone, David Fricke described Pickett's music as "a brawling-roots mix of Johnny Thunders, Sun Records and trailer park Lou Reed in Florida bars."
Synapse Gap (Mundo Total) is an album by Joe "King" Carrasco & the Crowns, released in 1982.
