Johanna Koslowsky is a German soprano and vocal coach in the field of historically informed performance.
A soprano[soˈpraːno] is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano.
Historically informed performance is an approach to the performance of classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived.
Koslowsky began her vocal training with Hilde Wesselmann in Essen. [1] After graduation, she studied church music at the Hochschule für Musik Köln. She continued her studies with Bornemann in Hannover, Michaela Krämer in Düsseldorf and René Jacobs in Basel.
Essen is the central and second largest city of the Ruhr, the largest urban area in Germany. Its population of 583,393 makes it the ninth largest city of Germany, as well as the fourth largest city of the federal state of North Rhine-Westphalia. On the Ruhr and Emscher rivers, Essen geographically is part of the Rhineland and the larger Rhine-Ruhr Metropolitan Region. The Ruhrdeutsch regiolect spoken in the region has strong influences of both Low German (Westphalian) and Low Franconian.
René Jacobs is a Belgian musician. He came to fame as a countertenor but in recent years has become renowned as a conductor of Baroque and early Classical opera.
She specializes in music before 1800 and is a permanent member of the vocal ensemble Cantus Cölln. [1] She is married to Konrad Junghänel, the conductor. The group appeared together with the ensemble Akademie für Alte Musik Berlin, Musica Alta Ripa, Musica Antiqua Köln, Musica Fiata and Sequentia. Their interpretations have been aired by numerous domestic and foreign radio stations, and they have made numerous recordings. Besides her work as a soloist, she is also active as a voice teacher.
Konrad Junghänel is a German lutenist and conductor in the field of historically informed performance, the founder and director of the vocal ensemble Cantus Cölln.
Akademie für Alte Musik Berlin is a German chamber orchestra founded in East Berlin in 1982. Each year Akamus gives circa 100 concerts, ranging from small chamber works to large-scale symphonic pieces in Europe's musical centers as well as on tours in Asia, North America and South America.
Musica Alta Ripa is a musical ensemble from Hanover, specializing in Baroque music on period instruments.
Collegium Vocale Köln is a German vocal ensemble, founded in 1966 as a quintet when its members were still students at the Rheinische Musikschule in Cologne. It is directed by Wolfgang Fromme, who also sings tenor in the ensemble. They are best known as the group for which Karlheinz Stockhausen composed Stimmung in 1968, a work which they had performed more than three hundred of times throughout the world by 1986. The original impetus for the ensemble's founding, however, was an appearance by Alfred Deller at the Cologne Courses for Early Music, and the group has always performed both early and contemporary works.
Johanna Doderer is an Austrian composer.
Elisabeth Scholl is a German soprano and academic teacher.
Wang Ying is a Chinese composer.
Susanne Regel is a German oboist working as solo artist and with international ensembles. She specializes in baroque oboe, the classical oboe, and the romantic oboe. Regel also teaches at several universities in Germany.
Elena Mendoza is a Spanish composer of contemporary music and musical theatre.
Georg Poplutz is a German tenor, a soloist in Baroque music, opera and oratorio, and a Lied singer. He has been a member of vocal ensembles such as Johann Rosenmüller Ensemble and Cantus Cölln, and has participated in a project to record the complete works of Heinrich Schütz.
Stephan Schreckenberger is a German bass singer and conductor, especially in the field of early music. From 2003, he has been a teacher at the Hochschule für Musik und Darstellende Kunst Frankfurt, and from 2011 the director of the festival Weilburger Schlosskonzerte.
Elisabeth Popien is a German alto singer.
Constanze Backes is a classically trained German soprano in opera and concert. She has toured throughout Europe and performed in many classical genres but over the last few years has focused primarily on Early music. In addition she teaches children music technique and has translated musical works.
Britta Schwarz is a German contralto from Neubrandenburg, Mecklenburg-Vorpommern. Between 1980 and 1983 she studied vocals at the Hochschule für Musik "Hanns Eisler" under Christa Niko, and then studied at the Hochschule für Musik Carl Maria von Weber with Christian Elßner and Hartmut Zabel. She has performed with notable orchestras such as the Dresden Staatskapelle, Dresdner Philharmonie, Berliner Philharmoniker, Concertgebouw Orchestra Amsterdam and Academy of St Martin-in-the-Fields, and conductors such as Kent Nagano, Marek Janowski, Milan Horvat, Michel Plasson, Jörg-Peter Weigle and Philippe Herreweghe. Her singing is mainly centred on Baroque music, and is an interpreter of J. S. Bach. She has sung with ensembles such as the Akademie für Alte Musik Berlin, Freiburger Barockorchester, Musica Antiqua Köln, and Cantus Cölln.
Imke David is a German viol player, author, Professor and Ensemble-Member.
Lioba Braun is a German opera singer and academic teacher at the Hochschule für Musik und Tanz Köln and the Hochschule für Musik und Theater München. Based at the Nationaltheater Mannheim, she has appeared mostly in mezzo-soprano parts at major opera houses and festivals. She became internationally known appearing as Brangäne at the Bayreuth Festival in 1994, and performed the soprano part of Isolde on stage first in 2012.
Mechthild Bach is a German soprano and a professor at the Hochschule für Musik Trossingen.
Hedwig Fassbender is a German operatic mezzo-soprano and academic voice teacher. She has appeared in leading roles at major European opera houses, including some soprano roles such as Wagner's Isolde and Sieglinde.
Eva Rieger is a German musicologist. After Sophie Drinker, Rieger was the first in the world to work on the social and cultural history of women in music culture. Together with the German-Swiss patron Mariann Steegmann, Rieger developed the idea of a foundation for the advancement of women in music and art, the Mariann-Steegmann-Foundation. In 2012, she was appointed Honorary Senator of the Hochschule für Musik und Theater Hamburg.
Konstantía Gourzí is a Greek composer and conductor. She is professor of ensemble conducting and new music at the University of Music and Performing Arts Munich.
Rolf Riehm is a German composer who wrote stage and orchestral works as well as music for ensembles and solo instruments. He began as an oboist and music teacher and was later a professor of music theory at the Hochschule für Musik und Darstellende Kunst Frankfurt am Main for several years.
The German National Library is the central archival library and national bibliographic centre for the Federal Republic of Germany. Its task is to collect, permanently archive, comprehensively document and record bibliographically all German and German-language publications since 1913, foreign publications about Germany, translations of German works, and the works of German-speaking emigrants published abroad between 1933 and 1945, and to make them available to the public. The German National Library maintains co-operative external relations on a national and international level. For example, it is the leading partner in developing and maintaining bibliographic rules and standards in Germany and plays a significant role in the development of international library standards. The cooperation with publishers has been regulated by law since 1935 for the Deutsche Bücherei Leipzig and since 1969 for the Deutsche Bibliothek Frankfurt.