Johannes Leisentritt, also Johann Leisentrit (May 1527 – 24 November 1586) was a Catholic priest, dean of St. Peter in Bautzen and administrator of the Diocese of Meißen, responsible for Lusatia. He is known for publishing a 1567 hymnal.
Johannes Leisentritt, also Johann Leisentrit (May 1527 – 24 November 1586) was a Catholic priest, dean of St. Peter in Bautzen and administrator of the Diocese of Meißen, responsible for Lusatia. He is known for publishing a 1567 hymnal.
Born in Olmütz to a family of craftsmen, Leisentritt studied theology in Krakau and was consecrated as a priest in March 1549. [1] He was from 1559 dean of the collegiate St. Peter in Bautzen. [2] Bishop John IX of Haugwitz made him the Generalkommissar der Ober- und Niederlausitz, responsible for Lusatia, for both Catholics and Protestants. When the Diocese of Meißen became Protestant that year. Leisentritt was appointed by the pope as administrator of the diocese.
Leisentritt died in Bautzen and was buried in St. Peter, the Bautzen Cathedral. [3]
Leisentritt is known for the publication of the 1567 hymnal Geistliche Lieder und Psalmen der Alten Apostolischer recht und warglaubiger Christlicher Kirchen (Spiritual songs and psalms of the old apostolic true believers of Christian churches). It is regarded as a substantial hymnal of the Counter Reformation, containing 250 hymns with 181 melodies. Several come from Protestant sources. 70 new songs are probably written by Leisentritt. [1] [4]
The Erfurt Enchiridion is the second Lutheran hymnal. It appeared in 1524 in Erfurt in two competing editions. One of them contains 26 songs, the other 25, 18 of them by Martin Luther, others by Elisabeth Cruciger, Erhard Hegenwald, Justus Jonas and Paul Speratus. While the songs of the Enchiridion could be used in churches, they were intended primarily for singing elsewhere, such as at home, at court, and in guild meetings.
Gottfried Vopelius, was a German Lutheran academic and hymn-writer, mainly active in Leipzig. He was born in Herwigsdorf, now a district of Rosenbach, Oberlausitz, and died in Leipzig at the age of 70.
Eyn geystlich Gesangk Buchleyn, was the first German hymnal harmonised for choir, published in Wittenberg in 1524 by Johann Walter who collaborated with Martin Luther. It contains 32 sacred songs, including 24 by Luther, in settings by Walter for three to five parts with the melody in the tenor. Luther wrote a preface for the part books. The collection has been called the root of all Protestant song music.
"O Lamm Gottes, unschuldig" is an early Lutheran hymn, with text and melody attributed to Nikolaus Decius. Originally intended as a German version of the Latin Agnus Dei, it was instead used as a Passion hymn. In both contexts, the hymn has often been set to music, prominently as the cantus firmus in the opening chorus of Bach's St. Matthew Passion. It is included in most German hymnals, and has been translated by Catherine Winkworth, among others.
"Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt" is a Lutheran hymn in ten stanzas by Martin Luther for communion, first published in 1524 in the Erfurt Enchiridion. It is one of Luther's hymns which he wrote to strengthen his concepts of reformation. The models for the text and the melody of Luther's hymn existed in early 15th-century Bohemia. The text of the earlier hymn, "Jesus Christus nostra salus", goes back to the late 14th century. That hymn was embedded in a Hussite tradition.
"Heut triumphieret Gottes Sohn" is a Lutheran hymn for Easter. Kaspar Stolzhagen published the hymn in 1592, and its setting by Bartholomäus Gesius was published in 1601. The hymn was adopted in several hymnals, including the Evangelisches Gesangbuch. Composers such as Johann Sebastian Bach based compositions on its hymn tune.
Christoph Knoll was a German theologian and hymn writer.
Neues Geistliches Lied, abbreviated NGL, is a music genre of songs in German intended for church usage, and based on contemporary lyrics and with music by contemporary composers.
