Gunbalanya is an Aboriginal Australian town in west Arnhem Land in the Northern Territory of Australia, about 300 kilometres (190 mi) east of Darwin. The main language spoken in the community is Kunwinjku. At the 2021 Australian census, Gunbalanya had a population of 1,177.
Bininj Kunwok is an Australian Aboriginal language which includes six dialects: Kunwinjku, Kuninjku, Kundjeyhmi, Manyallaluk Mayali (Mayali), Kundedjnjenghmi, and two varieties of Kune. Kunwinjku is the dominant dialect, and also sometimes used to refer to the group. The spellings Bininj Gun-wok and Bininj Kun-Wok have also been used in the past, however Bininj Kunwok is the current standard orthography.
The Kunwinjku people are an Australian Aboriginal people, one of several groups within the Bininj people, who live around West Arnhem Land to the east of Darwin, Northern Territory. Kunwinjku people generally refer to themselves as "Bininj" in much the same way that Yolŋu people refer to themselves as "Yolŋu".
Kunwinjku is a dialect of Bininj Kunwok, an Australian Aboriginal language. The Aboriginal people who speak Kunwinjku are the Bininj people, who live primarily in western Arnhem Land. As Kunwinjku is the most widely spoken dialect of Bininj Kunwok, 'Kunwinjku' is sometimes used to refer to Bininj Kunwok as a whole. Kunwinjku is spoken primarily in the west of the Bininj Kunwok speaking areas, including the town of Gunbalanya, as well as outstations such as Mamardawerre, Kumarrirnbang, Kudjekbinj and Manmoyi.
The Fralin Museum of Art is an art museum at the University of Virginia. Before 2012, it was known as the University of Virginia Art Museum. It occupies the historic Thomas H. Bayly Building on Rugby Road in Charlottesville, Virginia, a short distance from the Rotunda. The museum's permanent collection consists of nearly 14,000 works; African art, American Indian art, and European and American painting, photography, and works on paper are particularly well represented. The Fralin serves as a teaching museum for academic departments in the university, and serves the community at large with several outreach programs. Admission is free of charge and open to the public.
Injalak Arts, formerly known as Injalak Arts and Crafts, is a non-profit, community-owned Aboriginal art centre located in Gunbalanya, around 300 km (190 mi) east of Darwin in West Arnhem Land in the Northern Territory of Australia. It was incorporated in 1989. It is known for artists working in a primarily figurative style, and continuing and developing the West Arnhem rock art tradition. It is also known for pandanus weavings. Artists are mostly Kunwinjku people; however, artists from many language groups across Arnhem Land are represented.
Bardayal "Lofty" Nadjamerrek was a Kunwinjku Aboriginal artist of the Mok clan. He belonged to the Duwa moiety and spoke the Kundedjnjenghmi language. He is currently referred to by his skin and clan as "Wamud Namok", following the Kunwinjku custom of avoiding use of the name of deceased persons.
Bobby Barrdjaray Nganjmirra was a Kunwinjku Aboriginal artist of the Djalama clan and Yirridjdja moiety.
The Bininj are an Aboriginal Australian people of Western Arnhem land in the Northern Territory. The sub-groups of Bininj are sometimes referred to by the various language dialects spoken in the region, that is, the group of dialects known as Bininj Kunwok; so the people may be named the Kunwinjku, Kuninjku, Kundjeyhmi (Gundjeihmi), Manyallaluk Mayali, Kundedjnjenghmi and Kune groups.
Marrnyula Mununggurr (1964) is an Aboriginal Australian painter of the Djapu clan of the Yolngu people, known for her use of natural ochres on bark and hollow logs, wood carvings, linoleum and screen print productions.
Barbara Mbitjana Moore is an Anmatyerre woman who grew up in Ti-Tree in the Northern Territory, moving later to Amata in South Australia's Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. In April 2003, Moore began painting at Amata's Tjala Arts, and, since then, has received widespread recognition. Moore won a National Aboriginal & Torres Strait Islander Art Award in 2012 and has been a finalist in many other years. Moore has also been a finalist for the Wynne Prize.
Nyapanyapa Yunupingu was an Australian Yolngu painter and printmaker who lived and worked in the community at Yirrkala, Arnhem Land, in the Northern Territory. Yunupingu created works of art that drastically diverge from the customs of the Yolngu people and made waves within the art world as a result. Due to this departure from tradition within her oeuvre, Yunupingu's work had varying receptions from within her community and the broader art world.
Gabriel Maralngurra is an artist from the Ngalangbali clan Kunwinjku artist in West Arnhem Land. As an Aboriginal artist, he is well-known and respected within his community for the wide range of responsibilities he takes on. His artwork is displayed in various collections including the Australian Museum, Museum Victoria, and the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia.
Thompson Yulidjirri (1930-2009) was an Aboriginal Australian artist of the Kunwinjku people of western Arnhem Land in the Northern Territory of Australia. Yulidjirri was renowned for his wide knowledge of ancestral creation narratives and ceremony, his painting skills and mentorship of young artists at the Injalak Arts and Crafts centre.
Peter Marralwanga (1916–1987), also known as Djakku, was an Aboriginal Australian artist known for his paintings. He was a member of the Kardbam clan of the Bininj people, and spoke the Kuninjku language. In addition to being a ceremonial leader, Marralwanga also helped found the Marrkolidjban outstation near Maningrida in 1972, with the help of artists Yirawala, Mick Mandayngu and Curly Barrkadubu. For most of his life, Marralwanga lived at the remote outstation, but briefly lived at the government settlement at Maningrida.
Wukun Wanambi was an Australian Yolngu painter, filmmaker and curator of the Marrakulu clan of northeastern Arnhem Land, Northern Territory.
Mick Kubarkku (c.1922-2008) was regarded as a prominent Aboriginal Australian artist most associated with Kuninjku modernism.
A memorial pole, also known as hollow log coffin, burial pole, lorrkkon, ḻarrakitj, or ḏupun, is a hollow tree trunk decorated with elaborate designs, made by the Yolngu and Bininj peoples of Arnhem Land in the Northern Territory of Australia. Originally used to hold the bones of deceased people or for burial ceremonies, they are now made as works of art. The permanent exhibit at the National Gallery of Australia, Aboriginal Memorial, consists of 200 hollow log coffins, created by 43 artists.
Graham Badari is an Aboriginal Australian artist from the Wardjak clan in West Arnhem Land. Graham Badari belongs to the Duwa moeity and speaks the Kunwinjku dialect. At Injalak Arts, Badari is a popular figure, a tour guide, and a font of community news. Art historian Henry Skerritt describes him as possessing a "impish smile and cheeky sense of humour" and a "unique and eccentric personality"
Baluka Maymuru is an Aboriginal Australian artist from Yirrkala, Australia. He is the son of artist Näyin' Maymuru. Baluka is the head of the Manggalili clan.
