His wife may have been Magdalen Browne of St Gregory's parish. They married on 1 December 1571. A son, Thomas Bettes, died in August 1593, and a daughter Judith was born in July 1599. Bettes' first wife died, and he married Ellianor Harman on 8 September 1614. John Bettes died in January 1616 and bequeathed his son (also John) a picture of John Bettes the Elder, two easels, and a porphyry slab and muller for grinding pigments.[1]
Frans Hals the Elder was a Dutch Golden Age painter, chiefly of individual and group portraits and of genre works, who lived and worked in Haarlem.
Pieter Brueghelthe Younger was a Flemish painter, known for numerous copies after his father Pieter Bruegel the Elder's work as well as his original compositions. The large output of his studio, which produced for the local and export market, contributed to the international spread of his father's imagery.
Lucas Cranach the Younger was a German Renaissance painter and portraitist, the son of Lucas Cranach the Elder and brother of Hans Cranach.
Isaac Oliver or Olivier was an English portrait miniature painter.
William Larkin was an English painter active from 1609 until his death in 1619, known for his iconic portraits of members of the court of James I of England which capture in brilliant detail the opulent layering of textiles, embroidery, lace, and jewellery characteristic of fashion in the Jacobean era, as well as representing numerous fine examples of oriental carpets in Renaissance painting.
Marcus Gheeraerts was a Flemish artist working at the Tudor court, described as "the most important artist of quality to work in England in large-scale between Eworth and van Dyck" He was brought to England as a child by his father Marcus Gheeraerts the Elder, also a painter. He became a fashionable portraitist in the last decade of the reign of Elizabeth I under the patronage of her champion and pageant-master Sir Henry Lee. He introduced a new aesthetic in English court painting that captured the essence of a sitter through close observation. He became a favorite portraitist of James I's queen Anne of Denmark, but fell out of fashion in the late 1610s.
John de Critz or John Decritz was one of a number of painters of Flemish origin active at the English royal court during the reigns of James I of England and Charles I of England. He held the post of Serjeant Painter to the king from 1603, at first jointly with Leonard Fryer and from 1610 jointly with Robert Peake the Elder.
The artists of the Tudor court are the painters and limners engaged by the monarchs of England's Tudor dynasty and their courtiers between 1485 and 1603, from the reign of Henry VII to the death of Elizabeth I.
Frans Francken I or Frans Francken the Elder was a Flemish painter who was one of the principal painters in Antwerp during the Counter-Reformation. He is mainly known for his large altarpieces and allegorical paintings. He was a member of the Francken dynasty of painters that played an important role in the Antwerp art scene in the 17th century.
Robert Peake the Elder was an English painter active in the later part of Elizabeth I's reign and for most of the reign of James I. In 1604, he was appointed picture maker to the heir to the throne, Prince Henry; and in 1607, serjeant-painter to King James I – a post he shared with John De Critz. Peake is often called "the elder", to distinguish him from his son, the painter and print seller William Peake and from his grandson, Sir Robert Peake, who followed his father into the family print-selling business.
John Jackson was a British portraitist.
John Bettes the Elder was an English artist whose few known paintings date from between about 1543 and 1550. His most famous work is his Portrait of a Man in a Black Cap. His son John Bettes the Younger, with whom he is sometimes confused, was a pupil of Nicholas Hilliard who painted portraits during the reign of Elizabeth I and James I.
Hieronimo Custodis was a Flemish portrait painter active in England in the reign of Elizabeth I.
Pieter de Molijn was a Dutch Golden Age painter and engraver of English birth and Flemish descent.
Jonathan Richardson, sometimes called "the Elder" to distinguish him from his son, was an English artist, collector of drawings and writer on art, working almost entirely as a portrait-painter in London. He was considered by some art-critics as one of the three foremost painters of his time. He was the master of Thomas Hudson and George Knapton. Richardson was even more influential as a writer; he is credited with inspiring Joshua Reynolds to paint and theorise with his book An Essay on the Theory of Painting. This book is credited with being "the first significant work of artistic theory in English."
William Corden the Elder was an English portrait painter and miniaturist known for his commissions from the Royal Family in the mid nineteenth century.
John Bettes may refer to:
Henry Stone, known as "Old Stone", was an English painter and copyist of the works of Van Dyck.
Thomas Heaphy the Elder (1775–1835) was an English water-colour painter, known also for his portraits.
Theodore Russel was an English portrait-painter of Dutch extraction.
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