"Herr Jesu Christ, wahr Mensch und Gott" is a Lutheran hymn by Paul Eber. It is a hymn for the dying. One of the hymn's tunes, Zahn No. 423, is also used for "Wir danken dir, Herr Jesu Christ".
"Was mein Gott will, das g'scheh allzeit" is a Lutheran hymn in German. The text from c. 1550 is attributed to Albert, Duke of Prussia. The melody, Zahn No. 7568, goes back to a tune by Claudin de Sermisy, written in 1529 for a secular French song. The hymn has belonged to core Lutheran hymnody without interruption and is part of the Protestant hymnal Evangelisches Gesangbuch as EG 364.
"Nun lasst uns Gott dem Herren" is a Lutheran hymn of 1575 with words by Ludwig Helmbold. It is a song of thanks, with the incipit: "Nun lasst uns Gott dem Herren Dank sagen und ihn ehren". The melody, Zahn No. 159, was published by Nikolaus Selnecker in 1587. The song appears in modern German hymnals, including in the Protestant Evangelisches Gesangbuch as EG 320.
"An Wasserflüssen Babylon" is a Lutheran hymn by Wolfgang Dachstein, which was first published in Strasbourg in 1525. The text of the hymn is a paraphrase of Psalm 137. Its singing tune, which is the best known part of the hymn and Dachstein's best known melody, was popularised as the chorale tune of Paul Gerhardt's 17th-century Passion hymn "Ein Lämmlein geht und trägt die Schuld". With this hymn text, Dachstein's tune is included in the Protestant hymnal Evangelisches Gesangbuch.
"Die güldne Sonne voll Freud und Wonne" is a Lutheran hymn by Paul Gerhardt. It is a morning hymn which was first published in 1666, with a four-part setting by Johann Georg Ebeling. Gerhardt created an unusual hymn metre for its 12 stanzas.
"Macht hoch die Tür" is a popular German Advent hymn, written in 17th century Ducal Prussia. The lyrics were written by Georg Weissel in 1623 for the inauguration of the Altroßgärter Kirche in Königsberg. The melody that is now associated with the text appeared first in 1704 in the hymnal by Johann Anastasius Freylinghausen.
"Ich steh an deiner Krippen hier" is a German Christmas hymn, with lyrics by Paul Gerhardt which were first published in 1653. It was then sung with an older melody by Martin Luther, but a melody which was likely created by Johann Sebastian Bach for Schemellis Gesangbuch of 1736 is now part of current Protestant and Catholic hymnals.
"Zu Bethlehem geboren" is a German Christmas carol. The text is attributed to Friedrich Spee and was first printed in the collection Geistlichen Psälterlein by Johannes Heringsdorf in Cologne in 1637. The author was unknown until the 20th century, but research of style and content arrived at the attribution. The song was printed with a then-popular secular melody in 1638. The song appears in current Catholic and Protestant hymnals.
"Christ fuhr gen Himmel" is a German Ascension hymn. The church song is based the medieval melody of the Easter hymn "Christ ist erstanden". It was an ecumenical song from the beginning, with the first stanza published in 1480, then included in a Lutheran hymnal in 1545, and expanded by the Catholic Johannes Leisentritt in 1567. It appears in modern German Catholic and Protestant hymnals, and has inspired musical settings by composers from the 16th to the 21st century.
"Das ist der Tag, den Gott gemacht" is a German Christian hymn for Easter. In the Catholic hymnal Gotteslob it appears as Gl 329.
"Einer ist unser Leben" is a poem in five stanzas, written by Lothar Zenetti in 1973. It became a Christian hymn of the genre Neues Geistliches Lied (NGL) with a 1971 melody by Jean Liesse. The song is part of many hymnals, both Catholic and Protestant, and of songbooks, remaining popular in the 21st century.
"Maria, breit den Mantel aus" is one of the most popular Marian hymns in German, first printed in 1640.
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